Gruen (history and classics, Berkeley) explores four centuries of Jewish life within the dominant classical civilization, from Alexander the Great's conquest of the Near East to the Roman destruction of the Jewish Temple in 70 C.E. He begins with an investigation of "the conspicuous absence of a philosophy of Diaspora" and attempts very capably to identify the traces of the concept among Jews ... More under Roman rule. He looks at the cultures of the Jews living in Rome, Asia, and Alexandria, finding very vibrant communities in all three places. In exploring Jewish views of the Diaspora, Gruen offers up two chapters on Diaspora humor, one about the way biblical tales were retold and the lessons they could convey and the other about creating fanciful yet didactic stories. Then the author looks at the evidence about the Jewish image of the Greeks and Romans, a subject usually investigated from the opposite viewpoint. This leads into his final chapter on the Jewish view of the homeland during the period, a view not much different from today's. Gruen admits that his work is far from exhaustive, but it is certainly substantial, fascinating, and scholarly

The interaction of Jew and Greek in antiquity intrigues the imagination. Both civilizations boasted great traditions, their roots stretching back to legendary ancestors and divine sanction. In the wake of Alexander the Great's triumphant successes, Greeks and Macedonians came as conquerors and settled as ruling classes in the lands of the eastern Mediterranean. Hellenic culture, the culture of the ascendant classes in many of the cities of the Near East, held widespread attraction and appeal. Jews were certainly not immune. In this thoroughly researched, lucidly written work, Erich Gruen draws on a wide variety of literary and historical texts of the period to explore a central question: How did the Jews accommodate themselves to the larger cultural world of the Mediterranean while at the same time reasserting the character of their own heritage within it? Erich Gruen's work highlights Jewish creativity, ingenuity, and inventiveness, as the Jews engaged actively with the traditions of Hellas, adapting genres and transforming legends to articulate their own legacy in modes congenial to a Hellenistic setting. Drawing on a diverse array of texts composed in Greek by Jews over a broad period of time, Gruen explores works by Jewish historians, epic poets, tragic dramatists, writers of romance and novels, exegetes, philosophers, apocalyptic visionaries, and composers of fanciful fables—not to mention pseudonymous forgers and fabricators. In these works, Jewish writers reinvented their own past, offering us the best insights into Jewish self-perception in that era.

Few encounters in antiquity have had more profound consequences than the encounter between Greek culture and that of Republican Rome during the third and second centuries B.C. Focusing on the response of the ruling elites, for whom Hellenic literature, religion, and visual arts were at once intimidating and irresistibly appealing, Erich S. Gruen offers a compelling account of the assimilation and adaptation of Greek culture by the Romans. Gruen examines such key cultural developments in the history of Republican Rome as the adaptation of the legend of Troy to create a special place for Rome within Hellenic traditions, and Cato's campaign to distinguish Roman cultural achievements by comparing them to those of the Greeks. He describes the diverse purposes - civic, religious, and political - for which the Romans used Greek art, as well as the development of distinctively Roman artistic expression in portraiture, historical reliefs, and comic drama within a Hellenic context. In addition, he accounts for the perseverance of two competing strains within Republican Roman culture: on the one hand, philhellenism, and on the other, the subordination of the Greek legacy within the living Roman tradition. Gruen shows that this complex process of cultural transformation served to sharpen the Romans' sense of their own values, their national character, and their international responsibilities. Demonstrating that the Roman response to Hellenism was far more subtle and dynamic than has generally been acknowledged, Culture and National Identity in Republican Rome will be welcomed as an outstanding contribution by readers interested in ancient history, classical literature, and the history of art.

Erich S. Gruen investigates a remarkable phenomenon in religious and literary history: the freedom with which Jewish writers in antiquity retold and recast, sometimes distorted or bypassed, biblical narratives that ostensibly had the status of sacred texts.

"This volume assembles twenty-three essays by Erich S. Gruen, who has written extensively on the literature and history of early Judaism and the experience of the Jews in the Greco-Roman world. Twenty-two of the articles have previously been published, and one new one was composed for the volume"--Back cover.

"Prevalent among classicists today is the notion that Greeks, Romans, and Jews enhanced their own self-perception by contrasting themselves with the so-called Other--Egyptians, Phoenicians, Ethiopians, Gauls, and other foreigners--frequently through hostile stereotypes, distortions, and caricature. Erich Gruen demonstrates how the ancients found connections rather than contrasts, how they expressed admiration for the achievements and principles of other societies, and how they discerned--and even invented--kinship relations and shared roots with diverse peoples." -- from publisher description.