Narrated in Lincoln’s own voice, the tragicomic I Am Abraham promises to be the masterwork of Jerome Charyn’s remarkable career. Since publishing his first novel in 1964, Jerome Charyn has established himself as one of the most inventive and prolific literary chroniclers of the American landscape. Here in I Am Abraham , Charyn returns with an unforgettable portrait of Lincoln and the Civil War. Narrated boldly in the first person, I Am Abraham effortlessly mixes humor with Shakespearean-like tragedy, in the process creating an achingly human portrait of our sixteenth President. Tracing the historic arc of Lincoln's life from his picaresque days as a gangly young lawyer in Sangamon County, Illinois, through his improbable marriage to Kentucky belle Mary Todd, to his 1865 visit to war-shattered Richmond only days before his assassination, I Am Abraham hews closely to the familiar Lincoln saga. Charyn seamlessly braids historical figures such as Mrs. Keckley—the former slave, who became the First Lady's dressmaker and confidante—and the swaggering and almost treasonous General McClellan with a parade of fictional extras: wise-cracking knaves, conniving hangers-on, speculators, scheming Senators, and even patriotic whores. We encounter the renegade Rebel soldiers who flanked the District in tattered uniforms and cardboard shoes, living in a no-man's-land between North and South; as well as the Northern deserters, young men all, with sunken, hollowed faces, sitting in the punishing sun, waiting for their rendezvous with the firing squad; and the black recruits, whom Lincoln’s own generals wanted to discard, but who play a pivotal role in winning the Civil War. At the center of this grand pageant is always Lincoln himself, clad in a green shawl, pacing the White House halls in the darkest hours of America’s bloodiest war. Using biblically cadenced prose, cornpone nineteenth-century humor, and Lincoln’s own letters and speeches, Charyn concocts a profoundly moral but troubled commander in chief, whose relationship with his Ophelia-like wife and sons—Robert, Willie, and Tad—is explored with penetrating psychological insight and the utmost compassion. Seized by melancholy and imbued with an unfaltering sense of human worth, Charyn’s President Lincoln comes to vibrant, three-dimensional life in a haunting portrait we have rarely seen in historical fiction.

"J.D. Salinger, the mysterious author of The Catcher in the Rye, is remembered today as a litigious misanthrope who disowned his daughter. Jerome Charyn's Sergeant Salinger is a young WWII draftee assigned to the Counter Intelligence Corps, a band of secret soldiers who trained with the British. A rifleman and an interrogator, he witnessed all the horrors of the war-from the landing on D-Day to the relentless hand-to-hand combat in the hedgerows of Normandy, to the Battle of the Bulge, and finally to the first Allied entry into a Bavarian death camp, where corpses were piled like cordwood. After the war, interned in a Nuremberg psychiatric clinic, Salinger was bewitched by a suspected Nazi informant. They married, but not long after he brought her home to New York, the marriage collapsed. Maladjusted to civilian life, he lived like a "spook," with invisible stripes on his shoulder and the ghosts of the murdered inside his head. Grounded in biographical fact and reimagined as only Charyn could, this is an astonishing portrait of a devastated young man on his way to becoming the mythical figure behind a novel that has marked generations"--

"Jerzy Kosinski was a great enigma of post-World War II literature. When he exploded onto the American literary scene in 1965 with his best-selling novel The Painted Bird, he was revered as a Holocaust survivor and refugee from the world hidden behind the Soviet Iron Curtain. He won major literary awards, befriended actor Peter Sellers (who appeared in the screen adaptation of his novel Being There), and was a guest on talk shows and at the Oscars. But soon the facade began to crack, and behind the public persona emerged a ruthless social climber, sexual libertine, and pathological liar who may have plagiarized his greatest works. Jerome Charyn lends his unmistakable style to this most American story of personal disintegration, told through the voices of multiple narrators--a homicidal actor, a dominatrix, and Joseph Stalin's daughter--who each provide insights into the shifting facets of Kosinski's personality. The story unfolds like a Russian nesting doll, eventually revealing the lost child beneath layers of trauma, while touching on the nature of authenticity, the atrocities of WWII, the allure of sadomasochism, and the fickleness of celebrity."-- Page [4] of cover.

"Maria Callas, called La Divina, is widely recognized as the greatest diva who ever lived. Jerome Charyn's Callas springs to life as the headstrong, mercurial, and charismatic artist who captivated generations of fans, thrilling audiences with her brilliant performances and defiant personality. Unlike any other diva who achieved world renown, Callas came from an impoverished background. As an outsider, she was shunned by the Italian opera houses, but through sheer force of will and the power and range of her voice, she broke through the invisible wall to sing at La Scala and headline at the Metropolitan Opera, forging an unforgettable career. Adored by celebrities and statesmen, the notable and notorious alike, her every movement was shadowed by both music critics and gossip columnists-until, having lost her voice, she died alone in an opulent, mausoleum-like Paris apartment. In Charyn's inimitable style, Maria La Divina humanizes the celebrated diva, revealing the mythical artist as a woman who survived hunger, war, and loneliness to reach the heights of acclaim"--