In this major work, Blumenberg takes issue with Karl Löwith's well-known thesis that the idea of progress is a secularized version of Christian eschatology, which promises a dramatic intervention that will consummate the history of the world from outside. Instead, Blumenberg argues, the idea of progress always implies a process at work within history, operating through an internal logic that ultimately expresses human choices and is legitimized by human self-assertion, by man's responsibility for his own fate.

In this rich examination of how we inherit and transform myths, Hans Blumenberg continues his study of the philosophical roots of the modern world. Work on Myth is in five parts. The first two analyze the characteristics of myth and the stages in the West's work on myth, including long discussions of such authors as Freud, Joyce, Cassirer, and Val+1⁄4ry. The latter three parts present a comprehensive account of the history of the Prometheus myth, from Hesiod and Aeschylus to Gide and Kafka. This section includes a detailed analysis of Goethe's lifelong confrontation with the Prometheus myth, which is a unique synthesis of "psychobiography" and history of ideas. Hans Blumenberg is Professor of Philosophy at the University of M++nster. Work on Myth is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy.

An important work by 20-century philosopher Hans Blumenberg, here translated into English for the first time, The Laughter of the Thracian Woman describes the reception history of an anecdote best known from Plato's Theaetetus dialogue: while focused on observing the stars, the early astronomer and proto-philosopher Thales of Miletus fails to see a well directly in his path and tumbles down. A Thracian servant girl laughs, amused that he sought to understand what was above him when he was not mindful of what was right in front of him. Variants of this story recur in texts by Diogenes Laertius, Church Fathers Tertullian and Eusebius, medieval and Renaissance-era preachers, Enlightenment figures Voltaire, Montaigne, Bacon, and Kant, and later in works by Feuerbach, Nietzsche, Heidegger, and Blumenberg's own colleagues. Some of these philosophers sympathize with Thales' ambitions while others chastise his negligence. Blumenberg sees the story as a highly sought substitute for our missing knowledge of the earliest historical events that would fit the label ?theory.? By retelling the anecdote, philosophers reveal their distinctive values regarding absorption in curiosity, philosophy's past, and the demand that theorists abide by sanctioned methods and procedures. In this work and others, Blumenberg demonstrates that philosophers' most beloved images and anecdotes have become indispensable to philosophy as metaphors; that is, as representations whose meanings remain indefinite and invite frequent reinterpretation.