The Stonewall Inn was a gay bar in New York's Greenwich Village. At a little after one a.m. on the morning of June 28, 1969, the police carried out a routine raid on the bar. But it turned out not to be routine at all. Instead of cowering - the usual reaction to a police raid - the patrons inside Stonewall and the crowd that gathered outside the bar fought back against the police. The five days of rioting that followed changed forever the face of lesbian and gay life. In the years since 1969, the Stonewall riots have become the central symbolic event of the modern gay movement. Renowned historian and activist Martin Duberman now tells for the first time the full story of what happened at Stonewall, recreating in vivid detail those heady, sweltering nights in June 1969 and revealing a wealth of previously unknown material.^

The past fifty years have seen significant shifts in attitudes toward LGBTQ people and wider acceptance of them in the United States and the West. Yet the extent of this progress, argues Martin Duberman, has been more broad and conservative than deep and transformative. One of the most renowned historians of the American left and LGBTQ movement, as well as a pioneering social-justice activist, Duberman reviews the fifty years since Stonewall with an immediacy and rigor that informs and energizes. He revisits the early gay movement and its progressive vision for society, and puts the left on notice as failing time and again to embrace the queer potential for social transformation. Acknowledging the elimination of some of the most discriminatory policies that plagued earlier generations, he takes note of the cost--the sidelining of radical goals on the way to achieving more normative inclusion. Illuminating the fault lines both within and beyond the movements of the past and today, this critical book is also hopeful: Duberman urges us to learn from this history to fight for a truly inclusive and expansive society. --back cover.

For the past fifty years, prize-winning historian Martin Duberman’s groundbreaking writings have established him as one of our preeminent public intellectuals. Founder of the first graduate program in LGBT studies in the country, he is perhaps best known for his biographies of Paul Robeson, Lincoln Kirstein, and Howard Zinn—works that have been hailed as “magnificent” (USA Today), “enthralling” (The Washington Post), “splendid” and “definitive” (Studs Terkel, Chicago Sun-Times), and “refreshing and inspiring” (The New York Times). Duberman is also an equally gifted playwright and essayist, whose piercingly honest memoirs Cures and Midlife Queer have been called “witty and searingly candid” (Publishers Weekly), “wrenchingly eloquent” (Newsday), and “a moving chronicle” (The Nation). His writings have explored the shocking attempts by the medical establishment to “cure” homosexuality; Stonewall, before and after; the age of AIDS; the struggle for civil rights; the fight for economic and racial justice; and Duberman’s vision for reclaiming a radical queer past from the creeping centrism of the gay movement. The Martin Duberman Reader assembles the core of Duberman’s most important writings, offering a wonderfully comprehensive overview of our lives and times—and giving us a crucial touchstone for a new generation of activists, scholars, and readers.

With faculty and alumni that included John Cage, Robert Creeley, Merce Cunningham, Buckminster Fuller, Charles Olson, Josef and Anni Albers, Paul Goodman, and Robert Rauschenberg, Black Mountain College ranked among the most important artistic and intellectual communities of the twentieth century. In his groundbreaking history, Martin Duberman uses interviews, anecdotes, and research to depict the relationships that made Black Mountain College what it was. Black Mountain documents the college’s twenty-three-year tenure, from its most brilliant moments of self-reinvention to its lowest moments of petty infighting. It records the financial difficulties that beleaguered the community throughout its existence and the determination it took to keep the college in operation. Duberman creates a nuanced portrait of this community so essential to the development of American arts and counterculture.

"Roger Casement was an internationally renowned figure at the beginning of the 20th century, famous for exposing the widespread atrocities against the indigenous people in King Leopold's Congo and his subsequent exposure--for which he was knighted in 1911--of the brutal conditions of enslaved labor in Peru. An Irish nationalist of profound conviction, he attempted, at the outbreak of World War I, to obtain German support and weapons for an armed rebellion against British rule. Apprehended and convicted of treason in a notorious trial that captured worldwide attention, Casement was sentenced to die on the gallows. A powerful petition drive for the commutation of his sentence was inaugurated by George Bernard Shaw and a host of other influential figures. A gay man, Casement kept detailed diaries of his sexual escapades, and the British government, upon discovering the diaries, circulated its pages to public figures, thereby crippling what had been a mounting petition for clemency. In 1916, he was hanged. In this gripping reimagining, acclaimed historian Martin Duberman paints a full portrait of the man for the first time. Tracing his evolution from servant of the empire to his work as a humanitarian activist and anti-imperialist, Duberman resurrects and recognizes all facets--from the professional to the personal--of the fantastic life of this pioneer for human rights"--Provided by publisher.

On the night of May 4, 1886, during a peaceful demonstration of labor activists in Haymarket Square in Chicago, a dynamite bomb was thrown into the ranks of police -trying to disperse the crowd. The officers immediately opened fire, killing a number of protestors and wounding some two hundred others. Albert Parsons was the best-known of those hanged; Haymarket is his story. Parsons, humanist and autodidact, was an ex-Confederate soldier who grew up in Texas in the 1870s, and fell in love with Lucy Gonzalez, a vibrant, outspoken black woman who preferred to describe herself as of Spanish and Creole descent. The novel tells the story of their lives together, of their growing political involvement, of the formation of a colorful circle of "co-conspirators"-immigrants, radical intellectuals, journalists, advocates of the working class-and of the events culminating in bloodshed. More than just a moving story of love and human struggle, more than a faithful account of a watershed event in United States history, Haymarket presents a layered and dynamic revelation of late nineteenth-century Chicago, and of the lives of a handful of remarkable individuals who were willing to risk their lives for the promise of social change.

"One would be hard-pressed to name a more admirable contemporary American example of the intellectual engage than Martin Duberman. Historian, playwright, memoirist, biographer, social commentator, teacher, activist and assured podium performer, Duberman is an unapologetic, uncategorizable and nonsectarian radical whose constant questioning of conventional wisdoms - even on the left - has made him one of this country's pre-eminent participants in the political and cultural wars that have riven public life."â__In These Times"A marvelous collection of a lifetime of courageous writing by a deeply moral and reflective man who has engaged the greatest struggles of our times with an unflinching nerve, a wise heart and a brilliant intellect informed at all times by compassion."â__Jonathan KozolThe lives of â__outsidersâ__ have been the focus of Martin Duberman's work as a public intellectual for the past four decades. Best known for his biography of Paul Robeson, Duberman highlights the "banding together" of the excluded in Left Out. These identity-based movementsâ__black power, gay liberation, feminismâ__have created a vital and controversial change in American consciousness in recent decades. Duberman's collected essays trace this evolution of thought to the history of dissent from abolitionism through the New Left to today's organizing.Presenting summations of Duberman's views on such matters as race, foreign policy, gender and sexuality, Left Out offers incisive analyses of the split between class-based and identity-based politics on the Left. The "godfather" of the gay studies movement, Duberman has taken many brave and prescient stands. His writing shows why he is considered a deeply moral and wise man. For the first time available in paperback, this edition, updated through 2002, includes three new essays: "The State of Gay Studies," "Queer Economic Justice," and "Jewish Radicals, Effeminacy, and the Rise of Gay Chauvinism".

"A breathtaking historical novel that recreates the intimate milieu around Germany's Kaiser Wilhelm from 1907 through the 1930s, a period of great human suffering and destruction and also of enormous freedom and creativity, a time when the remnants and artifices of the old word still mattered, and yet when art and the social sciences were pirouetting with successive revolutions in thought and style. Set in a time when many men in the upper classes in Europe were gay, but could not be so publicly, Jews Queers Germans revolves around three men: Prince Philipp von Eulenburg, Kaiser Wilhelm II's closest friend, who becomes the subject of a notorious 1907 trial for homosexuality; Magnus Hirschfeld, a famed, Jewish sexologist who gives testimony at the trial; and Count Harry Kessler, a leading proponent of modernism, and the keeper of a famous set of diaries which lay out in intimate detail the major social, artistic and political events of the day and allude as well to his own homosexuality. The central theme here is the gay life of a very upper crust intellectual milieu that had a real impact on the major political upheavals that would shape the modern world forever after"--

Four inspiring, bold political plays that bring history alive as theater, from the Bancroft Prize-winning historian, cultural critic, and public intellectual. BR>"Martin Duberman occupies a singularly important place in American culture."—Catharine R. Stimpson, Dean and University Professor, NYU Best known for his acclaimed biographies of Paul Robeson and Lincoln Kirstein and his provocative books about the gay rights movement, Martin Duberman has also had a long-standing involvement with the theater that began early in his career, when his drama criticism appeared in the Partisan Review and Harper's This volume includes four plays: In White America, about the black struggle for freedom and human rights, which became a smash hit and was named the 1963 Best Off-Broadway production of the year; Mother Earth, which brings to vivid life Emma Goldman, one of the twentieth century's most famous revolutionaries; Posing Naked, the heartbreaking story of Smith College professor Newton Arvin, the most prominent (closeted) gay literary critic of his day; and Visions of Kerouac, which captures the beat era—from Kerouac's ambition-filled early years, crisscrossing the country with pals like Allen Ginsberg and William Burroughs, to the later years of isolation and alcoholism. This paperback edition makes these four politically charged plays available to a new generation.