Three powerful political plays in one volume - with a substantial introduction by Ariel Dorman. In Death and the Maiden, a woman seeks revenge when the man she believes to have been her torturer happens to re-enter her life. A classic of 20th-century theatre, the play ran for a year in the West End, was a hit on Broadway and was filmed by Roman Polanski. In Reader, first performed at the Traverse Theatre, Edinburgh, in July 1995, a censor discovers that the subversive novel he is about to ban is describing his own life and hinting that a terrible fate awaits his son. He must hunt down the author before it comes true... Widows is a smouldering political allegory about a political protest in a country ruled by a military junta, written in collaboration with Tony Kushner, author of Angels in America. It was first staged by the Traverse Theatre Company at the Cambridge Arts Theatre in March 1997.

In this interlocking prose web of first-person testimony, novelist, poet, and playwright Ariel Dorfman relates the struggles of fifty human rights activists hailing from more than forty countries. Manifesto for Another World features the words and struggles of internationally celebrated activists including Vaclav Havel, Baltasar Garzón, Helen Prejean, and Marian Wright Edelman; and Nobel Prize Laureates the Dalai Lama, Desmond Tutu, Elie Wiesel, Oscar Arias Sánchez, Rigoberta Menchú Tum, José Ramos-Horta, and Bobby Muller. Equally moving are the stories of more than thirty others, unknown and (as yet) unsung beyond their national boundaries: Kailash Satyarthi, who has spent a lifetime working to free tens of thousands of victims of child labor in his native India, and Juliana Dogbadzi, who was sold into sexual slavery by her parents at age twelve, escaped after seventeen degrading years, and now is devoted to the liberation of African girls bound in the same terror. From their ranging voices Dorfman culls the message: freedom from persecution, and freedom of opportunity, for all. Manifesto for Another World is both a political testament and a work of art.

"In 1789 Wolfgang Amadeus Mozart visits the grave of Johann Sebastian Bach in Leipzig, looking for a sign, a signal, an answer to an enigma that has haunted him since childhood: Was Bach murdered by a famous oculist? And years later, was Handel a victim of the same doctor? Allegro follows his investigation, from the salons of London to the streets of Paris, recreating an enthralling and turbulent time, full of rogues and brilliant composers, charlatans and presumptuous nobles. Running parallel to this search is the rise of Mozart, his knowledge and fame, his trials and losses"--

A compulsive, gripping and intense play from the author of Death and the Maiden. A censor discovers that the subversive novel he is about to ban is describing his own life and hinting that a terrible fate awaits his son. He must hunt down the author before it comes true... Ariel Dorfman's play Reader was first performed at the Traverse Theatre, Edinburgh, in July 1995.

'Over the years, Ariel Dorfman has written movingly and often brilliantly of the cultural dislocations and political fractures of his dual heritage. Dorfman has, in an impressive body of work, done justice to the two languages that have battled for his voice and the two countries that claim his allegiance.' Shashi Tharoor, New York Times Book ReviewOther Septembers, Many Americas: Selected Provocations, 1980-2004 is the first major collection of acclaimed novelist and playwright Ariel Dorfman's best shorter works, including essays, opinion pieces, poems and previously unpublished speeches. Gathered here are writings about America, North and South, that touch on topics as diverse as Scrooge McDuck, barbarians, Vietnam and video games, and as profound as redemption, forgiveness, art and memory. Over and over, in a literary career that has spanned almost a quarter of a century, Dorfman weaves together sentiment and politics with an unmistakable message to his readers that we must never forget to resist and to imagine. This collection forms a rich historical and social text essential for anyone who wishes to understand how the roots of our present crisis are embedded deep within the American psyche, documented by a writer who exists uniquely both inside and out of it.

In the world of Chilean poet Ariel Dorfman, men and women can be forced to choose between leaving their country or dying for it. The living risk losing everything, but what they hold onto—love, faith, hope, truth—might change the world. It is this subversive possibility that speaks through these poems. A succession of voices—exiles, activists, separated lovers, the families of those victimized by political violence—gives an account of ruptured safety. They bear witness to the resilience of the human spirit in the face of personal and social damage in the aftermath of terror. The first bilingual edition of Dorfman’s work, In Case of Fire in a Foreign Land includes ten new poems and a new preface, and brings back into print the classic poems of the celebrated Last Waltz in Santiago. Always an eloquent voice against the ravages of inhumanity, Dorfman’s poems, like his acclaimed novels, continue to be a searing testimony of hope in the midst of despair.

El Norte Grande of Chile is the world's driest desert, a vast, barren expanse where a person can live an entire lifetime without ever feeling a single drop of rain, where rivers vanish into the sands and trees are all but unknown. But this forbidding landscape has many stories to tell an observant, inquisitive traveler. Someone like Ariel Dorfman. Renowned as a poet, essayist, novelist, and playwright, he combines eloquence, passion, and personal experience with a sure sense of place and a keen eye for the telling detail that brings history to life -- for this account of his journey through the desert is also a chronicle of modern Chile. Like an archaeologist, he sifts through shards of memory to recreate a world that no longer exists but still casts a long shadow over his native land. Ghosts are at the heart of his tale, from the ruined boomtowns where great nitrate fortunes were built to the seaside prison where Dorfman's old friend Freddy Taberna spent his last night before being executed in 1973 after the overthrow of Salvador Allende's government. In these pages, long-abandoned mining communities are summoned up in their glory days, when the mansions of mineral millionaires were built on the punishing labor of workers forever in hock to the company store. Nor are these the only ghosts. In this sweeping book, Dorfman also examines the oldest mummies in the world, visits an observatory at the top of the world that scans the light from long-dead stars, and sifts through the remains of indigenous villages buried under tons of sand. Skillfully interweaving present and past, memoir and meditation, fascinating history and colorful family lore, Desert Memories gazes across the seeming emptiness of el Norte Grande, finds a complete and compelling world, and conjures it up with the kind of elegant simplicity that only the most sophisticated of travelers can achieve.

Formerly exiled Chilean author Ariel Dorfman, one of Latin America's greatest writers and a major literary figure of the twentieth century, is known for such critically acclaimed works as the novel Widows and the play Death and the Maiden. A master of various literary forms, this collection draws together Dorfman's critical essays on contemporary Latin American writing. Spanning more than twenty years and arranged in chronological order, each essay is devoted to a single author—Miguel Angel Asturias, Jorge Luis Borges, José Maria Arguedas, Alejo Carpentier, Gabrial Garcia Márquez, Roa Bastos—and one final essay looks at the "testimonial" or concentration camp literature from Chile. Praise for Ariel Dorfman “One of the most important voices coming out of Latin America.”—Salman Rushdie “A remarkable writer . . . writing out of a very different cultural perspective from comfortable American readers.”—Digby Diehl, Los Angeles Herald Examiner “One of the six greatest Latin American novelists.”—Jacobo Timmerman, Newsweek