In acclaimed author Eva Figes's inventive reshaping of the pop psychological thriller, her fifth novel opens as Nelly Dean, a middle-aged woman suffering from amnesia, checks into a small-town hotel with a suitcase full of cash and no idea where it—or she—came from. Distrustful of everyone from the waiter who serves her lunch to a store clerk who claims to know her from grade school, Nelly fears she is part of a conspiracy, although she is strangely indifferent to the clues that might explain her puzzling circumstances. Part dark comedy, part mystery novel, Nelly's Version offers an unsettling journey into the mind of a witty, intelligent woman stuck in a pastless present.

"I have never read a text which goes even half as far as this one in expressing the particular poignancy which lay at the heart of the impressionist movement. I say this as an art critic. As a novelist I would simply like to pay my tribute to the mastery of language, portraiture and storytelling which Figes has now at her command." John Berger ?Reprinted for the first time in nearly 25 years, this shimmering short novel gives an extraordinary portrait of a day in the life of an artist at work and at home. In prose as luminous as the colors Monet is using to portray his beloved garden, Eva Figes guides us through the day, from the dawn ('midnight blueblack growing grey and misty') through midday ('the sun was high now...shrinking what little shadow remained, fading colours, the pink rambler roses on the fence by the railway track looked almost white, and the grass had turned a tired yellow') to evening ('the tide of shadows rising as the sunset glow faded outside and the room grew dark.'). Monet's wife, Alice, grieving for a lost daughter; a living daughter, Germaine, fretting that she will not be able to marry the young man she loves; their friend, the abbe, eating and drinking with them, observing the essential faith of the painter's art; two children, playing, closest to Monet in the freshness and certainty of their vision; all experiencing in very different ways the richness of the light that Monet works unceasingly to pin down in his last, great paintings.

As spare and elegant as her highly praised short novels Light and Waking , Eva Figes's Ghosts captures the experience of aging. In prose that seems to measure the very beat of passing time, we follow her heroine, an unnamed woman, through four seasons of a single year and watch her come to terms with her former lover, her grown children, and, finally, the ghostly self that she is slowly becoming. She moves through streets that have changed their contours, landscapes in constant flux, in a body slowly turning into her mother's.As her character poignantly lets go of possessions, memories, and all that she holds dear, Figes turns the ordinary occurrences of daily life – eating breakfast, having tea, weeding a garden – into luminous events through the clarity and beauty of her writing.

This novel is an exploration of the structure and cycle of family life in the world according to Anna Hard, as daughter, baby, child, adolescent, adult, wife and mother.

The time is 1900, the setting a house and garden in the French countryside, the mood celebratory; but even as the sun rises through a clear blue sky on what is surely an idyllic summer's day, darker tones throw their shadows on the bright colors of the landscape, shadows of grief and loss, and the looming, unseen shadow of a catastrophe that will destroy the calm fabric of daily living. Only art and memory are proof against the destruction of time. Claude, creator of the garden, painter of light that constantly redefines the visible world, struggles to hold the shifting images of perfection. And two young children, their lives still ahead of them, take in the world with the fresh eyes of childhood, to hold in their memories a time when it was always summer, the sun always shone, and all things glowed in the light. A luminous, "impressionist" novel about a day in the life of Claude Monet.