Step into the enchanting world of Constantinople, a city that bridges continents and cultures, vividly captured in this exquisite edition by Warwick Goble, with evocative descriptions by Alexander Van Millingen. This beautifully restored book, long out of print, invites you to explore the rich tapestry of the Byzantine and Ottoman Empires through stunning illustrations and compelling narratives. Goble s artistry brings to life the historical architecture and vibrant culture of Istanbul, making it a must-have for both casual readers and dedicated collectors of classic literature. This edition is not merely a reprint; it is a cultural treasure, meticulously restored for today s and future generations to cherish. Discover the allure of 19th-century travel narratives as you journey through the streets of Constantinople, where every page reveals the city s profound historical significance and artistic heritage. With its blend of art history and travel, this book serves as a portal to a bygone era, igniting the imagination and inspiring wanderlust. Don t miss your chance to own this remarkable collector s item from Alpha Editions, a testament to the enduring legacy of one of the world s most captivating cities. Perfect for those who appreciate the beauty of illustrated travel books and the cultural heritage of Istanbul, this edition is a celebration of a timeless classic that deserves a place on every bookshelf.

Byzantine Churches in Constantinople Their History and Architecture Alexander Van Millingen e foundations of Justinian the Great. Of the Cross church plan showing the cross externally at the ground level no example survives in the city. But at least one church of that form was seen at Constantinople in the case of the church of the Holy Apostles. This was essentially a mausoleum, built originally by Constantine the Great and reconstructed by Justinian to contain the sarcophagi of the sovereigns and the patriarchs of New Rome.[12] The church of S. Mark at Venice was built on the plan of the Holy Apostles. It is a cruciform church with aisles, but the galleries which might have been expected above them are omitted. The central dome rests on four piers, and four smaller domes cover the arms. Professor Strzygowski gives examples of cross-planned cells in the catacombs of Palmyra, [13] and in many Eastern rock tombs.[14] Such cross plans are found also in the Roman catacombs. These subterranean chapels, of course, do not show the external treatment, yet there can be little doubt that We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

BYZANTINE CHURCHES IN CONSTANTINOPLE THEIR HISTORY AND ARCHITECTURE BY ALEXANDER VAN MILLINGEN, M.A., D.D. 1912 PREFACE THIS volume Is a sequel to the work I published, several years ago, under the title, Byzantine Constantinopie the: Walls of the City, and adjoining Historical Sites. In that work the city was viewed, mainly, as the citadel of the Roman Empire in the East, and the bulwark of civilization for more than a thousand years. But the city of Constantino was not only a mighty fortress. It was, moreover, the centre of a great religious community, which elaborated dogmas, fostered forms of piety, and controlled an ecclesiastical administration that have left a profound impression upon the thought and life of mankind. New Rome was a Holy City. It was crowded with churches, hallowed, it was believed, by the remains of the apostles, prophets, saints, and martyrs of the Catholic Church shrines at which men gathered to worship, from near and far, as before the gates of heaven. These sanctuaries were, furthermore, constructed and beautified after a fashion which marks a distinct and important period in the history of art, and have much to interest the artist and the architect. We have, consequently, reasons enough to justify our study of the churches of Byzantine Constantinople. Of the immense number of the churches which once filled the city but a small remnant survives. Earthquakes, fires, pillage, neglect, not to speak of the facility with which a Byzantine structure could be shorn of its glory, have swept the vast majority off the face of the earth, leaving not a rack behind. In most cases even the sites on which they stood cannot be identified. The places which knew them know them no more. Scarcely a score of the old churches of the city are left to us, all with one exception converted into mosques and sadly altered. The visitor must, therefore, be prepared for disappointment. Age is not always a crown of glory nor does change of ownership and adaptation to different ideas and tastes necessarily conduce to improvement. We are not looking at flowers in their native clime or in full bloom, but at flowers in a herbarium so to speak, or left to wither and decay. As we look upon them we have need of imagination to see in faded colours the graceful forms and brilliant hues which charmed and delighted the eyes of men in other days. In the preparation of this work I have availed myself of the aid afforded by previous students in the same field of research, and I have gratefully acknowledged my debt to them whenever there has been occasion to do so. At the same time this is a fresh study of the subject, and has been made with the hope of confirming what is true, correcting mistakes, and gathering additional information. Attention has been given to both the history and the architecture of these buildings. The materials for the former are, unfortunately, all too scanty. No continuous records of any of these churches exist. A few incidents scattered over wide tracts of time constitute all that can be known.