Biography of the inventor of the birth control pill.

Was treibt Wissenschaftler an? Der Konkurrenzkampf, das Bestreben etwas Neues als erster zu entdecken, ist eine wichtige Motivation. Die moralischen Konsequenzen werden in dem Stück "Oxygen" behandelt, in dem es um die Entdeckung von Sauerstoff geht, dem für das Leben auf der Erde wichtigsten Element. Im Zentrum des Stückes stehen chemische und politische Revolutionen sowie der Nobel-Preis, der 2001 zum 100. Mal vergeben wird. Das Stück spielt 1777 und 2001; zur Aufführung werden drei Schauspieler und drei Schauspielerinnen benötigt, die elf Personen darstellen. Die Urauffühung wird im Frühjahr 2001 in San Diego stattfinden, die deutsche Premiere im September. Die weltberühmten Autoren Carl Djerassi und Roald Hoffmann bürgen aufgrund ihrer Erfahrungen als Wissenschaftler - Carl Djerassi ist bekannt als "Vater der Pille" und Roald Hoffmann erhielt 1982 den Nobelpreis für Chemie - und als Schriftsteller - Djerassi schrieb mehrere erfolgreiche Romane, Hoffmann viel beachtete Lyrik - für Kompetenz und Spannung.

This book examines the questions "What can science do for the theatre?" and "What can the theatre do for science?" which raise challenges for both theatre professionals and scientists. Unusually, this book deals with plays first and foremost as reading material -- as texts to be read alone or in dramatic readings -- rather than emphasizing performances on the stage. Concrete examples are given to demonstrate the potential pedagogic value of using the dialogic style and plot structure of plays in science, with a special focus on chemistry.Very few books have dealt with the subject of science-in-theatre and virtually none with chemistry-in-theatre. Texts of the author's two recent plays, Insufficiency and Phallacy, are included in their entirety to offer concrete examples of plays dealing with actual (rather than invented) chemistry. Insufficiency represents an example from the field of beer and champagne bubbles, where the topics of academic tenure and fashion in chemistry are analyzed, whereas in Phallacy, a case history of the similarities and differences between science and art is presented for debate.

This novel, like Jurassic Park , hinges on the real-world technology incorporated in the polymerase chain reaction (PCR), one of the most important breakthroughs in biomedical science. The 1993 Nobel Prize in chemistry recognized the immense significance of PCR, which is a process for quickly generating and then infinitely replicating fragments of genetic material. An impostor takes all of the credit in Carl Djerassi's fictionalized account of PCR's discovery and development. As the scientific community eventually discovers, Professor Diana Skordylis is not really one of their own, she is four of their own--three men and a woman--who publish their collaborative work under the Skordylis pseudonym. Two of them American, one Japanese, and one Austrian, they average around sixty-five years of age. Their archetype is a famous group of French mathematicians who actually have been publishing collectively for several decades under the nom de plume of Nicolas Bourbaki. Revenge is the Skordylis group's initial motivation. Victims of subtle age discrimination, they have all seen their research budgets and faculty privileges curtailed; two have been forcibly retired. Each Skordylis project they complete, each paper they publish under her name, is a satisfying poke at a scientific community that marginalized its senior members. But PCR is different. It is not only their best work, it is among the best work done by any scientist in recent memory. Professional jealousy soon threatens Diana Skordylis's life, as some group members struggle with the urge to claim their share of the fame and separately seek out PCR's most innovative applications. Djerassi writes engagingly--and from experience--about the collaborative nature at the heart of the scientific enterprise and the desire for personal recognition in the hearts of most scientists; about the graying of Western science; and about the human frailties and humanistic concerns of its practitioners.