Set in Jewish London in the 1930s, Susan Glickman's The Violin Lover is written against the backdrop of Hitler's escalating campaign against the Jews. This beautifully written novel tells the story of Clara Weiss and Ned Abraham, "the violin lover," brought together by Clara's 11-year-old son, Jacob. A successful doctor and amateur violinist, Ned is pressured to practice a duet with Jacob by the boy's piano teacher. Though reluctant at first, Ned is charmed by the young prodigy and surprised by Jacob's dedication and passion for music. In him Ned sees his younger self, so young and full of promise. A friendship is soon built on a mutual love for music. A dinner invitation to spend Passover with the Weiss family seals Ned's fate and a clandestine love affair begins. Although they both agree that no one must ever know — especially not Clara's family — their affair inevitably comes to a crashing end, with disastrous, life-altering consequences. Unfolding like a melody, The Violin Lover is infused with music and told in three voices. It is a powerful novel about the love one feels for family, friends, culture, faith and music, and the passion that comes with it — regardless of the outcome.

Liz Ryerson believes that Hillcrest Village, her Toronto neighbourhood, is quaint and quiet, but stumbling over a corpse while walking her dog dissolves that illusion for good. When she realizes that she actually knew the dead man, a real estate broker who appraised the building she coowns with her philandering ex-husband, she becomes obsessed with solving the crime. The more instability is revealed in her life, the more she needs to find out who killed James Scott -- and why. Retired Classics professor Maxime Bertrand is delighted to play Watson to her Holmes. For Liz, the investigation is a way of asserting control in a world she no longer recognizes. It is also a means of proving to herself and her children she is not in retreat from life but can grow and change. For Maxime, it's a way of becoming re-engaged in life after his wife's death. Neither of them anticipates the possibility of real danger, despite police warning them to stop meddling in criminal matters. In Safe as Houses, novelist Susan Glickman explores her own Toronto neighbourhood, imagining how a confrontation with murder might peel away its veneer of security and civility. She also shows, through her warm, witty, and wise depiction of everyday life, what is worth saving.

Running in Prospect Cemetery includes the best work from Susan Glickman's four previous volumes, as well as a large selection of superb new poems that continue to demonstrate her versatility, confidence, compassion and humour. Glickman has been a Signal poet since the publication of Complicity in 1983, a collection that prompted The Journal of Commonwealth Literature to hail her as "one of the finest of the new generation of Canadian writers," a promise she has brilliantly fulfilled in an extraordinary twenty-year career that has always stayed true to the poetry that, as she puts it in the title poem--is "wholly accepting of what I am / this small frame of muscle and bone." Susan Glickman was raised in Montreal and now makes her home in Toronto, where she teaches at the Lycée Français de Toronto. She is the author of four collections of poetry, and has won both the Gabrielle Roy Prize and the Raymond Klibansky Prize for her work of literary criticism The Picturesque & the Sublime: A Poetics of the Canadian Landscape. She is currently working on her second novel.