In Movieland, Jerome Charyn mingles his own life as a moviegoer with the history, romance, and sadness of Hollywood. He meets Paul Newman, Viveca Lindfors, and Mae Clark, the actress who was the original bride of Frankenstein; explores Cinecitta, Mussolini's own Hollywood on the Tiber; recalls his own life as Otto Preminger's house writer (and jester) during Preminger's decline; reinvents the lost years and lost stars of the silent era --Irving Thalberg, Gloria Swanson, and Clara Bow -- and seeks out the hieroglyphics of modern Hollywood; writes of the Nazi officer who saved the Cinematheque Francaise and its library of American films; and pays homage to Hollywood's heroes, victims, goddesses, and neglected lords: Louise Brooks, Raymond Chandler, Carole Landis, Rita Hayworth, Orson Welles, and more.

"In Bitter Bronx, one of our most gifted and original novelists depicts a world before and after modern urban renewal destroyed the gritty sanctity of a land made famous by Ruth, Gehrig, and Joltin' Joe. Bitter Bronx is suffused with the texture and nostalgia of a lost time and place, combining a keen eye for detail with Jerome Charyn's lived experience. These stories are informed by a childhood growing up near that middle-class mecca, the Grand Concourse; falling in love with three voluptuous librarians at a public library in the Lower Depths of the South Bronx; and eating at Mafia-owned restaurants along Arthur Avenue's restaurant row, amid a "land of deprivation…where fathers trundled home…with a monumental sadness on their shoulders." In "Lorelei," a lonely hearts grifter returns home and finds his childhood sweetheart still living in the same apartment house on the Concourse; in "Archy and Mehitabel" a high school romance blossoms around a newspaper comic strip; in "Major Leaguer" a former New York Yankee confronts both a gang of drug dealers and the wreckage that Robert Moses wrought in his old neighborhood; and in three interconnected stories―"Silk & Silk," "Little Sister," and "Marla"―Marla Silk, a successful Manhattan attorney, discovers her father's past in the Bronx and a mysterious younger sister who was hidden from her, kept in a fancy rest home near the Botanical Garden. In these stories and others, the past and present tumble together in Charyn's singular and distinctly "New York prose, street-smart, sly, and full of lurches" (John Leonard, New York Times)".--Dust jacket.

A Soviet theater troupe dares to put on Shakespeare's King Lear, but shortly before the performance, the actor playing the title role falls ill. The prop manager, a lumbering, largely silent bear of a man — completely inappropriate for the part, according to common perception — finds himself literally thrust into the spotlight. His performance becomes the talk of Moscow, and he falls under the direct scrutiny of Joseph Stalin, who controls whether the show will proceed and the actors will live to give another performance. An audacious winter's tale, The Green Lantern is an exploration of Shakespeare, the Soviet Union, and what it is to "perform," by one of the great American writers.