David Crystal's informative account of the rise of English as a global language explores the history, current status and potential of English as the international language of communication. This new edition of his classic work includes additional sections on the future of English as a world language, English on the Internet, and the possibility of an English "family" of languages. Footnotes, new tables, and a comprehensive bibliography reflect the expanded scope of the revised edition. An internationally renowned scholar in the field of language and linguistics, David Crystal received an Order of the British Empire in 1995 for his services to the English language. He is the author of several books with Cambridge, including Language and the Internet (2001), Language Death (2000), English as a Global Language (1997), Cambridge Encyclopedia of Language (1997), and Cambridge Encyclopedia of the English Language (1995) as well as Words on Words (University of Chicago, 2000). First edition Hb (1997): 0-521-59247-X First edition Pb (1998): 0-521-62994-2

"The triumphant concluding volume in David Crystal's classic trilogy on the English language combines the first history of English punctuation with a complete guide on how to use it. Behind every punctuation mark lies a thousand stories. The punctuation of English, marked with occasional rationality, is founded on arbitrariness and littered with oddities. For a system of a few dozen marks it generates a disproportionate degree of uncertainty and passion, inspiring organizations like the Apostrophe Protection Society and sending enthusiasts, correction-pens in hand, in a crusade against error across the United States. Professor Crystal leads us through this minefield with characteristic wit, clarity, and commonsense. In David Crystal's Making a Point, he gives a fascinating account of the origin and progress of every kind of punctuation mark over one and a half millennia and offers sound advice on how punctuation may be used to meet the needs of every occasion and context"--

How can a work published in 1611 have had such a lasting influence on the language? To answer this question, Crystal offers fascinating discussions of phrases such as "The skin of one's teeth" or "Out of the mouth of babes," tracing how these memorable lines have found independent life in the work of poets, playwrights, novelists, politicians, and journalists, and how more recently they have been taken up with enthusiasm by advertisers, Hollywood, and hip-hop. --from publisher description.

"With a language disappearing every two weeks and neologisms springing up almost daily, understanding the origins and currency of language has never seemed more relevant. In this charming volume, expert linguist David Crystal proves why the story of language deserves retelling. From an infant's first words to the peculiar dialect of text messaging, A Little Book of Language ranges widely, revealing language's myriad intricacies and quirks. Crystal delves into the development of unique linguistic styles, the origins of obscure accents and the search for the first written word. He discusses the plight of endangered languages, as well as successful cases of linguistic revitalisation. Much more than a history, this book also turns to the future of language, exploring the effect of technology on our day-to-day reading, writing and speech. Through enlightening diagrams and quizzes, as well as Crystal's avuncular and entertaining style, A Little Book of Language reveals the story of language to be a captivating tale for all ages"--Inside front flap.

In this unique new history of the world's most ubiquitous language, the foremost expert on linguistics David Crystal draws on the 100 words that best illustrate the huge variety of developments and events that have shaped our vernacular since the first definitively English word was written down in the fifth century.

The aim of this book is to provide a succinct, accessible and comprehensive guide to linguistic concepts and names. 'Linguistic' here does not mean the technical terminology of linguistic sciences, but language in a more everyday sense. Terms are drawn from the various applied areas of language study, such as language teaching, speech pathology, stylistics, typography, and lexicography, as well as from core topics such as grammar, figures of speech, and basic phonetics. The dictionary sets out to answer questions people are likely to ask about language, such as 'Which language(s) do they speak in such-a-country' (all the countries of the world are included), and 'How many people speak X?' (several hundred languages are included). There are entries on 'knowledge about language', and 'LINC', and the ongoing developments in corpus compilation (COBUILD, British National Corpus). A great deal of background is given to the language profiles (e.g. early literary history). Pronunciations of language names (and of several other terms) are given. A small number of entries deal with linguistics, in particular the main schools of thought and basic concepts (e. g. competence, morphology). Abbreviations are included. In all, there are almost 2750 entries and there are c. 5000 cross-references, to give readers a wide range of access points to the information. Carefully chosen illustrations show things that cannot easily be expressed in text, such as alphabets. A selection of cartoons reinforces the author's conviction that language study can be fun.

Kidnapping, attempted assassination, espionage âe¦ not the answers youâe(tm)d expect to the question âe~what happens when you become a linguist?âe(tm) But now, reflecting on a long and hugely successful career at the forefront of the field of English Language and Linguistics, David Crystal answers this question and offers us a special look behind the scenes at the adventures, rewards, challenges and pitfalls of his life in language. Both an autobiography and a highly accessible introduction to the field of linguistics, Just a Phrase Iâe(tm)m Going Through illuminates and entertains us with its many insights into the ever-fascinating subject of language. David Crystal is synonymous with language, both as a great populariser and linguistic pioneer, and his contribution to the field is unparalleled. This is a book not just for students and teachers but for all lovers of language. For more about David Crystal at Routledge, visit: www.routledge.com/textbooks/9780415485746.

The story of battles--both past and present--surrounding English language usage, The Fight for English explores why millions of people feel linguistically inferior. Unhappy with the "zero tolerance" approach to punctuation offered by Lynn Truss's Eats, Shoots, and Leaves, David Crystal offers a view of the subject that is much more balanced. Instead of answering the claims made by other manuals of English usage, Crystal provides an explanation and analysis of the genre as a whole. Crystal weaves an intricate and engaging account that traces the history of the English language and its development over time. From Anglo-Saxon to Modern English, Crystal addresses why the same language issues that were bothering people 250 years ago are still bothering people today. This is the story of the fight for English usage--the story of the people who tried to shape the language in their own image, but failed generation after generation. In short, they ate, shot, and left. The Fight for English brings language to life on the page with a witty and engaging writing style. Broadening the perspective on the English language, this compellingly informative book has something for everyone interested in the topic. Move over Harry Potter. Here comes punctuation.

Some people say scohn, while others say schown. He says bath, while she says bahth. You say potayto. I say potahto And- -wait a second, no one says potahto. No one's ever said potahto. Have they? From reconstructing Shakespeare's accent to the rise and fall of Received Pronunciation, actor Ben Crystal and his linguist father David travel the world in search of the stories of spoken English. Everyone has an accent, though many of us think we don't. We all have our likes and dislikes about the way other people speak, and everyone has something to say about 'correct' pronunciation. But how did all these accents come about, and why do people feel so strongly about them? Are regional accents dying out as English becomes a global language? And most importantly of all: what went wrong in Birmingham? Witty, authoritative and jam-packed full of fascinating facts, You Say Potato is a celebration of the myriad ways in which the English language is spoken - and how our accents, in so many ways, speak louder than words

This is an enlightening tour of English spelling that untangles 'stationery' from 'stationary' - and explains why the 'i before e except after c' rule is so misleading. Why is there an 'h' in ghost? William Caxton, inventor of the printing press and his Flemish employees are to blame: without a dictionary or style guide to hand in fifteenth century Bruges, the typesetters simply spelled it the way it sounded to the foreign ears, and it stuck. Seventy-five percent of English spelling is regular but twenty-five percent is complicated, and in "Spell It Out", our foremost linguistics expert David Crystal extends a helping hand to the confused and curious alike. He unearths the stories behind the rogue words that confound us, and explains why these peculiarities entered the mainstream, in an epic journey taking in sixth century monks, French and Latin upstarts, the Industrial Revolution and the internet. By learning the history and the principles, Crystal shows how the spellings that break all the rules become easier to get right.

It's not what you say, it's the way that you say it ... There have long been debates about 'correct' pronunciation in the English language, and Britain's most distinguished linguistic expert, David Crystal, is here to set the record straight. Sounds Appealing tells us exactly why, and how, we pronounce words as we do. Pronunciation is integral to communication, and is tailored to meet the demands of the two main forces behind language: intelligibility and identity. Covering phonetics, linguistics and physiology, and with wide-ranging examples from Eliza Doolittle to Winston Churchill, Crystal explores the origins of regional accents: how they are influenced by class and education, and how their peculiarities have changed over time. 'Highly entertaining' Observer 'Crystal's achievement is to make the history of our language a live and lively study.' The Times

"We all know eloquence when we hear it. But what exactly is it? And how might we gain more of it for ourselves? This entertaining and, yes, eloquent book illuminates the power of language from a linguistic point of view and provides fascinating insights into the way we use words. David Crystal, a world-renowned expert on the history and usage of the English language, probes the intricate workings of eloquence. His lively analysis encompasses everyday situations (wedding speeches, business presentations, storytelling) as well as the oratory of great public gatherings. Crystal focuses on the here and now of eloquent speaking--from pitch, pace, and prosody to jokes, appropriateness, and how to wield a microphone. He explains what is going on moment by moment and examines each facet of eloquence. He also investigates topics such as the way current technologies help or hinder our verbal powers, the psychological effects of verbal excellence, and why certain places or peoples are thought to be more eloquent than others. In the core analysis of the book, Crystal offers an extended and close dissection of Barack Obama's electrifying "Yes we can" speech of 2008, in which the president demonstrated full mastery of virtually every element of eloquence--from the simple use of parallelism and an awareness of what not to say, to his brilliant conclusion constructed around two powerful words: dreams and answers"--

"Nobody at the Globe much likes the word 'authentic'. It is a difficult adjective to justify, given that so little is known about theatrical practice in Shakespeare's time, and the modern environment inevitably makes its presence felt, as does the modern weather. Performances take place for only half the year, between May and September. Evening performances are routine, whereas they were afternoons-only, at the original Globe. The theatre itself can be no more than a 'best guess' as to how things were. And the same sense of limitation pervades all aspects of the productions - casting, clothing, properties, design, music, movement ... Every attempt at an 'original practice' is an experiment, whether it be the casting of men in women's roles, the design and making of contemporary costume, or the performance of songs and instrumental music. The Globe has nonetheless carved out for itself an enviable reputation in each of these areas"-- Provided by publisher.

Pronunciation governs our regional and social identity more powerfully than any other aspect of spoken language. No wonder, then, that it has attracted most attention from satirists. In this intriguing book, David Crystal shows how our feelings about pronunciation today have their origins in the way our Victorian predecessors thought about the subject, as revealed in the pages of the satirical magazine, Punch. In the sixty years between its first issue in 1841 and the death of Queen Victoria in 1901, jokes about the fashions affecting English usage provide one of Punch's most fruitful veins of humour, from the dropped aitches of the Cockney accent to the upper-class habit of dropping the final `g' (huntin' and fishin'). For 'We Are Not Amused', David Crystal has examined all the issues during the reign of Queen Victoria and brought together the cartoons and articles that poked fun at the subject of pronunciation, adding a commentary on the context of the times, explaining why people felt so strongly about accents, and identifying which accents were the main source of jokes. The collection brings to light a society where class distinction ruled, and where the way you pronounced a word was seen as a sometimes damning index of who you were and how you should be treated. It is a fascinating, provocative and highly entertaining insight into our on-going amusement at the subject of how we speak

"The vocabulary of past times, no longer used in English, is always fascinating, especially when we see how it was pilloried by the satirists of the day. Here we have Victorian high and low society, with its fashionable and unfashionable slang, its class awareness and the jargon of steam engines, motor cars and other products of the Industrial Revolution. Then as now, people had strong feelings about the flood of new words entering English. Swearing, new street names and the many borrowings from French provoked continual irritation and mockery, as did the Americanisms increasingly encountered in the British press. In this intriguing collection, David Crystal has pored through the pages of the satirical magazine, 'Punch', between its first issue in 1841 and the death of Queen Victoria in 1901, and extracted the articles and cartoons that poked fun at the jargon of the day, adding a commentary on the context of the times and informative glossaries. In doing so he reveals how many present-day feelings about words have their origins over a century ago"--Publisher's description.