"When Penguin released a new, unexpurgated edition of D.H. Lawrence's Lady Chatterley's Lover in 1960 they were charged with the crime of publishing obscene material. Penguin was forced to defend the book's literary merit in a court of law -- thus beginning one of the most famous trials of the 20th century. There to take it all in, armed with her pencil and paper, was Sybille Bedford -- who wastes no time complaining about the claustrophobia of Courtroom 1 at the Old Bailey. With her trademark wit and flair, Bedford presents us with a play-by-play of the trial: from the prosecution's questioning of the novel's thirteen sexual encounters and their listing of all 66 instances of swear words, to the dozens of witnesses who testified -- including the Bishop of Woolwich and E. M. Forster. Bedford gives us a timeless and dramatic account that captures one of the most fascinating and absurd moments in both legal and publishing history, when attitudes and morals shifted forever."--Inside cover

The Kaiser's Germany is the setting of Sybille Bedford's first and best-known novel, in which two families -- one from solid, upholstered Jewish Berlin, the other from the somnolent, agrarian Catholic South -- become comically, tragically, irrevocably intertwined. "Each family," writes the author, "stood confident of being able to go on with what was theirs, while in fact they were playthings, often victims, of the now united Germany and what was brewing therein." Did the monstrous thing that followed have its foundation in families such as these? "Writing about them made me think so. Hence the title."

'Going to law courts is a good education for a novelist. It provides you with the most extravagant material, and it teaches the near impossibility of reaching the truth.' Sybille Bedford, Paris Review (1993) For The Faces of Justice (1961) Sybille Bedford journeyed through Europe to sit in the press box of the courts of law - high courts, low courts, police courts. In England, Germany, Austria, Switzerland, France, she watched the prisoners at the bar, the accusing community arrayed against them, the advocates, the jurors, the judges on the bench. She saw justice being attempted under the law - the best we can do, the worst we can do - varying in subtle yet astonishing ways from country to country. The result is a story about justice, humanity and the individual - moving, dramatic, superbly observed, splendidly told.