"Journalist, party girl, bookworm, muse, artist: by the time she'd hit thirty, Eve Babitz had been all of these things. Immortalized as the nude beauty facing Duchamp over a chessboard and as one of Ed Ruscha's Five 1965 Girlfriends, it turns out that Babitz was a writer with stories of her own. In Eve's Hollywood she gives us indelible snapshots of southern California's haute bohemians, of surpassingly lovely high school ingenues ("people with brains went to New York and people with faces came West") and enviably tattooed Chicanas, of burnt-out rock stars in the Chateau Marmont. In her deceptively conversational prose, we are brought along on a ride through an LA of perpetual delight: to a joint serving the perfect taquito, to the corner of La Brea and Sunset where we make eye contact with a rollerskating hooker, through the Watts Towers, and shopping at Central Market. This "daughter of the wasteland" is here to show us that her city is no wasteland at all, but a glowing landscape, swaying with fruit trees and bougainvillea, buffeted by earthquakes and Santa Ana winds. By the end, there is little doubt that Babitz herself is proof there's more to Hollywood than meets the eye"--

With Eve's Hollywood Eve Babitz lit up the scene in 1974. The books that followed, among them Slow Days, Fast Company and Sex and Rage, have seduced generations of readers with their unfailing wit and impossible glamour. What is less well known is that Babitz was a working journalist for the better part of three decades, writing for the likes of Rolling Stone, Vogue, and Esquire, as well as for off-the-beaten-path periodicals like Wet: The Magazine of Gourmet Bathing and Francis Ford Coppola's short-lived City. Whether profiling Hollywood darlings, getting to the bottom of health crazes like yoga and acupuncture, remembering friends and lovers from her days hobnobbing with rock stars at the Troubadour and art stars at the Ferus Gallery, or writing about her beloved, misunderstood hometown, Los Angeles, Babitz approaches every assignment with an energy and verve that is all her own. I Used to Be Charming gathers nearly fifty pieces written between 1975 and 1997, including the full text of Babitz's wry book-length investigation into the pioneering lifestyle brand Fiorucci. The title essay, published here for the first time, recounts the accident that came close to killing her in 1996; it reveals an uncharacteristically vulnerable yet never less than utterly charming Babitz.