How does a truly disastrous leader - a sociopath, a demagogue, a tyrant - come to power? How, and why, does a tyrant hold on to power? And what goes on in the hidden recesses of the tyrant's soul? For help in understanding our most urgent contemporary dilemmas, William Shakespeare has no peer. As an ageing, tenacious Elizabeth I clung to power, a talented playwright probed the social and psychological roots and the twisted consequences of tyranny. What he discovered in his characters remains remarkably relevant today. With uncanny insight, he shone a spotlight on the infantile psychology and unquenchable narcissistic appetites of demagogues and imagined how they might be stopped. In Tyrant, Stephen Greenblatt examines the themes of power and tyranny in some of Shakespeare's most famous plays -- from the dominating figures of Richard III, Julius Caesar, Hamlet, Macbeth, and Coriolanus to the subtle tyranny found in Measure for Measure and The Winter's Tale. Tyrant is a highly relevant exploration of Shakespeare's work that sheds new light on the workings of power.

Stephen Greenblatt's Renaissance Self-fashioning is a study of sixteenth-century life and literature that spawned a new era of scholarly inquiry. Greenblatt examines the structure of selfhood as evidenced in major literacy figures of the English Renaissance- More, Tyndale, Wyatt, Spenser, Marlowe, and Shakespeare- and finds that in the early modern period new questions surrounding the nature of identity heavily influenced the literature of the era. Now a classic text in literary studies, Renaissance Self-Fashioning continues to be of interest to students of the Renaissance, English literature, and the new historicist tradition. This edition is enhanced with the addition of a preface by the author on the book's creation and influence.

"In repressive Elizabethan England, artists are frightened into dull conventionality; foreigners are suspect; popular entertainment largely consists of coarse spectacles, animal fights, and hangings. Into this crude world of government censorship and religious authoritarianism comes an ambitious cobbler's son from Canterbury with a daring desire to be known--and an uncanny ear for Latin poetry. A torment for most schoolboys, yet for a few, like Christopher Marlowe, a secret portal to beauty, visionary imagination, transgressive desire, and dangerous skepticism. What Marlowe seizes in his rare opportunity for a classical education, and what he does with it, brings about a spectacular explosion of English literature, language, and culture. His astonishing literary success will, in turn, nourish the talent of a collaborator and rival, William Shakespeare. Dark Renaissance illuminates both Marlowe's times and the origins and significance of his work--from his erotic translations of Ovid to his portrayal of unfettered ambition in a triumphant Tamburlaine to Doctor Faustus, his unforgettable masterpiece about making a pact with the devil in exchange for knowledge. Introducing us to Marlowe's transgressive genius in the form of a thrilling page-turner, Stephen Greenblatt brings a penetrating understanding of the literary work to reveal the inner world of the author, bringing to life a homosexual atheist who was tormented by his own compromises, who refused to toe the party line, and who was murdered just when he had found love. Meanwhile, he explores how the people Marlowe knew, and the transformations they wrought, gave birth to the economic, scientific, and cultural power of the modern world including Faustian bargains with which we reckon still." --

A masterwork of history and cultural studies, Marvelous Possessions is a brilliant meditation on the interconnected ways in which Europeans of the Age of Discovery represented non-European peoples and took possession of their lands, particularly in the New World. In a series of innovative readings of travel narratives, judicial documents, and official reports, Stephen Greenblatt shows that the experience of the marvelous, central to both art and philosophy, was manipulated by Columbus and others in the service of colonial appropriation. Much more than simply a collection of the odd and exotic, Marvelous Possessions is both a highly original extension of Greenblatt’s thinking on a subject that has permeated his career and a thrilling tale of wandering, kidnapping, and go-betweens—of daring improvisation, betrayal, and violence. Reaching back to the ancient Greeks, forward to the present, and, in his new preface, even to fantastical meetings between humans and aliens in movies like Close Encounters of the Third Kind , Greenblatt would have us ask: How is it possible, in a time of disorientation, hatred of the other, and possessiveness, to keep the capacity for wonder—for tolerant recognition of cultural difference—from being poisoned?

Stephen Greenblatt argued in these celebrated essays that the art of the Renaissance could only be understood in the context of the society from which it sprang. His approach - 'New Historicism' - drew from history, anthropology, Marxist theory, post-structuralism, and psychoanalysis and in the process, blew apart the academic boundaries insulating literature from the world around it. Learning to Curse charts the evolution of that approach and provides a vivid and compelling exploration of a complex and contradictory epoch.