"One of the four best Hollywood novels ever written." —Elizabeth Frank, New York Times Book Review "Epstein is a master storyteller at the height of his powers." —Jonathan Kirsch, Los Angeles Times Book Review "Mr. Epstein effortlessly captures the magic of a Hollywood childhood . . . San Remo Drive is a haunting and deeply affecting book." —Michiko Kakutani, New York Times Leslie Epstein's bestselling new novel is composed of five interrelated episodes, in each of which a germ of childhood experience is elaborated by the mature imagination of one of this country's most distinguished writers of fiction. Richard Jacobi, the narrator of these reflections, invites us to revisit the crucial experiences of his youth: driving to Malibu to meet the man determined to marry his mother; on vacation in the Mohave, while his father, the famed Hollywood figure Norman Jacobi and Lotte, his mother, must deal with the terrible consequences of Norman's testimony before the House Committee on Un-American Activities; exploring how a night in a bar and brothel in Tijuana becomes linked to the spiritual growth of his brother, Bartie, who is surely destined to be one of the most memorable and endearing characters in modern literature; viewing a precarious initiation into sexuality that will mark forever the way an artist sees the world and does his work. This is, then, a novel written from memory, in the same sense that the Schubert sonatas that attract Lotte to her baby grand are played from memory—that is, by heart.

Epstein first introduced Leib Goldkorn in "The Steinway Quintet". In this volume, Goldkorn - Holocaust survivor, flautist, and pianist - is back in an expanded account of the original novella along with two other long tales that continue his richly comic spiral of misadventures that are at once comedies of manners and serious accounts of culture colliding with casual violence.

"The film Casablanca opens with the words, "With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas." Leslie Epstein's Hill of Beans is the story of how one nation, one industry, and in particular one man responded to that desperate hope. That man is Jack Warner. His impossible goal is to make world events--most importantly, the invasion of North Africa by British and American forces in 1942--coincide with the release of his new film about a group of refugees marooned in Morocco. Arrayed against him are Stalin and Hitler, as well as Josef Goebbels, Franklin Roosevelt, a powerful gossip columnist, and above all a beautiful young woman with a terrible secret. His only weapons are his hutzpah and his heroism as he struggles to bring cinema and city, conflict and conference together in an epic command performance. Hill of Beans is the novel that Leslie Epstein--the son and nephew of Philip and Julius Epstein, the screenwriters of Casablanca--was born to write"--

When Benito Mussolini announces a worldwide competition for a monument to celebrate his victory over Ethiopia, the winning design is an almost unimaginable mile-high tower, La Vittoria, created by the famed American architect, Amos Prince. In his struggle to bring this modern Babel to completion in the face of every conceivable obstaclei̮ncluding Mussolini's wavering support and loss of power, and the vicissitudes of a world warP̮rince will losehis family, his native country, and perhaps even his mind.