Americans like to believe that they live in a classless society. Most Americans defiantly identify themselves as middle class, although economic inequality is greater in the United States than in most advanced Western nations. Offering an important revision of conventional wisdom, Stanley Aronowitz demonstrates that class remains a potent force in the United States. Aronowitz shows that class need not be understood simply in terms of socioeconomic stratification, but rather as the power of social groups to make a difference. Aronowitz explains that social groups from different economic and political positions become ruling classes when they make demands that change the course of history. For instance, labor movements, environmental activists, and feminists have engaged in class struggles as their demands for power reconfigured the social order. The emerging global justice movements--comprised of activists from heterogeneous social and political backgrounds--also show potential for class formation. Written by a prominent scholar and social activist, this book offers a stunning reconceptualization of the meaning and significance of class in modern America.

Product Description The question of culture has become central for a new generation of scholars raised in a world of television and mass production. At the same time debates about culture have become a point of reference for criticism of current trends in academia and society, variously defended or derided on the grounds of "multiculturalism," "canonicity," and political correctness." In his re-examination off these debates, Stanley Aronowitz traces the history of the cultural issue - in both its British and American manifestations - and relates it to the contemporary rethinking of the nature of knowledge and culture. Roll Over Beethoven analyzes topics as diverse as the history of American radicalism, the sociology if science, the impact of the Library of Congress on the organization of knowledge, and the institutionalization of film studies. Aronowitz's account of recent controversies over "political correctness" reveals that the current culture wars reflect profound differences among scholars over the proper role of the university and the character of legitimate intellectual knowledge. Within this broad reappraisal of the cultural question, which is embedded in the intellectual history of the 20th century, Aronowitz offers an "interpretive genealogy" of cultural studies that describes both the evolution of the field and the political and social contexts in which it developed. He argues that cultural studies exhibit a tendency toward transgression that is rarely explicit but always present and, at its best, not merely interdisciplinary but anti-disciplinary. From Publishers Weekly In this "interpretive genealogy of cultural studies," sociologist Aronowitz ( The Politics of Identity ) offers a history of this field with an eye toward examining how the nature of intellectual knowledge is defined. Though the book meanders from present-day politics to the historical debate over "high" and "low" culture to the role of the New Left in popular culture, Aronowitz's style is fairly accessible. Some arguments are undeveloped, as when he urges the Left to vigorously support the First Amendment but then suggests that "any community has a right to set limits on what it considers acceptable speech." In a chapter on the cultural politics of the Popular Front, Aronowitz offers an engaging memoir of his Bronx boyhood, recalling his rich encounters with classical and popular music and his study of political economy at a Communist Party school; he then analyzes novels and plays of the era, defending them against charges of populist oversimplification. After addressing current debates over the idea of an academic "canon," he notes that "virtually any significant educational innovation already has a history somewhere in the annals of the American academic system." Copyright 1993 Reed Business Information, Inc. From Library Journal Through his books on the labor movement, social theory, education theory, and the politics of science, Aronowitz has become one of the most interesting intellectuals on the contemporary scene. His latest work traces the emergence of "Cultural Studies" and emphasizes its invigorating impact on the humanities and social sciences. Written in an entertaining and informative style, Roll Over Beethoven could become the book that helps introduce large numbers of readers to the exciting new field of cultural interpretation. Individual chapters explore such topics as "high" versus "low" culture, culture and politics in the 1930s, the state of popular culture in contemporary America, and the relationship of cultural studies to the literary and philosophical canon. Along the way, Aronowitz offers a sophisticated critique of the revanchist critics of the modern university (Allan Bloom, William Bennett, et al.). This is a first-rate text that deserves the widest possible readership. - Kent Worcester, Social Science Research Council, New York Copyright 1993 Reed Business Information, Inc.

Americans have always believed that economic growth leads to job growth. In this groundbreaking analysis, Stanley Aronowitz argues that this is no longer true. Just Around the Corner examines the state of the American economy as planned by Democrats and Republicans over the last thirty years. Aronowitz finds that economic growth has become "delinked" from job creation, and that unemployment and underemployment are a permanent condition of our economy. He traces the historical roots of this state of affairs and sees under the surface of booms and busts a continuum of economic austerity that creates financial windfalls for the rich at the expense of most Americans. Aronowitz also explores the cultural and political processes by which we have come to describe and accept economics in the United States. He concludes by presenting a concrete plan of action that would guarantee employment and living wages for all Americans. With both measured analysis and persuasive reasoning, Just Around the Corner provides an indispensable guide to our current economic predicament and a bold challenge to economists and policymakers.

C. Wright Mills (1916-1962) was a pathbreaking intellectual who transformed the independent American Left in the 1940s and 1950s. Often challenging the established ideologies and approaches of fellow leftist thinkers, Mills was central to creating and developing the idea of the "public intellectual" in postwar America and laid the political foundations for the rise of the New Left in the 1960s. Written by Stanley Aronowitz, a leading sociologist and critic of American culture and politics, Taking It Big reconstructs this icon's formation and the new dimension of American political life that followed his work. Aronowitz revisits Mills's education and its role in shaping his outlook and intellectual restlessness. Mills defined himself as a maverick, and Aronowitz tests this claim (which has been challenged in recent years) against the work and thought of his contemporaries. Aronowitz describes Mills's growing circle of contacts among the New York Intellectuals and his efforts to reenergize the Left by encouraging a fundamentally new theoretical orientation centered on more ambitious critiques of U.S. society. Blurring the rigid boundaries among philosophy, history, and social theory and between traditional orthodoxies and the radical imagination, Mills became one of the most admired and controversial thinkers of his time and was instrumental in inspiring the student and antiwar movements of the 1960s. In this book, Aronowitz not only reclaims this critical thinker's reputation but also emphasizes his ongoing significance to debates on power in American democracy.

Building a new platform for change, prominent social critic Stanley Aronowitz diagnoses America's crisis of democracy and the dangers of the new authoritarianism. Aronowitz draws on his vast knowledge of history and political theory and from currents of political change around the globe, from the traditions of the European left to the newest political trends in Latin America that have challenged the "death of socialism. Demonstrating why Democrats lose when they cling to centrism and compromise their core values, this book shows us what a new left party in America would look like in an era of globalization, terrorism, and a crisis of public confidence in government.

"Union membership in the United States has fallen below 11 percent, the lowest rate since before the New Deal. Longtime scholar of the American union movement Stanley Aronowitz argues that the labor movement as we have known it for most of the last 100 years is effectively dead. And he asserts that this death has been a long time coming--the organizing principles chosen by the labor movement at midcentury have come back to haunt the movement today. In an expansive survey of new initiatives, strikes, organizations and allies Aronowitz analyzes the possibilities of labor's renewal, and sets out a program for a new, broad, radical workers' movement"--

The Death and Rebirth of American Radicalism differentiates the ""Social Justice Left"" from ""Cultural Radicalism"" and the various social movements for individual freedom. In The Death and Rebirth of American Radicalism, Stanley Aronowitz asks the question, ""Is there anything left of the Left?"" With the rise of Newt Gingrich and his ""Contract With America,"" how is it that conservativism staged such a remarkable recovery after being discounted in the turbulent 1960s? Aronowitz addresses these and other burning issues of contemporary politics.