"I have never read a text which goes even half as far as this one in expressing the particular poignancy which lay at the heart of the impressionist movement. I say this as an art critic. As a novelist I would simply like to pay my tribute to the mastery of language, portraiture and storytelling which Figes has now at her command." John Berger ?Reprinted for the first time in nearly 25 years, this shimmering short novel gives an extraordinary portrait of a day in the life of an artist at work and at home. In prose as luminous as the colors Monet is using to portray his beloved garden, Eva Figes guides us through the day, from the dawn ('midnight blueblack growing grey and misty') through midday ('the sun was high now...shrinking what little shadow remained, fading colours, the pink rambler roses on the fence by the railway track looked almost white, and the grass had turned a tired yellow') to evening ('the tide of shadows rising as the sunset glow faded outside and the room grew dark.'). Monet's wife, Alice, grieving for a lost daughter; a living daughter, Germaine, fretting that she will not be able to marry the young man she loves; their friend, the abbe, eating and drinking with them, observing the essential faith of the painter's art; two children, playing, closest to Monet in the freshness and certainty of their vision; all experiencing in very different ways the richness of the light that Monet works unceasingly to pin down in his last, great paintings.

Tales of Innocence and Experience is a captivating exploration of the relationship between a grandmother and her granddaughter as a second baby is about to be born. Alive to the special sweetness of the relationship, Figes also explores the darker side of childhood. How in fairytales such as 'Snow White', 'Little Red Riding Hood' and 'Hansel and Gretel' difficult emotions like jealousy and anger, fear of death and abandonment are evoked and transformed by the storyteller's art. It is at this point that the author evokes a fairy tale of her own privileged Berlin childhood which was brutally shattered when her family escaped from the Nazis to England, leaving behind her much loved grandparents, who later perished in Dachau. As Eva Figes says, 'Women lose their innocence, not with loss of virginity, but with childbirth', but a new child around allows the grandmother the chance we all seek to sneak back into the garden of innocence.

As spare and elegant as her highly praised short novels Light and Waking , Eva Figes's Ghosts captures the experience of aging. In prose that seems to measure the very beat of passing time, we follow her heroine, an unnamed woman, through four seasons of a single year and watch her come to terms with her former lover, her grown children, and, finally, the ghostly self that she is slowly becoming. She moves through streets that have changed their contours, landscapes in constant flux, in a body slowly turning into her mother's.As her character poignantly lets go of possessions, memories, and all that she holds dear, Figes turns the ordinary occurrences of daily life – eating breakfast, having tea, weeding a garden – into luminous events through the clarity and beauty of her writing.