This volume covers a pivotal era in the formation of American identity. Four leading scholars connect the literature with the massive historical changes then underway. Richard Brodhead describes the foundation of a permanent literary culture in America. Nancy Bentley locates the origins of nineteenth century Realism in an elite culture's responses to an emergent mass culture, embracing high literature (writers like William Dean Howells and Henry James) as well as a wide spectrum of cultural outsiders: African Americans, women, and Native Americans. Walter Benn Michaels emphasizes the critical role that turn-of-the-century fiction played in the re-evaluation of the individual at the advent of modern bureaucracy. Susan L. Mizruchi analyzes the literary responses to a new national heterogeneity that helped shape the multicultural future of modern America. Together, these narratives constitute the richest, most detailed account to date of American literature and culture between 1860 and 1920.

"This is a dazzling performance. It supplies conceptual links between phenomena where historians have often sensed a connection without being able to describe it adequately. . . [Bercovitch] has written intellectual history at the highest level."—Edmund S. Morgan, New York Review of Books

The Rites of Assent examines the cultural strategies through which "America" served as a vehicle simultaneously for diversity and cohesion, fusion and fragmentation. Taking an ethnographic, cross-cultural approach, The Rites of Assent traces the meanings and purposes of "America" back to the colonial typology of mission, and specifically (in chapters on Puritan rhetoric, Cotton Mather, Jonathan Edwards, and the movement from Revival to Revolution) to the legacy of early New England.

Over the last two decades a major revaluation has been taking place of the colonial Puritan imagination. With the growth of interest in early American literature has come increasing recognition of its quality and a better understanding of its place in the continuity of American culture. However, much of the best critical work to date has been published as articles in scholarly journals, and in bringing together for the first time the best work in this growing field the present anthology fills a number of important needs. It is at once a valuabale and accessible introduction for students, a summing-up of a new enterprise, and a guide for further studies.

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