“A very personal remembrance of Nora Ephron’s life and loves, and her ups and downs” ( USA TODAY ) by her long-time and dear friend Richard Cohen in a hilarious, blunt, raucous, and poignant recollection of their decades-long friendship. Nora Ephron (1941–2012) was a phenomenal personality, journalist, essayist, novelist, playwright, Oscar-nominated screenwriter, and movie director ( Sleepless in Seattle ; You’ve Got Mail ; When Harry Met Sally ; Heartburn ; Julie & Julia ). She wrote a slew of bestsellers ( I Feel Bad About My Neck: And Other Thoughts on Being a Woman ; I Remember Nothing: And Other Reflections ; Scribble, Scribble: Notes on the Media ; Crazy Salad : Some Things About Women ). She was celebrated by Hollywood, embraced by literary New York, and adored by legions of fans throughout the world. Award-winning journalist Richard Cohen, wrote this about She Made Me Laugh : “I call this book a third-person memoir. It is about my closest friend, Nora Ephron, and the lives we lived together and how her life got to be bigger until, finally, she wrote her last work, the play, Lucky Guy , about a newspaper columnist dying of cancer while she herself was dying of cancer. I have interviewed many of her other friends—Mike Nichols, Tom Hanks, Steven Spielberg, Meryl Streep, Arianna Huffington—but the book is not a name-dropping star turn, but an attempt to capture a remarkable woman who meant so much to so many other women.” With “the nuanced perspective of a confidant” ( The Washington Post ), She Made Me Laugh “is a fine tribute to a fascinating woman” ( Houston Chronicle ): “Nora would be pleased” ( People , “Book of the Week”).

"A very personal journey through Jewish history (and Cohen's own), and a passionate defense of Israel's legitimacy. Richard Cohen's book is part reportage, part memoir--an intimate journey through the history of Europe's Jews, culminating in the establishment of Israel. A veteran, syndicated columnist for The Washington Post, Cohen began this journey as a skeptic, wondering in a national column whether the creation of a Jewish State was "a mistake." As he recounts, he delved into his own and Jewish history and fell in love with the story of the Jews and Israel, a twice-promised land--in the Bible by God, and by the world to the remnants of Europe's Jews. This promise, he writes, was made in atonement not just for the Holocaust, but for the callous indifference that preceded World War II and followed it--and that still threatens. Cohen's account is full of stories--from the nineteenth century figures who imagined a Zionist country, including Theodore Herzl, who thought it might resemble Vienna with its cafes and music; to what happened in twentieth century Poland to his own relatives; and to stories of his American boyhood. Cohen describes his relationship with Israel as a sort of marriage: one does not always get along but one is faithful"--