Instant #1 New York Times Bestseller! Michael Mann, four-time-Oscar-nominated writer-director of The Last of the Mohicans, The Insider, Ali, Miami Vice, Collateral, and Heat teams up with Edgar Award-winning author Meg Gardiner to deliver Mann's first novel, an explosive return to the universe and characters of his classic crime film--with an all-new story unfolding in the years before and after the iconic movie "A hard-boiled, cinematic read that moves as fast as a well-planned heist." --Esquire One day after the end of Heat, Chris Shiherlis (Val Kilmer) is holed up in Koreatown, wounded, half delirious, and desperately trying to escape LA. Hunting him is LAPD detective Vincent Hanna (Al Pacino). Hours earlier, Hanna killed Shiherlis's brother in arms Neil McCauley (Robert De Niro) in a gunfight under the strobe lights at the foot of an LAX runway. Now Hanna's determined to capture or kill Shiherlis, the last survivor of McCauley's crew, before he ghosts out of the city. In 1988, seven years earlier, McCauley, Shiherlis, and their highline crew are taking scores on the West Coast, the US-Mexican border, and now in Chicago. Driven, daring, they're pulling in money and living vivid lives. And Chicago homicide detective Vincent Hanna--a man unreconciled with his history--is following his calling, the pursuit of armed and dangerous men into the dark and wild places, hunting an ultraviolent gang of home invaders. Meanwhile, the fallout from McCauley's scores and Hanna's pursuit cause unexpected repercussions in a parallel narrative, driving through the years following Heat. Heat 2 projects its dimensional and richly drawn men and women into whole new worlds--from the inner sanctums of rival crime syndicates in a South American free-trade zone to transnational criminal enterprises in Southeast Asia. The novel brings you intimately into these lives. In Michael Mann's Heat universe, they will confront new adversaries in lethal circumstances beyond all boundaries. Heat 2 is engrossing, moving, and tragic--a masterpiece of crime fiction with the same extraordinary ambitions, scope, and rich characterizations as the epic film.

“A genre-defying blend of crime writing and science fiction.” –Alexandra Alter, The New York Times Winner of the 2013 Edgar® Award for Best Paperback Original! What’s the point in solving murders if we’re all going to die soon, anyway? Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares. The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered?

The hidden history of the FBI and its hundred-year war against terrorists, spies, and anyone it deemed subversive—including even American presidents. NEW YORK TIMES BESTSELLER • NOW A SHOWTIME ORIGINAL DOCUMENTARY SERIES “Turns the long history of the FBI into a story that is as compelling, and important, as today’s headlines.”—Jeffrey Toobin, author of American Heiress Enemies is the first definitive history of the FBI’s secret intelligence operations, from an author whose work on the Pentagon and the CIA won him the Pulitzer Prize and the National Book Award. We think of the FBI as America’s police force. But secret intelligence is the Bureau’s first and foremost mission. The FBI’s secret intelligence and surveillance techniques have created a tug-of-war between national security and civil liberties, a tension that strains the very fabric of a free republic. Enemies is the story of how presidents have used the FBI to conduct political warfare—and how it has sometimes been turned against them. And it is the story of how the Bureau became the most powerful intelligence service the United States possesses. Named One of the Best Books of the Year by The Washington Post, New York Daily News, and Slate “Pulitzer Prize–winning author Tim Weiner has written a riveting inside account of the FBI’s secret machinations that goes so deep into the Bureau’s skulduggery, readers will feel they are tapping the phones along with J. Edgar Hoover. This is a book that every American who cares about civil liberties should read.” —Jane Mayer, author of Dark Money “Outstanding.” — The New York Times “Absorbing . . . a sweeping narrative that is all the more entertaining because it is so redolent with screw-ups and scandals.” — Los Angeles Times “Fascinating.” — The Wall Street Journal “Important and disturbing . . . with all the verve and coherence of a good spy thriller.” —The New York Times Book Review “Exciting and fast-paced.” — The Daily Beast

Edgar Award winner Jonathan Kellerman once more explores the corruption of California's golden coast and produces a novel of complex characterizations and nonstop suspense. By the time psychologist Dr. Alex Delaware reached the school the damage was done: A sniper had opened fire on a crowded playground, but was gunned down before any children were hurt. While the TV news crews feasted on the scene an Alex began his therapy sessions with the traumatized children, he couldn't escape the image of a slight teenager clutching an oversized rifle. What was the identity behind the name and face: a would-be assassin, or just another victim beneath an indifferent California sky? Intrigued by a request from the sniper's father to conduct a "psychological autopsy" of his child, Alex begins to uncover a strange pattern of innocence, neglect, and loss. Then suddenly it is more than a pattern -- it is a trail of blood. In the dead sniper's past was a dark and vicious plot. And in Alex Delaware's future is the stuff of grown-up nightmares: the face of real human evil. Also available on BDD Audio Cassette. From the Paperback edition.

2017 Reprint of 1925 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Although admired by D. H. Lawrence, this modern classic went generally unnoticed during the years after its publication in 1925. Yet it is "a fundamental book, essential if one proposes to come to terms with American literature" (Times Literary Supplement). William Carlos Williams was not a historian, but he was fascinated by the texture of American history. Beginning with Columbus's discovery of the Indies and moving on through Sir Walter Raleigh, Cotton Mather, Daniel Boone, George Washington, Ben Franklin, Aaron Burr, Edgar Allan Poe, and Abraham Lincoln, Williams found in the fabric of familiar episodes new shades of meaning and configurations of character. He brought a poetic imagination to the task of reconstructing a live tradition for Americans, and what results is one of the finest works of prose to have been penned by any writer of the twentieth century.

From #1 New York Times bestselling author Lee Goldberg comes the second thrilling book in action-packed JURY SERIES, the novels that launched his career in the 1980s. After a family tragedy, Brett Macklin has sworn to take the law into his own hands and make the guilty pay. This time, Macklin's target is Wesley Saputo, porn kingpin and murderer, who has slipped through the courts time after time, only to kidnap, rape and kill again...and again. Macklin's mission: locate and destroy Saputo before he finds another innocent life to destroy. (Originally published as "Make Them Pay," the second book in the ".357 Vigilante" series, under the pen name Ian Ludlow.) Other books in the series: JUDGMENT * PAYBACK * GUILTY ABOUT THE AUTHOR Lee Goldberg is a two-time Edgar & two-time Shamus Award nominee and the #1 New York Times bestselling author of over thirty novels, including the Wall Street Journal bestseller True Fiction , fifteen Monk mysteries and the first five internationally bestselling Fox & O'Hare books ( The Heist, The Chase, The Job, The Scam, The Pursuit ) co-written with Janet Evanovich, and the #1 Amazon bestselling Eve Ronin novels ( Lost Hills, Bone Canyon, Gated Prey, Movieland ). He's also written and/or produced scores of TV shows, including Diagnosis Murder, SeaQuest, Monk, and The Glades and is the co-creator of the hit Hallmark Mystery Movie series Mystery 101 . As an international television consultant, he has advised networks and studios in Canada, France, Germany, Spain, China, Sweden, and the Netherlands on the creation, writing and production of episodic television series. He is also the cofounder of the publishing company Brash Books.

New York Times bestselling author Laura Lippman’s Tess Monaghan must put her PI skills to the ultimate test when she falls into the crosshairs of a psychopath who knows everything about her. For the past fifty years on the birth date of Edgar Allan Poe, a person wearing a cloak has placed three roses and a half bottle of cognac on the writer’s gravesite. PI Tess Monaghan has never witnessed the event. But when John P. Kennedy, an eccentric antiques dealer, asks her to uncover the identity of the caped visitor, who he believes has duped him with the sale of an inauthentic antique, Tess decides to hold vigil on the night the cloaked stranger is expected to make an appearance. But the custom takes on a bizarre, fatal twist when two cloaked figures arrive. The imitator leaves his tribute and then makes his escape…after shooting the first visitor. Warning bells tell Tess to steer clear of this case. But when roses and cognac appear on her doorstep, Tess’s curiosity is piqued. She soon discovers that John P. Kennedy has vanished into thin air and much of what he told her was questionable. Then the identity of the shooting victim comes to light, and all clues seem to point to the possibility he was the target of a hate crime. But Tess isn’t convinced. What was his connection to the decades-long Edgar Allan Poe tradition and to the killer? When more cryptic clues are left at her home, Tess realizes that someone is watching her every move...someone who’s bent on killing again.

A Kiss Before Dying not only debuted the talent of best-selling novelist Ira Levin to rave reviews and an Edgar Award, it also set a new standard in the art of psychological suspense. It tells the shocking tale of a young man who will stop at nothing--not even murder--to get where he wants to go. For he has dreams; plans. He also has charm, good looks, intelligence. And he has a problem. Her name is Dorothy; she loves him, and she's pregnant. The solution may demand desperate measures. But, then, he looks like the kind of guy who could get away with murder.

A Recommended Read from: The Los Angeles Times * Town and Country * The Seattle Times * Publishers Weekly * Lit Hub * Crime Reads * Alma From the author of The Real Lolita and editor of Unspeakable Acts, the astonishing story of a murderer who conned the people around him—including conservative thinker William F. Buckley—into helping set him free In the 1960s, Edgar Smith, in priso[Bokinfo]

Discusses the cause célèbre of Edgardo Mortara, who in 1858, at the age of six, was taken by force from his Jewish home in Bologna by the pontifical police on the grounds that he had been baptized as an infant by a family servant. Despite the efforts of his family, Jews in Italy and abroad, and foreign ambassadors and rulers, he was never returned to his family. Pope Pius IX defended the Church's policy of remaining true to its salvationist ideology, and refused to surrender the boy. Edgardo ultimately chose not to return to Judaism but to become a priest. (He died in a Belgian abbey in March 1940.) The case is shown to be pivotal in terms of the unification of Italy and the loss of papal power. Describes the various ways Jews attempted, unsuccessfully, to free Mortara: quiet diplomacy, legal means, the involvement of influential Jews, the Jewish and non-Jewish press, and self-defense organizations (the Alliance Israélite Universelle was founded in reaction to the kidnapping). Reveals much about Christian-Jewish relations on the political and social level, one aspect of which was relations between Jewish employers and Christian servants.

From a Pulitzer Prize-winning biographer, the most revealing, fascinating, and important biography of one of our greatest literary figures. "An authoritative biography that both clarifies many problems in Poe's life that have baffled readers for a century and a half and enriches interpretation of many of Poe's writings"--New York Times Book Review

Hailed as one of the best crime fiction writers in America today, New York Times bestselling author Laura Lippman now reveals another level of her mastery. Each of these ingenious tales is a gem—including the Edgar and Anthony awards-nominated story, Scratch a Woman , in which Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood. Sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals, here are enthralling excursions to the dark side from "one of today's most pleasing storytellers" ( San Diego Union-Tribune ).

Meet Oliver, a prince literally taken from the pages of a fairy tale and transported into the real world. Meet Delilah, the girl who wished Oliver into being. It's a miracle that seems perfect at first - but there are complications. To exist in Delilah's world, Oliver must take the place of a regular boy. Enter Edgar, who agrees to play Oliver's role in the pages of Delilah's favourite book. But just when it seems that the plan will work, everything gets turned upside down ... In this multilayered universe, the line between what is on the page and what is possible is blurred, but all must be resolved for the characters to live happily ever after ... Off the Page is a tender and appealing romantic novel filled with humour, adventure and magical relationships.

Nominated for the Edgar Award for Best Fact Crime Book of the Year, this "New York Times" bestseller tells the true story of NYPD detective Rick Cowan, whose undercover odyssey led to the biggest mob takedown in the history of New York City.

National Bestseller * One of the year's most acclaimed works of nonfiction A BEST BOOK OF THE YEAR: New York Times, Washington Post, New Yorker, Chicago Tribune, Kirkus, New York Post, Fast Company From legendary historian Adam Hochschild, a "masterly" (New York Times) reassessment of the overlooked but startlingly resonant period between World War I and the Roaring Twenties, when the foundations of American democracy were threatened by war, pandemic, and violence fueled by battles over race, immigration, and the rights of labor The nation was on the brink. Mobs burned Black churches to the ground. Courts threw thousands of people into prison for opinions they voiced--in one notable case, only in private. Self-appointed vigilantes executed tens of thousands of citizens' arrests. Some seventy-five newspapers and magazines were banned from the mail and forced to close. When the government stepped in, it was often to fan the flames. This was America during and after the Great War: a brief but appalling era blighted by lynchings, censorship, and the sadistic, sometimes fatal abuse of conscientious objectors in military prisons--a time whose toxic currents of racism, nativism, red-baiting, and contempt for the rule of law then flowed directly through the intervening decades to poison our own. It was a tumultuous period defined by a diverse and colorful cast of characters, some of whom fueled the injustice while others fought against it: from the sphinxlike Woodrow Wilson, to the fiery antiwar advocates Kate Richards O'Hare and Emma Goldman, to labor champion Eugene Debs, to a little-known but ambitious bureaucrat named J. Edgar Hoover, and to an outspoken leftwing agitator--who was in fact Hoover's star undercover agent. It is a time that we have mostly forgotten about, until now. In American Midnight, award-winning historian Adam Hochschild brings alive the horrifying yet inspiring four years following the U.S. entry into the First World War, spotlighting forgotten repression while celebrating an unforgettable set of Americans who strove to fix their fractured country--and showing how their struggles still guide us today.

"From Academy Award-nominated producer Brian Grazer and acclaimed business journalist Charles Fishman comes a brilliantly entertaining peek into the weekly "curiosity conversations" that have inspired Grazer to create some of America's favorite and iconic movies and television shows--from 24 to A Beautiful Mind. For decades, film and TV producer Brian Grazer has scheduled a weekly "curiosity conversation" with an accomplished stranger. From scientists to spies, and adventurers to business leaders, Grazer has met with anyone willing to answer his questions for a few hours. These informal discussions sparked the creative inspiration behind many of Grazer's movies and TV shows, including Splash, 24, A Beautiful Mind, Apollo 13, Arrested Development, 8 Mile, J. Edgar, and many others. A Curious Mind is a brilliantly entertaining, fascinating, and inspiring homage to the power of inquisitiveness and the ways in which it deepens and improves us. Whether you're looking to improve your management style at work or you want to become a better romantic partner, this book--and its lessons on the power of curiosity--can change your life"--

An Edgar(R) Award Nominee for Best Novel Jesse Kellerman--the international bestselling author of The Executor and The Genius-- brings his prodigious talent to bear on a topic he knows well in this hilarious and surprising spin on the modern blockbuster thriller novel. Missing for months after a tragic boating accident, William de Vallée, the superstar thriller writer, is pronounced dead. His oldest friend, Arthur Pfefferkorn, receives the news with an unsettling mix of grief and envy. A middle-aged college professor with long-dead literary aspirations, Pfefferkorn can't help but feel outshone by his friend's success--especially since he married the woman Pfefferkorn loved. But now Bill is gone, and Pfefferkorn is there to comfort Carlotta in her time of grief. Reconnecting with de Vallée's widow makes more than one of his dreams come true . . . until it plunges him into a shadowy world of intrigue and double crosses, where no one can be trusted--and nothing can be taken seriously.

A brilliant, idiosyncratic collection of introductions and afterwords (plus some liner notes) by New York Times bestselling and Pulitzer Prize winning author Michael Chabon—“one of contemporary literature’s most gifted prose stylists” (Michiko Kakutani, New York Times). In Bookends, Pulitzer Prize winning author Michael Chabon offers a compilation of pieces about literature—age-old classics as well as his own—that presents a unique look into his literary origins and influences, the books that shaped his taste and formed his ideas about writing and reading. Chabon asks why anyone would write an introduction, or for that matter, read one. His own daughter Rose prefers to skip them. Chabon's answer is simple and simultaneously profound: "a hope of bringing pleasure for the reader." Likewise, afterwords—they are all about shared pleasure, about the "pure love" of a work of art that has inspired, awakened, transformed the reader. Ultimately, this thought-provoking compendium is a series of love letters and thank-you notes, unified by the simple theme of the shared pleasure of discovery, whether it's the boyhood revelation of the most important story in Chabon's life (Ray Bradbury's "The Rocket Man"); a celebration of "the greatest literary cartographer of the planet Mars" (Edgar Rice Burroughs, with his character John Carter); a reintroduction to a forgotten master of ghost stories (M. R. James, ironically "the happiest of men"); the recognition that the worlds of Wes Anderson's films are reassembled scale models of our own broken reality (as is all art); Chabon's own rude awakening from the muse as he writes his debut novel, The Mysteries of Pittsburgh; or a playful parody of lyrical interpretation in the liner notes for Mark Ronson's Uptown Special, the true purpose of which, Chabon insists, is to "spread the gospel of sensible automotive safety and maintenance practices." Galaxies away from academic or didactic, Bookends celebrates wonder—and like the copy of The Phantom Tollbooth handed to young Michael by a friend of his father he never saw again—it is a treasured gift.

Since 1986, the Best American Essays series has gathered the best nonfiction writing of the year and established itself as the best-selling anthology of its kind. In this year's edition, essay veteran Katha Pollitt writes about learning to drive, and Adam Gopnik describes his daughter's peculiar take on our culture of busyness. Other creative-nonfiction luminaries are featured as well: Andre Aciman explores the emotional and nostalgic resonances of scents, and Michael Pollan considers the various ways of understanding animal rights. Culled from well-known magazines like The New Yorker and the New York Times Magazine, and smaller periodicals like Raritan and the Georgia Review, these diverse and wide-ranging essays are sure to thrill fans of the genre. Since its inception in 1915, the Best American series has become the premier annual showcase for the country's finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected -- and most popular -- of its kind. From The New Yorker to the Threepenny Review, from the Atlantic Monthly to DoubleTake, the editors of The Best American Essays have scoured the country's best magazines in search of the most artful and powerful writing around. This thoughtful, provocative collection is the result of their search. Andre Aciman Donald Antrim Atul Gawande Adam Gopnik Michael Pollan Katha Pollitt Susan Sontag John Edgar Wideman

Countless school children have recited the opening line of Poe's The Raven: "Once upon a midnight dreary, while I pondered, weak and weary..." But Poe is valued not only for his poetry. He was also a prolific writer of short stories, the creator of two literary forms that readers everywhere enjoy--the detective story and the horror thriller.