In this definitive history of the evolution of the Com- munist Party in America--from its early background through its founding in 1919 to its emergence as a legal entity in the 1920s--Theodore Draper traces the native and foreign strains that comprised the party. He emphasizes its shifting policies and secrets as well as its open activities. He makes clear how the party in its infancy "was transformed from a new expression of American radicalism to the American appendage of a Russian revolutionary power," a fact that Draper develops in his succeeding volume, American Communism and Soviet Russia. In his special, prescient way, Theodore Draper himself had the final words on American Communism: "It is like a museum of radical politics. In its various stages, it has virtually been all things to all men... There are many ways of trying to understand such a movement, but the first task is historical. In some respects, there is no other way to understand it, or at least to avoid seriously misunderstanding it. Every other approach tends to be static, one-sided or unbalanced." Draper correctly notes that the formative period of the American Communist movement has remained a largely untold and even unknown story. In part, the reasons for this are that the Communist movement, although a child of the West, grew to power in the Soviet East. But Draper rescues this chapter with deep appreciation for the fact that communism was not something that happened just in Russia, but also in the United States. This is a must read for scholars and laypersons alike. This volume is conceived as an independent and self-contained study of the American Communist movement. Draper correctly notes that the formative period is largely untold and even unknown. In part, the reasons for this are that the Communist movement, although a child of the West, grew to power in the Soviet East. Draper appreciates the fact that communism was not something that happened only in Russia, but also took place in the United States. That experience is the focus of this volume.

"Mr. Draper believes that recent years have seen the suppression of political by military instrumentalities in the conduct of American foreign policy. After an opening chapter which briefly traces this process in two smaller instances - Cuba and the Dominican Republic - he devotes the rest of this book to a painstaking inquiry which seeks to dissolve the confusion that still envelops the story of our presence in Vietnam."

"For many citizens, black nationalist movements appear to be insurgent forces without precedent in American history. In this provocative analysis, Theodore Draper shows that, on the contrary, they have been with us since the founding of the republic. Mr. Draper traces the complicated and often tragic development of black nationalist themes from their realy beginnings to provide an authoritative and fair-minded account of America's most intransigent political problem"--Back cover.

"Theodore Draper is one of the two or three most cogent and thoughtful social historians in the United States today. Everything he writes merits close attention." -Irving Howe "Theodore Draper is a historian of today's world in a class by himself-formidably equipped with learning and experience, fearless in attacking the naivet of the left and the cruelty of the right." -Alfred Kazin Theodore Draper is one of America's most trenchant and informed critics. A Present of Things Past gathers together ten of his most recent and most powerful selected essays, in which Draper, with his customary acuity and wit, tackles a host of issues that define America's political culture. A Present of Things Past is concerned with a reexamination of the Second World War in both its military and its political aspects; the trajectory of American conservatism as it manifested itself during the Reagan years; the rise of Gorbachev and the history of "reform" in the Soviet Union; the revisionist debate over the origins and history of American communism; and the persistent mystery of a man named Max Eitingon, who was, depending on one's reading of the sources, either an important figure in the history of psychoanalysis or an agent of the Soviet secret police, or both. In "American Hubris," Draper illuminates the assumptions that have guided American foreign policy in the postwar period, and concludes that our costly misadventures-in Korea, Vietnam, Lebanon, and elsewhere-cannot be considered a string of aberrations. They were, he argues, a consequence of the Truman Doctrine. In "Reagan's Junta," Draper observes: "This is supposed to have been the era of the imperial presidency. It has turned out to be the era of presidencies that have tried to make themselves imperial-and failed." Throughout these compelling essays, Draper demonstrates the uses and abuses to which history has been put by ideologues of both the left and the right. He finds unacceptable, for example, the practice of many journalists of fictionalizing their sources. The New York Times has called Draper "one of the clearer-eyed observers of the issues that torment us." A Present of Things Past enhances that reputation. Theodore Draper is the author of numerous books, including Present History: On Nuclear War, Dtente & Other Controversies and American Communism. He is a Fellow of the American Academy of Arts and Sciences and lives in Princeton, New Jersey. "Is especially recommended for students of political science, the Cold War era, and twentieth century American history as a powerful, thought-provoking view of the people and events that shaped nations, and through nations the world."-- Library Bookwatch