Essential reading for our times, as women are pulling together to demand their rights— A landmark portrait of women, men, and power in a transformed world. “Anchored by data and aromatized by anecdotes, [Rosin] concludes that women are gaining the upper hand." – The Washington Post Men have been the dominant sex since, well, the dawn of mankind. But Hanna Rosin was the first to notice that this long-held truth is, astonishingly, no longer true. Today, by almost every measure, women are no longer gaining on men: They have pulled decisively ahead. And “the end of men”—the title of Rosin’s Atlantic cover story on the subject—has entered the lexicon as dramatically as Betty Friedan’s “feminine mystique,” Simone de Beauvoir’s “second sex,” Susan Faludi’s “backlash,” and Naomi Wolf’s “beauty myth” once did. In this landmark book, Rosin reveals how our current state of affairs is radically shifting the power dynamics between men and women at every level of society, with profound implications for marriage, sex, children, work, and more. With wide-ranging curiosity and insight unhampered by assumptions or ideology, Rosin shows how the radically different ways men and women today earn, learn, spend, couple up—even kill—has turned the big picture upside down. And in The End of Men she helps us see how, regardless of gender, we can adapt to the new reality and channel it for a better future.

Since 2000, America s most ambitious young evangelicals have been making their way to Patrick Henry College, a small Christian school just outside the nation s capital. Most of them are homeschoolers whose idealism and discipline put the average American teenager to shame. At "God s Harvard" they are groomed to become tomorrow s elite. Diplomas in hand, they are dispatched to the front lines of politics, entertainment, and science, where they will lead the battle to take back a godless nation. Hanna Rosin spent a year and a half embedded at the college, following students from the campus to the White House, Congress, conservative think tanks, Hollywood, and other centers of influence. Her account captures this nerve center of the evangelical movement at a moment of maximum influence and also of crisis, as it struggles to avoid the temptations of modern life and still remake the world in its own image. "