The Macdonald sisters -- Alice, Georgiana, Agnes and Louisa -- started life among the ranks of the lower-middle classes, with little prospect of social advancement. But as wives and mothers they made a single family of the poet Rudyard Kipling, the Pre-Raphaelite painter Edward Burne-Jones, Edward Poynter, President of the Royal Academy, and the Prime Minister, Stanley Baldwin. In telling their remarkable story, Judith Flanders displays the fluidity of Victorian society, and explores the life of the family in the 19th century.

'Nobody knows more about everyday life in Victorian Britain than Judith Flanders' - Douglas Robert-Fairhurst, author of Metamorphosis and The Turning Point In Rites of Passage , acclaimed historian Judith Flanders deconstructs the intricate, fascinating, and occasionally - to modern eyes - bizarre customs that grew up around death and mourning in Victorian Britain. Through stories from the sickbed to the deathbed, from the correct way to grieve and to give comfort to those grieving to funerals and burials and the reaction of those left behind, Flanders illuminates how living in nineteenth-century Britain was, in so many ways, dictated by dying. This is an engrossing, deeply researched and, at times, chilling social history of a period plagued by infant death, poverty, disease, and unprecedented change. In elegant, often witty prose, Flanders brings the Victorian way of death vividly to life.

The idea that 'home' is a special place, a separate place, a place where we can be our true selves, is so obvious to us today that we barely pause to think about it. But, as Judith Flanders shows in her fascinating new book, 'home' is a relatively new idea. When in 1900 Dorothy assured the citizens of Oz that 'There is no place like home', she was expressing a view that was the climax of 300 years of change. In The Making of Home, Flanders traces the evolution of the house from the sixteenth to the early twentieth century across northern Europe and America, and shows how the 'homes' we know today bear only a faint resemblance to 'homes' though history. Along the way she investigates the development of ordinary household items - from cutlery, chairs and curtains, to the fitted kitchen, plumbing and windows - while also dismantling many domestic myths.