"You must read Bedelia"--the seductive black-widow thriller by the author of the classic film noir Laura (The New York Times). Charlie Horst has returned with his new bride Bedelia to his family home in Connecticut. Indulgently infatuated, Charlie is the luckiest man alive. What's not to love about Bedelia? She's gorgeous and complacent. She's also a gracious and ideal party host--luscious and decorative in blue velvet. And in public, she plays the part of worshipful wife to perfection. In private, even more so. Who can blame Charlie for overlooking her little deceptions? Or for not paying any mind to her contradictory claims about her past? When Charlie falls ill due to a freak poisoning, Charlie knows that Bedelia will be right his side, watching him closely. But who's watching Bedelia? "Vera Caspary wrote thrillers--but not like any other author of her time, male or female. Her specialty was a specific type that she pioneered--the psycho thriller" (Huffington Post) and this "sinister entertainment" (The New Yorker), is Caspary at her most chilling. Adapted in 1946 into a film starring Margaret Lockwood, Bedelia is "a tour de force of psychological suspense . . . Desperate Housewives meets Double Indemnity" (Liahna Armstrong, President Emeritus, Popular Culture Association).

A husband falls into a psychological spiral in a novel by the author of Laura, "an expert at suspense and suspicion" (The New York Times). When Fletcher marries Elaine, his second wife, nineteen years his junior, he can't imagine a more passionate union. Then an illness destroys his confidence, and all he can picture is her next affair. He keeps a secret diary of his fantasized suspicions, making his impending suicide look like murder... With what Graham Greene once called her "devilish cunning," Vera Caspary reveals, with sure psychological insight, the strange desires that hide in the hearts of seemingly respectable people. Out of a web of love, jealousy, guilt, and hate, she has woven one of her most suspenseful thrillers. "Caspary writes emotive entertainments, part romance, part suspense, about women destined to kill or doomed to die." --Kirkus Reviews "A beautiful job." --The Boston Herald The Man Who Loved His Wife is part of the Femmes Fatales series, featuring the best of women's writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era with such titles as Now, Voyager; Stella Dallas; Bunny Lake is Missing; The Girls in 3-B; and more.