The second collection of short stories from the highly acclaimed author of THE AMAZING ADVENTURES OF KAVALIER & CLAY and WONDER BOYS. There are the two boys of the title story, locked in their own world of fantasy and make-believe, reaching out to each other to survive the terrible prospect of fatherlessness. 'House Hunting' shows us the grim spectacle of a couple whose marriage is in its death throes, and whose search for a happy home is doomed; in another story a couple struggle to overcome the effects of a brutal rape. Elsewhere, a family therapist comes face to face with the dark secret of his childhood, and an American football star down on his luck makes his peace with his father. The collection culminates in a daring and wonderfully baroque horror story, 'In the Black Mill', which chronicles the terrifying fate that befalls an archaeologist as he uncovers cannibalism and ritual sacrifice in a gloomy Pennsylvanian town. Serious in their subject matter, yet shot through with wit, humour and compassion, these nine short stories are testament to Chabon's ability to weave together comedy and tragedy with unforgettable results.

From the wondrously talented author of The mysteries of Pittsburgh and Wonder Boys comes a magnificent collection of ironic, understated tales that confirm his reputation as "the young star of American letters." -- Washington Post Book World . Here are eleven superb stories about growing up and growing wise -- stories in which people attempt to create and inhabit their own model worlds, only to watch them collapse in the face of the real world.

A series of linked essays in praise of reading and writing, with subjects running from ghost stories to comic books, Sherlock Holmes to Cormac McCarthy. Throughout, Chabon energetically argues for a return to the thrilling, chilling origins of storytelling, rejecting the false walls around "serious" literature in favor of a wide-ranging affection.

A brilliant, idiosyncratic collection of introductions and afterwords (plus some liner notes) by New York Times bestselling and Pulitzer Prize winning author Michael Chabon—“one of contemporary literature’s most gifted prose stylists” (Michiko Kakutani, New York Times). In Bookends, Pulitzer Prize winning author Michael Chabon offers a compilation of pieces about literature—age-old classics as well as his own—that presents a unique look into his literary origins and influences, the books that shaped his taste and formed his ideas about writing and reading. Chabon asks why anyone would write an introduction, or for that matter, read one. His own daughter Rose prefers to skip them. Chabon's answer is simple and simultaneously profound: "a hope of bringing pleasure for the reader." Likewise, afterwords—they are all about shared pleasure, about the "pure love" of a work of art that has inspired, awakened, transformed the reader. Ultimately, this thought-provoking compendium is a series of love letters and thank-you notes, unified by the simple theme of the shared pleasure of discovery, whether it's the boyhood revelation of the most important story in Chabon's life (Ray Bradbury's "The Rocket Man"); a celebration of "the greatest literary cartographer of the planet Mars" (Edgar Rice Burroughs, with his character John Carter); a reintroduction to a forgotten master of ghost stories (M. R. James, ironically "the happiest of men"); the recognition that the worlds of Wes Anderson's films are reassembled scale models of our own broken reality (as is all art); Chabon's own rude awakening from the muse as he writes his debut novel, The Mysteries of Pittsburgh; or a playful parody of lyrical interpretation in the liner notes for Mark Ronson's Uptown Special, the true purpose of which, Chabon insists, is to "spread the gospel of sensible automotive safety and maintenance practices." Galaxies away from academic or didactic, Bookends celebrates wonder—and like the copy of The Phantom Tollbooth handed to young Michael by a friend of his father he never saw again—it is a treasured gift.