10 results for "Poetry"

The clinic, memory: new and selected poems

Feinstein, Elaine
In The Clinic, Memory , Elaine Feinstein has selected poems from the last half century of her writing life. They range widely: tender, early lyrics from 'In a Green Eye'; elegies for her father and close friends, amused reflections on ageing and longer poems such as 'Gold', based on the life of Lorenzo da Ponte, Mozart's librettist, or the lot of refugees in 'Migration'. Other poems explore the conflicts in a long marriage, teased out most poignantly in poems for her late husband in 'Talking to the Dead'.
Carcanet Poetry 2017 181 pages

Portraits

Feinstein, Elaine
Elaine Feinstein has always written most passionately about people. In this intimate collection, she remembers friends she has loved, writers she knows, and literary figures from the past. She writes of the Russian poet Bella Akhmadulna with tender admiration; the East End poet Emanuel Litvinoff, at work in his Bloomsbury flat; and Masha Enzenberger, who brought Feinstein into the Russian world of Marina Tsvetaeva. Feinstein imagines Raymond Chandler, Isaac Rosenberg, and Sylvia Plath, and she delights in Joseph Roth's melancholy wit and Disraeli's nerve. There are a few sardonic self-portraits as well. In the last poem, "Death and the Lemon Tree," she finds a compelling image for the privilege of continuing to write into old age.
Carcanet 2015 59 pages

Cities

Feinstein, Elaine
With 60 new poems spanning the world--from Basel to Budapest, Tampico to Tiblisi, New York to Sydney--this collection explores the landscape and history of each destination with vivid expressions charged by memories both fond and once forgotten. From her insightful autobiography, the author encounters friends, colleagues, and strangers in each city who stir up details of a life lived completely. At turns poignant and amusing, this volume will delight literary minds and poets alike.
Carcanet 2010 57 pages

Talking to the dead

Feinstein, Elaine
A tender work of mourning, this poetry collection—owing to the remembered words of a much-loved husband—recalls the author’s life before marriage and considers a future after her husband’s death. Imagining that future, she confronts the myths of an afterlife, a belief in God, her debts to other poets, and her dependence on friends and children. At the center of these beautiful lyrics—written with complete control of rhythm and tone—it is a man, rather than grief, that appears clearly.
Carcanet 2007 57 pages