"In these 19 evocative pieces of short fiction, best-selling and award-winning writers tackle such intriguing issues as sex by telepathy, the pick-up scene on other planets, and making love with Superman. Thought-provoking, often shocking, always entertaining, 'Alien Sex' daringly explores those barriers between men and women that can make them seem so 'alien' to one another. probing the current and future state, shape, and complex problems of the human male/female relationship, this fantastic collection will make you think about sex in a whole new way."--Pg. [4] of cover.

Harlan Ellison is probably best known as a script writer for sci-fi and fantasy movies and TV series such as the original Outer Limits, The Hunger, Logan's Run, and Babylon Five. But his range is much broader than that, encompassing stories, novels, essays, reviews, reminiscences, plays, even fake autobiographies. Essential Ellison includes contains 74 unabridged works, including such classics as "A Boy and His Dog," "Xenogenesis," and "Mefisto in Onyx." Includes black-and-white photos.

Remember Charles Bronson stalking the streets of New York blowing holes in muggers in Death Wish ? Remember Glenn Ford standing off the vicious juvenile delinquents in Blackboard Jungle ? Well, it is more than fifty years and two different worlds from 1955 to now. And something the author of these stories knows that you are scared to admit is that reality and fantasy have flip-flopped. They have switched places. The stories that scare you today are the ones about rapists and thugs, psychos who will carve you for a dollar and hypes who will bust your head to get fixed. Glenn Ford's world was yesterday, and Bronson's is today. And in the stalking midnight of this book, one of America's top writers, Harlan Ellison, invades the shadows of both!

From the jungles to the deserts to the mean city streets, the men's adventure magazines of the 1950s, '60s and '70s - pulpy periodicals like REAL MEN, MALE, MAN'S LIFE, TRUE MEN STORIES, UNTAMED, EXOTIC ADVENTURES and GUSTO - left no male fantasy or interest unexplored. War stories, exotic adventure yarns, "true, first-hand" accounts of white-knuckle clashes between man and beast, and spicy tales of sadistic frauleins and tropical white queens hungry for companionship ... topped off with salacious exposés of then-shocking subjects like free love, the Beat Generation, homosexuality, LSD and the secret horniness hidden in calypso lyrics. Josh Alan Friedman (BLACK CRACKER) and Wyatt Doyle (STOP REQUESTED) join collector and historian Robert Deis of MensPulpMags.com for a guided safari through a jaw-dropping collection of classic men's adventure magazine stories in the first anthology from the genre ever published. Packed with pulp fiction created by writers who later went on to greater fame, sensational illustrations by masters of men's pulp art and wacky ads taken from the magazines' back pages, WEASELS RIPPED MY FLESH! is your passport to a gonzo world where every dame was a femme fatale or a scantily-clad damsel in distress and manly men fought small mammals bare-handed.

In a career spanning more than 50 years, Harlan Ellison has written or edited 75 books, more than 1700 stories, essays, articles and newspaper columns, two dozen teleplays, and a dozen movies. Now, for the first time anywhere, Troublemakers presents a collection of Ellison's classic stories--chosen by the author--that will introduce new readers to a writer described by the New York Times as having the spellbinding quality of a great nonstop talker, with a cultural warehouse for a mind.

In honor of Harlan Ellison's eightieth birthday, Susan Ellison-his wife of thirty years, the Electric Baby-has scoured raw eight (8) decades of his written output (from his 1949 serialized stories in The Cleveland News to as-yet unpublished tales fresh from his Olympia Manual typewriter) to present one artifact from each calendar decade. Where possible, the eight stories herein have been reproduced from Ellison's original typescripts, as preserved in his meticulous archives. In some cases, they may differ from the preferred texts established over years of revisions and reprints. From the 1940s: "The Sword of Parmagon," a five-part serial inspired by the works of Sir Walter Scott. Originally published in the Cleveland News when the author was fifteen years old, this story has been re-set with the original illustrations for this printing. From the 1950s: "Nedra at f:5.6," Ellison's homage to Fritz Leiber, reprinted from the revised typescript. From the 1960s: "The Resurgence of Miss Ankle-Strap Wedgie," a novella of Hollywood written as a showpiece for Ellison's first hardback collection. Reprinted from the original typescript with the author's handwritten corrections. From the 1970s: "The Diagnosis of Dr. D'arqueAngel," a fantasy written from a concept generated before an audience of California high school students by the author, Ray Bradbury, and Frank Herbert. Reprinted from the original typescript. From the 1980s: "She's a Young Thing and Cannot Leave Her Mother," the story Ellison was writing while attending the Scottish convention where he met the future Susan Ellison (and Neil Gaiman). Reprinted from the original typescript. From the 1990s: "Scartaris, June 28th," the story that--according to Susan Ellison--crystallized a new auctorial voice for her husband, the one that would go on to appear in THE BEST AMERICAN SHORT STORIES with "The Man Who Rowed Christopher Columbus Ashore" (available in HARLAN 101: ENCOUNTERING ELLISON). Reprinted from the original typescript. From the 2000s: "Incognita, Inc.," the story that explores the source of all those maps to buried treasure and magical lands. Reprinted from the original typescript, it makes its first appearance in an Ellison collection here. From the 2010s: "Weariness," inspired by a random piece of art, was first published in an anthology dedicated to the late Ray Bradbury. Reprinted from the original typescript, it makes its first appearance in an Ellison collection here.

Hugo and World Fantasy Award nominated editor Warren Lapine celebrates twenty years in genre publishing with his latest effort, Fantastic Stories of the Imagination. This anthology contains fourteen nicely varied stories by some of the top names in genre publishing and several new up-and-comers. Included are Harlan Ellison, Mike Resnick, Barry B. Longyear, Kelly McCullough, Shariann Lewitt, Tom Piccirilli, Trent Zelazny, Sharon Lee, Steve Miller, and many others. The stories range from edgy cyberpunk to urban fantasy, and they'll stay with you long after you've closed the book. Explore what it means to be human and experience the depth of despair and heights of joy that come along it. These stories do not disappoint.-SF Scope

You will not find "'Repent, Harlequin ' Said the Ticktockman" in this book. Nor will you find "I Have No Mouth, and I Must Scream," "A Boy and His Dog," or "The Deathbird," or any of Harlan Ellison's myriad masterpieces. What will you find herein? The front cover might give you a nasty clue: stories of crime and amorality, of sex and violence. What the cover might not have conveyed was that the award-winning tales enumerated above were forged in an imagination stoked for the preceding decade by the need to trade tales to the pulps and slick men's magazine to make the rent ($7 a week). You hold in your hands the work of a writer painfully crawling forward, tale by tale, honing his craft in an industry where every word counted...of course, you knew all that; you got it from the title. AGAIN, HONORABLE WHOREDOM AT A PENNY A WORD kicks off with "Typewriters & Pipe Lighters," a collection of anecdotes from Ellison recalling the writing of these stories, which span his first full year as a professional writer (1956) to 1968, when he still dashed off the occasional thriller while making his name with the iconic fantasies listed above. A further essay-"Naked Deranged Psycho Thrill-Demon Or, Bitch-Slut Gun-Crazy Homicidal Rat" (1996)-discusses pulp editor W.W. Scott's propensity for re-titling Ellison's works for publication in such publications as Guilty and Trapped. Most of the stories are straight-forward thrillers never-before collected in an Ellison anthology: "Her Name Was Death" (1957), "Thirty Miles to Death Junction" (1957), "The Teaser with a Knife" (1967), "Don't Mind the Maid" (1957), "The Girl in the Red Room" (1964), "Hunchback" (1957), "Goodbye, Eadie" (1956), "The Clean Break" (1956), "Boss of the Big House"(1957), "Drive a Girl to Kill" (1957), "Hell's Holocaust" (1957), "Willie Just Won't Kick Off" (1968), "Mad Dog " (written with Henry Slesar, 1957), "The Women in the House" (1957), "Taxi Dancer"(1967). "The Music of Our Affair"(1963) features the author experimenting with style, to cacophonous effect. "Find One Cuckaboo" (1960) is a never-before reprinted novelette originally included in the paperback anthology THE SAINT MYSTERY LIBRARY, No. 11. "Clobber Me, Moogoo " (1956) and "McManus's Mental Mistress" (1968) exhibit a fantasy-tinged approach to stories of sex. "Only Death Can Stop It" (1960) compelled Harlan to add a disclaimer to the table of the contents. "The Final Push" (1957) is one of the author's three Westerns. While "Saddle Tramp" (collected in HONORABLE WHOREDOM AT A PENNY A WORD) was more tramp than saddle, this story has more in common with "The End of the Time of Leinard" in its evocation of a genre Ellison adores. "Night on the Mug Beat" is a never-before published cop story, appearing herein for the first time. The main body of the collection closes with "The Steep Road to the Gutter" (1965), an overlooked masterpiece of early Ellisonia that the editor is overjoyed to expose to a wider audience. But wait, there's more In preparing AGAIN, HONORABLE WHOREDOM AT A PENNY A WORD for publication, the editor stumbled across a file headed A WOMAN NAMED MIDNIGHT. After confirming that "A Girl Named Poison" (found in the author's 2013 collection PULLING A TRAIN) hadn't changed her name upon reaching maturity, the editor brought the forty-page typescript for an unfinished novel-credited to "Ellis Daye" on the first page, and written while Ellison lived in the treehouse on Bushrod Lane-to its author. Harlan read the story but had no recollection of writing it, nor why it had never been completed and published, but nevertheless gave his blessing for it to make its debut herein.