As a novelist, art critic, and cultural historian, John Berger is a writer of dazzling eloquence and arresting insight whose work amounts to a subtle, powerful critique of the canons of our civilization. In About Looking he explores our role as observers to reveal new layers of meaning in what we see. How do the animals we look at in zoos remind us of a relationship between man and beast all but lost in the twentieth century? What is it about looking at war photographs that doubles their already potent violence? How do the nudes of Rodin betray the threats to his authority and potency posed by clay and flesh? And how does solitude inform the art of Giacometti? In asking these and other questions, Berger quietly -- but fundamentally -- alters the vision of anyone who reads his work.

"In this Booker Prize-winning classic, a Casanova-esque young man searches for philosophical and sexual fulfillment as he seduces his way across Europe on the eve of World War I. John Berger's picaresque work, one of the author's best novels, is an inspired exploration of intimacy and loneliness set at the turn of the 20th century. In this luminous novel about a modern Don Juan, John Berger relates the story of G., a young man forging an energetic sexual career in Europe during the early years of the last century as Europe teeters on the brink of war. With profound compassion, Berger explores the hearts and minds of both men and women, and what happens during sex, to reveal the conditions of the libertine's success: his essential loneliness, the quiet cumulation in each of his sexual experiences of all of those that precede it, the tenderness that infuses even the briefest of his encounters, and the way women experience their own extraordinariness through their liaisons with him. Set against the turbulent backdrop of Garibaldi's attempt to unite Italy, the failed revolution of Milanese workers in 1898, the Boer War, and the dramatic first flight across the Alps, G. is a brilliant novel about the search for intimacy in the turmoil of history"-- Provided by publisher.

Booker Prize-winning author John Berger gives a novel both tragic and joyous, intelligent and erotic. In To the Wedding , a blind Greek peddler tells the story of the wedding between a fellow peddler and his bride in a remarkable series of vivid and telling vignettes. As the book cinematically moves from one character's perspective to another, events and characters move toward the convergence of the wedding--and a haunting dance of love and death.

The author of the famous "Ways of Seeing" and the novel "G" (winner of the 1972 Booker Prize) has now published a collection of short stories, poems and sketches about the life and culture of a French peasant community, its gossip, its memories and its relationship with the land.

John Berger's explorations of the relationships between the individual and society, culture and politics, and experience and expression through the written word, films, photographic collaborations and performances are unmatched in their diversity, ambition and reach. His television series and book "Ways of Seeing" revolutionized the way that art is understood. Now, "Understanding a Photograph" gathers the photography writings of one of the most internationally influential authors of the past 50 years. "Understanding a Photograph" is arranged chronologically, leading the reader on a thought-provoking journey through selected essays from hallmark works such as "About Looking" and "Another Way of Telling," as well as previously uncollected pieces written for exhibitions or catalogues that discuss a wide range of artists--from August Sander to Jitka Hanzlova. This collection of some 25 texts has been carefully selected by novelist and essayist Geoff Dyer, who has also written a critical study of Berger's oeuvre. John Berger (born 1926) is a novelist, poet, screenwriter and critic. He is the author of numerous works of fiction and nonfiction, including "To the Wedding," "About Looking" and "G.," for which he was awarded the Booker Prize. Among his best-known works are the television series and book, "Ways of Seeing." He has received prestigious awards for his writing, including the Petrarca-Preis and a Golden PEN Award.

Booker-winning novelist, playwright, essayist, poet and critic, John Berger has excelled in a variety of literary fields. This collection of essays takes a definitive look at his career. Berger's essays were ground breaking, polemic, reflective, and radically original. Spanning more than 40 years of intellectual enquiry and political engagement, these essays are viewed chronologically to provide a kind of vicarious autobiography and a history of time refracted through the prism of art.

First published thirty years ago, John Berger's tender and bittersweet novel is a book of dreams of freedom and romance, dreams that intoxicate and redeem, dreams that have the power to exalt their dreamers or dash them against hard truth.It is the unforgettable, often comical portrait of a dreamer, one William Corker, the genteel proprietor of a London employment agency, who, in his sixty-third year, has just moved out of the house he shared with his overbearing sister. As Corker takes his first steps into a life of passions, Berger creates a character of astonishing depth and liveliness—a man whose fantasies and ambitions are at once splendid and tragic.

A pictoral essay by the great art critic, novelist and long-time smoker, John Berger, and Turkish writer and illustrator Selçuk Demirel. "Once upon a time, men, women and (secretly) children smoked." This charming illustrated work reflects on the cultural implications of smoking, and suggests, through a series of brilliantly inventive illustrations, that society's attitude to smoke is both paradoxical and intolerant. It portrays a world in which smokers, banished from public places, must encounter one another as outlaws. Meanwhile, car exhausts and factory chimneys continue to pollute the atmosphere. Smoke is a beautifully illustrated prose poem that lingers in the mind. "A cigarette is a breathing space. It makes a parenthesis. The time of a cigarette is a parenthesis, and if it is shared you are both in that parenthesis. It's like a proscenium arch for a dialogue." - John Berger (in interview)