Fifty years of reading Homer—both alone and with students—prepared Eva Brann to bring the Odyssey and the Iliad back to life for today's readers. In Homeric Moments, she brilliantly conveys the unique delights of Homer's epics as she focuses on the crucial scenes, or moments, that mark the high points of the narratives: Penelope and Odysseus, faithful wife and returning husband, sit face to face at their own hearth for the first time in twenty years; young Telemachus, with his father Odysseus at his side, boldly confronts the angry suitors; Achilles gives way to boundless grief at the death of his friend Patroclus. Eva Brann demonstrates a way of reading Homer's poems that yields up their hidden treasures. With an alert eye for Homer's extraordinary visual effects and a keen ear for the musicality of his language, she helps the reader see the flickering campfires of the Greeks and hear the roar of the surf and the singing of nymphs. In Homeric Moments, Brann takes readers beneath the captivating surface of the poems to explore the inner connections and layers of meaning that have made the epics "the marvel of the ages." "Written with wit and clarity, this book will be of value to those reading the Odyssey and the Iliad for the first time and to those teaching it to beginners."—Library Journal "Homeric Moments is a feast for the mind and the imagination, laid out in clear and delicious prose. With Brann, old friends of Homer and new acquaintances alike will rejoice in the beauty, and above all the humanity, of the epics." —Jacob Howland, University of Tulsa, Author of The Paradox of Political Philosophy "In Homeric Moments, Eva Brann lovingly leads us, as she has surely led countless students, through the gallery of delights that is Homer's poetry. Brann's enthusiasm is as infectious as her deep familiarity with the works is illuminating."—Rachel Hadas "Brann invites us to enter a conversation [about Homer] in which information and formal arguments jostle with appreciations and frank conjectures and surmises to increase our pleasure and deepen the inward dimension of our humanity."—Richard Freis, Millsaps College "For anyone eager to experience the profundity and charm of Homer's great epic poems, Eva Brann's book will serve as a passionate and engaging guide. Brann displays a deep sensitivity to the cadence and flow of Homeric poetry, and the kind of knowing intimacy with its characters that comes from years of teaching and contemplation. Her relaxed but informative approach succeeds in conveying the grandeur of the great Homeric heroes, while making them continually resonate for our own lives. Brann helps us see that this poetry has an urgency for our own era as much as it did for a distant past."—Ralph M. Rosen, University of Pennsylvania, Author of Old Comedy and The Iambographic Tradition "The most enjoyable books about Homer are always written by those who have read and taught him the most. Eva Brann's collection of astute observations, unusual asides, and visual snapshots of the Iliad and the Odyssey reveals a lifelong friendship with the poet, and is as pleasurable as it is informative. Homeric Moments is rare erudition without pedantry, in a tone marked by good sense without levity."—Victor Davis Hanson, author of The Other Greeks and co-author of Who Killed Homer? Eva Brann is a member of the senior faculty at St. John's College in Annapolis, Maryland, where she has taught for fifty years. She is a recipient of the National Humanities Medal. Her other books include The Logos of Heraclitus, Feeling Our Feelings, Homage to Americans, Open Secrets / Inward Prospects, The Music of the Republic, Un-Willing, and Then and Now (all published by Paul Dry Books).

"These two long essays make up a short book, one full of depth and knowledge, in which Eva Brann gets at the roots of our thinking--without tearing things apart. Then: In the first, Brann parses out the schema and meaning of Herodotus's The History (The Persian Wars). She writes that Herodotus worked by indirection. Giving a full account of the Persians and the peoples who constituted their empire--and whose empire encircled the Greeks (thus the 'Greek center')--Herodotus delineates the essential difference between the Barbarians and the Greeks. This difference Brann calls Athens' 'elusive essence,' its freedom contrasting with the slavery upon which the Persian empire depended. Now: In the second essay, the author delves into what it means for a person to unite a disposition toward conservatism with a capacity to reiterate and rehearse events, scenes, and dramas in 'the conservatory of the imagination.' To uncover the meanings and consequences of this union--this imaginative conservatism--and the type of soul to which it applies, Brann offers twelve perspectives, starting with 'Temperamental Disposition,' and ending with 'Eccentric Centrality,' (without ever explicitly focusing on politics). Join her and you'll find both delight and education. Eva Brann is a member of the senior faculty at St. John's College in Annapolis, Maryland, where she has taught for fifty-seven years. She is a recipient of the National Humanities Medal. Her other books include Un-Willing, The Logos of Heraclitus, Feeling Our Feelings, Homage to Americans, Open Secrets/Inward Prospects, The Music of the Republic, and Homeric Moments (all published by Paul Dry Books)"--

Since ancient times, philosophers have written about "the will." But the will is more than a philosophic and scholarly topic. In our everyday speech, what do we mean when we speak of the "will"? Will-words turn up everywhere in the English language. We make wills. We exert our willpower. We are willful at times but merely willing at others. Above all, will is there a hundred times a day, when we use the auxiliary verb "will" to express our intentions or expectations for the future, or simply to indicate the future tense. Yet it takes only a moment's reflection to see that there's a tremendous range of meaning here, and so something to think about. Moreover, all of us have wondered now and then, probably both as children and as adults, whether we are really free, and whether being free means being able to do what we want or being free of wants and desires or something else entirely. That is, we've all wrestled with the issue of free will in our informal, non-scholarly ways. Finally, we've probably asked ourselves whether people who talk about will and willpower are all talking about the same thing or even talking sense. These are all among the issues that Eva Brann puts at the center of Un-Willing. She takes the whole range of questions about the will that are implicit in our everyday lives and everyday thinking, articulates them, shows us how they have been dealt with within the philosophic tradition and contemporary scientific thought-and then wrestles with them herself. Book jacket.