Winner of the Scott Moncrieff Prize for translation A mind-bending and mysterious comedy from the author of Life A User's Manual . A Void is a great linguistic adventure and a metaphysical whodunit, chock-full of plots and subplots, of trails in pursuit of trails, all displaying Georges Perec's virtuosity as a verbal magician. It is also an outrageous verbal stunt: a 300-page novel that never once employs the letter E. The year is 1968, and as France is torn apart by social and political anarchy, the noted eccentric and insomniac Anton Vowl goes missing. Ransacking his Paris flat, his best friends scour his diary for clues to his whereabouts. At first glance these pages reveal nothing but Vowl's penchant for word games, especially for "lipograms," compositions in which the use of a particular letter is suppressed. But as the friends work out Vowl's verbal puzzles, and as they investigate various leads discovered among the entries, they too disappear, one by one by one, and under the most mysterious circumstances . . . A book that only Georges Perec could have conceived, The New York Times called A Void , "a rollicking story, wildly amusing and easily accessible to all of us who don't mind slipping, sliding and being tripped."

Darkly funny account of the office worker’s mindset by the celebrated French novelist A long-suffering employee in a big corporation has summoned up the courage to ask for a raise. But as he runs through the looming encounter in his mind, his neuroses come to the surface: What is the best day to see the boss? What if he doesn’t offer you a seat when you go into his office? The Art of Asking Your Boss for a Raise is a hilarious account of an employee losing his identity—and possibly his sanity—as he tries to put on the most acceptable face for the corporate world,with its rigid hierarchies and hostility to new ideas. If he follows a certain course of action, so this logic goes, he will succeed—but, in accepting these conditions, are his attempts to challenge his world of work doomed from the outset? Neurotic and pessimistic, yet endearing, comic and never less than entertaining, Perec’s Woody Allen-esque underling presents an acute and penetrating vision of the world of office work, as pertinent today as it was when it was written in 1968.

Two thematically-related novellas by Georges Perec in one volume. In each, Perec probes our obsession with society's trappings--the seductive mass of things that masquerade as stability and meaning. In Things: A Story of the Sixties , Jerome and Sylvie, a young, upwardly mobile couple lust for the good life, caught between the fantasy of "the film they would have liked to live" and the reality of life's daily mundanities. The nameless student in A Man Asleep attempts to purify himself entirely of material desires and ambition. He longs "to want nothing. Just to wait, until there is nothing left to wait for. Just to wander, and to sleep." Yearning to exist on neutral ground as "a blessed parenthesis," he discovers something unexpected. With the American publication of Life: A User's Manual in 1987, Georges Perec was recognized in the United States as one of this century's most innovative writers. Things: A Story of the Sixties is accessible, sobering, and deeply involving. Each novel distills Perec's unerring grasp of the human condition and displays his rare comic talent, detachment, and compassion.

Puckish and playful, Georges Perec infused avant-garde and experimental fiction with a wit and wonder that belied the serious concerns and concepts that underpinned it. A prominent member of the OuLiPo, and an abiding influence on fiction writers today, Perec used formal constraints to dazzling effect in such works as A Void —a murder mystery that contains nary an “e”—and Life A User’s Manual , in which an apartment building, systematically canvassed, unfolds secrets and, ultimately offers a reflection on creation, destruction, and the devotion to art. Before embarking on these experiments, however, Perec tried his hand at a relatively straightforward novel, Portrait of a Man . His first book, it was rejected by publishers when he submitted it in 1960, after which he filed it away. Decades after Perec’s death, David Bellos discovered the manuscript, and through his translation we have a chance to enjoy it in English for the first time. What fans will find here is a thriller that combines themes that would remain prominent in Perec’s later work, such as art forgery, authenticity, and murder, as well as craftsman Gaspard Winckler, who whose namesakes play major roles in Life A User’s Manual and W or The Memory of Childhood . Engaging and entertaining on its own merits, and gaining additional interest when set in the context of Perec’s career, Portrait of a Man is sure to charm the many fans of this postmodern master.