Arthur Miller has set this devastating play inside a mind. The mind belongs to Quentin, a lawyer with a lofty reputation and a prosecutor's zeal for pursuing the finest threads of guilt. Yet the guilt that most obsesses Quentin is his own: his guilt as son and husband, friend, lover, and man. And in the course of his plunge through the labyrinths of consciousness and conscience, Quentin will be joined by several hostile witnesses -- from the partner he abandoned to the beautiful, childlike wife he couldn't save. Masterly in its orchestration, searing in its candor, After the Fall is a victory of the moral imagination. Book jacket.

THE STORY: Angela, a hard-bitten call-girl, is visited by Tom, a private detective of long acquaintance, who is convinced that she can supply information about a murder case which, some years earlier, resulted in a miscarriage of justice. As Tom plays on their former closeness, trying to draw out the facts he seeks, Angela withdraws behind a schizophrenic screen of multiple personalities ranging from a brazen creature named Leontyne, to a shrinking violet called Emily, to a haughty English-woman named Renata. Doggedly persistent, Tom does, in the end, break through the fears which have driven Angela to hide the truth within herself. With chilling intensity she pours through a tale of duplicity and corruption and recounts how an innocent man ended up paying for the crimes of others. As the play ends Tom offers to drive Angela to her next assignation-relieved that his quest has ended but, at the same time, disturbed by the knowledge that his worst fears have been borne out.