The Man Who Melted is a warning for the future. It is the Brave New World and 1984 for our time, for it gives us a glimpse into our own future — a future ruled by corporations that control deadly and powerful forms of mass manipulation. It is a prediction of what could happen...tomorrow. The Man Who Melted examines how technology affects us and changes our morality, and it questions how we might remain human in an inhuman world. Will the future disenfranchise or empower the individual? Here you'll find new forms of sexuality, new perversions, new epiphanies, and an entirely new form of consciousness. Would you pay to "go down" with the Titanic? In this dystopia the Titanic is brought back from the bottom of the sea and refurbished, only to be sunk again for those who want the ultimate decadent experience. Some passengers pay to commit suicide by "going under" with the ship. The Man Who Melted has been called "one of the greatest science fiction novels of all time" by Science Fiction Age and is considered a genre classic. It is the stunning odyssey of a man searching through the glittering, apocalyptic landscape of the next century for a woman lost to him in a worldwide outbreak of telepathic fear. Here is a terrifying future where people can gamble away their hearts (and other organs) and telepathically taste the last flickering thoughts of the dead.

In 'Promised Land', Jack Dann returns to the alternate America of his acclaimed 2004 novel 'The Rebel'.

Contains fourteen works of short fiction including several Nebula Award-nominated stories.

First dates with Jesus, dinosaurs falling out of the sky, and a famous painting that eats art critics are among the quirky stories found in this collaborative collection. Each piece was written by Jack Dunn and one or more coauthors, and the joint creations are 18 highly entertaining and cutting-edge genre stories, many of them award-winning or award-nominated. Employees are drafted by corporations in the Nebula Award-nominated story 'High Steel', and the first manned landing on Mars is imagined in 'The God of Mars', just two examples of the futuristic flavour of the collection. Short, clever essays by the coauthors, among them Susan Casper, Gardner Dozois, and Gregory Frost, introduce each story and provide insight into the friendships, conflicts, and story conferences involved in collaborative writing.