This book presents a selection of the best works of short fiction of 2019, from a variety of acclaimed sources.

"Each of the six stories in Your Duck is My Duck, Eisenberg's first collection since 2006, has the heft and complexity of a novel. With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters--a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand."--

When Deborah Eisenberg's first book of stories, Transactions in a Foreign Currency , was published, John Updike noted: "Whenever a new writer arrives, a new window of life is opened, and this has happened here." The scope and depth of Eisenberg's idiosyncratic vision were even more apparent in her second collection, Under the 82nd Airborne , which The New York Times Book Review called "nothing short of extraordinary." As these two collections gathered here into one volume show, Eisenberg's stories have an astonishing power and range. Her characters, whether they are walking in the streets of Manhattan or seemingly abandoned in foreign countries, continually make disquieting and sometimes life-threatening discoveries about themselves, discoveries that illuminate not only their own lives but also the wider net of relationships in which they are enmeshed. "The reprinting of these two collections as one is sure to win Eisenberg's stories an even wider audience than they now enjoy." - Publishers Weekly

Deborah Eisenberg is almost unmatched in her mastery of the short story form. In this, her seventh collection, she demonstrates her virtuosic abilities in precisely distilled, unflinchingly honest studies of human connection and disconnection. From a group of friends whose luxurious Manhattan sublet becomes a front-row seat to the catastrophe of 9/11; to the Roman holiday of a schoolteacher running away from the news of her ex-husband's life-threatening illness; to the too painful love of a brother for his schizophrenic sister, Eisenberg evokes painful and tender truths, both poetic and deeply political. 'The stories are, in their masterly crosshatching of light and dark, concentrated bursts of perfection’ The Times ‘Wonderful . . . written with a ruthless, compassionate eye and a subtle humour' Guardian ‘Further confirms her reputation as one of the most imaginative and exquisitely perceptive of today’s short story writers' Scotland on Sunday 'She makes you smile as much as she haunts with stark truths . . . In the US, many people consider Eisenberg to be up there with Alice Munro, the female monarch of the short-story form. It’s time the UK considered putting her up there too’ Financial Times

Deborah Eisenberg is nearly unmatched in her mastery of the short story form. Now, in her newest collection, she demonstrates once again her virtuosic abilities in precisely distilled, perfectly shaped studies of human connection and disconnection. From a group of friends whose luck in acquiring a luxurious Manhattan sublet turns to disaster as their balcony becomes a front-row seat to the catastrophe of 9/11; to the Roman holiday of a schoolteacher running away from the news of her ex-husband's life-threatening illness, and her unlikely guide, a titled art scout in desperate revolt against his circumstances and aging; to the too painful love of a brother for his schizophrenic sister, whose tragic life embitters him to the very idea of family, Eisenberg evokes, in brooding passionate and brilliant prose, a brutally honest portrait of our lives today, showing us truths which are both poetic and deeply political. 'Like Alice Munro, virtually her only equal in the field, Deborah Eisenberg seems incapable of writing a bad short story . . . Eisenberg's writing at times approaches the beauty of a line of poetry. She manipulates her readers with a master's blend of humor and poignancy. Her stories are wondrous' San Francisco Chronicle

Seven stories tell of a tragic love affair, a teenager's involvement with an older man, a struggle to quit smoking, and a woman who discovers she is in love with an old friend

Characters make discoveries about themselves and their relationships, in seven stories that comment on topics ranging from surburbia to Central American politics