The past fifty years have seen significant shifts in attitudes toward LGBTQ people and wider acceptance of them in the United States and the West. Yet the extent of this progress, argues Martin Duberman, has been more broad and conservative than deep and transformative. One of the most renowned historians of the American left and LGBTQ movement, as well as a pioneering social-justice activist, Duberman reviews the fifty years since Stonewall with an immediacy and rigor that informs and energizes. He revisits the early gay movement and its progressive vision for society, and puts the left on notice as failing time and again to embrace the queer potential for social transformation. Acknowledging the elimination of some of the most discriminatory policies that plagued earlier generations, he takes note of the cost--the sidelining of radical goals on the way to achieving more normative inclusion. Illuminating the fault lines both within and beyond the movements of the past and today, this critical book is also hopeful: Duberman urges us to learn from this history to fight for a truly inclusive and expansive society. --back cover.

With faculty and alumni that included John Cage, Robert Creeley, Merce Cunningham, Buckminster Fuller, Charles Olson, Josef and Anni Albers, Paul Goodman, and Robert Rauschenberg, Black Mountain College ranked among the most important artistic and intellectual communities of the twentieth century. In his groundbreaking history, Martin Duberman uses interviews, anecdotes, and research to depict the relationships that made Black Mountain College what it was. Black Mountain documents the college’s twenty-three-year tenure, from its most brilliant moments of self-reinvention to its lowest moments of petty infighting. It records the financial difficulties that beleaguered the community throughout its existence and the determination it took to keep the college in operation. Duberman creates a nuanced portrait of this community so essential to the development of American arts and counterculture.

"One would be hard-pressed to name a more admirable contemporary American example of the intellectual engage than Martin Duberman. Historian, playwright, memoirist, biographer, social commentator, teacher, activist and assured podium performer, Duberman is an unapologetic, uncategorizable and nonsectarian radical whose constant questioning of conventional wisdoms - even on the left - has made him one of this country's pre-eminent participants in the political and cultural wars that have riven public life."â__In These Times"A marvelous collection of a lifetime of courageous writing by a deeply moral and reflective man who has engaged the greatest struggles of our times with an unflinching nerve, a wise heart and a brilliant intellect informed at all times by compassion."â__Jonathan KozolThe lives of â__outsidersâ__ have been the focus of Martin Duberman's work as a public intellectual for the past four decades. Best known for his biography of Paul Robeson, Duberman highlights the "banding together" of the excluded in Left Out. These identity-based movementsâ__black power, gay liberation, feminismâ__have created a vital and controversial change in American consciousness in recent decades. Duberman's collected essays trace this evolution of thought to the history of dissent from abolitionism through the New Left to today's organizing.Presenting summations of Duberman's views on such matters as race, foreign policy, gender and sexuality, Left Out offers incisive analyses of the split between class-based and identity-based politics on the Left. The "godfather" of the gay studies movement, Duberman has taken many brave and prescient stands. His writing shows why he is considered a deeply moral and wise man. For the first time available in paperback, this edition, updated through 2002, includes three new essays: "The State of Gay Studies," "Queer Economic Justice," and "Jewish Radicals, Effeminacy, and the Rise of Gay Chauvinism".

Four inspiring, bold political plays that bring history alive as theater, from the Bancroft Prize-winning historian, cultural critic, and public intellectual. BR>"Martin Duberman occupies a singularly important place in American culture."—Catharine R. Stimpson, Dean and University Professor, NYU Best known for his acclaimed biographies of Paul Robeson and Lincoln Kirstein and his provocative books about the gay rights movement, Martin Duberman has also had a long-standing involvement with the theater that began early in his career, when his drama criticism appeared in the Partisan Review and Harper's This volume includes four plays: In White America, about the black struggle for freedom and human rights, which became a smash hit and was named the 1963 Best Off-Broadway production of the year; Mother Earth, which brings to vivid life Emma Goldman, one of the twentieth century's most famous revolutionaries; Posing Naked, the heartbreaking story of Smith College professor Newton Arvin, the most prominent (closeted) gay literary critic of his day; and Visions of Kerouac, which captures the beat era—from Kerouac's ambition-filled early years, crisscrossing the country with pals like Allen Ginsberg and William Burroughs, to the later years of isolation and alcoholism. This paperback edition makes these four politically charged plays available to a new generation.