Book jacket/back: In this beloved novel of immigrant life in Brooklyn, David Fuchs speaks to us in a distinctive, affecting voice. He evokes the special, marvelous qualities of the Jewish-American experience by creating characters and conflicts whose idiom and flavor he catches with uncanny precision. This is an exceptional novel about ordinary people. Each of the central characters lives in the same tenemant building in the Williamsburg section of Brooklyn. This single building is a miniature of the teeming, dynamic community of which it is a part. It is inhabited by solitary souls and families. These people are students, idlers, shopkeepers, mothers, hustlers, lovers and husbands. Fuch's vivid, sharply observed prose folds these separate lives into a full-blooded human comedy. The story he tells reveals people living their lives with all the twists and dodges, the puzzles, the contradictions, the idiocies and the wonderful moments. In short, the busines of living, the banquet of life.

In the spring of 1937, Brooklyn’s Daniel Fuchs, twenty-seven years old and already the author of three remarkable novels (now collected as The Brooklyn Novels), came to Hollywood to bang out a treatment of one of his short stories. His thirteen-week contract turned into a permanent residence―and a lifelong love affair with the movie business. Fuchs worked with the best: Warner and M-G-M and RKO, Wilder and Huston and Joe Pasternak, Raft and Cagney and Doris Day. He spent his days crafting screenplays, but off the lot he continued to write prose, mainly stories for Collier’s and The New Yorker and non-fiction “Letters from Hollywood” for Commentary. The Golden West collects, for the first time, the best of Fuch’s writings about studio life, from a novice screenwriter’s anxious first impressions to a fifty-year veteran’s mellow memoirs. Fuchs may have loved Hollywood, but he saw life as it is, gold and tinsel both, and described it without falling into easy sentiment or condescending laughter.