A former Marine and ex-FBI agent, Joe has seen one too many crime scenes and known too much trauma, and not just in his professional life. Solitary and haunted, he prefers to be invisible. He doesn't allow himself friends or lovers and makes a living rescuing young girls from the deadly clutches of the sex trade. But when a high-ranking New York politician hires him to extricate his teenage daughter from a Manhattan brothel, Joe uncovers a web of corruption that even he may be able to unravel. When the men on his trial take the only person left in the world who matters to him, he forsakes his pledge to do no harm. If anyone can kill his way to the truth, it's Joe.

Written by Jonathan Ames Art and cover by Dean Haspiel "Hysterically funny and gut-wrenchingly dramatic...graphic lit at it's best." - WIZARD MAGAZINE "Painfully honest, shockingly revealing and totally riveting." - Blair Butler, G4TV "An engaging graphic novel . . . Unflinching . . . Powerful." - THE NEW YORK TIMES "Tender, funny and heartbreaking." - PHILADELPHIA INQUIRER Jonathan A. is a boozed-up, coked-out, sexually confused, hopelessly romantic and, of course, entirely fictional novelist who bears only a coincidental resemblance to real-life writer Jonathan Ames, critically acclaimed author of Wake Up, Sir!, The Extra Man and What's Not to Love? For the fictional Jonathan, writing and drinking come easy. The hard parts of life are love and hope. From a touching relationship between Jonathan and his aging great aunt, to an inebriated evening with an amorous, octogenarian dwarf, Ames's first original graphic novel, with gritty, poignant art by Dean Haspiel (THE QUITTER), tells a story about how our lives fall to pieces and the enduring human struggle to put things back together again. Advance-solicited; on sale September 16 - 136 pg, 6.875" x 9", B&W, $14.99 US - MATURE READERS

Wildly original novelist, essayist, and performance artist Jonathan Ames delivers a hilarious, risqué, and loveable selection of articles, essays, and fiction, including several previously unpublished pieces. In The Double Life Is Twice as Good , fans will be treated to a deft and charming compilation of Ames’s journalism, personal essays, and short fiction. Featuring illuminating profiles of Marilyn Manson and Lenny Kravitz, his adventures at a goth festival in the Midwest, a story written for Esquire on a napkin, as well as a comic strip collaboration with graphic artist Nick Bertozzi, Ames’s unique style and personality-driven humor shines throughout this wickedly funny collection. Also included is the short story, “Bored to Death,” a Raymond Chandler–esque tale about a struggling writer-turned-detective who becomes quickly embroiled in the search for a missing college co-ed, which inspired the HBO series of the same name. Described by The Portland Oregonian as “an edgier David Sedaris,” Ames will have you hooked with this brilliant collection.

Alive with love and tenderness for his son, his parents, and even strangers in bars late at night, this latest collection by Ames looks beneath the surface of our world to find the beauty in the perverse, the sweetness in loneliness, and the humor in pain.

My Less Than Secret Life is the companion volume to Jonathan Ames's first memoirish endeavor, "the mildly perverted and wildly amusing" (Vanity Fair) What's Not to Love? This collection of the cult author's fiction and essays includes Ames's public diary, the bi-weekly columns he penned for the New York Press. The entries of this diary are a record of his mad adventures: his ill-fated debut as an amateur boxer fighting as ‘The Herring Wonder', a faltering liaison with a Cuban prostitute, his public outing of George Plimpton as a Jew, his discussion with Eve Ensler about his dear friend The Mangina, a renegade mission as a Jew into the heart of Waspy Maine, and other such harrowing escapades. Whether trying to round up a partner for an orgy, politely assisting in an animal sacrifice, or scamming tickets to the WWF's Royal Rumble for his son, Jonathan Ames proves himself a ballsier Everyman whose transgressions and compassionate meditations will satisfy the voyeur and encourage the halfhearted. But be warned. As Jonathan says, "I don't like to be a bad influence. It's bad enough that I have influence over myself." "...Ames has always been one of my favorite contemporary writers ... for his ... fearless commitment to the most demanding psychosexual comedies."—Rick Moody