"In 1973 celebrated writer and editor Harlan Ellison announced the third and final volume of his unprecedented anthology series, which began with Dangerous Visions and continued with Again, Dangerous Visions. But for reasons undisclosed, The Last Dangerous Visions was never completed. Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before-published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison's lifelong pursuit of art, uniting a diverse range of science fiction writers both famous and newly minted, including Max Brooks, Edward Bryant, Cecil Castellucci, James S. A. Corey, Howard Fast, P. C. Hodgell, Dan Simmons, Robert Sheckley, Adrian Tchaikovsky, Mildred Downey Broxon, and Cory Doctorow, among others. The historic publication of The Last Dangerous Visions completes the long-awaited final chapter in an incredible literary legacy."--Amazon.

Harlan Ellison is probably best known as a script writer for sci-fi and fantasy movies and TV series such as the original Outer Limits, The Hunger, Logan's Run, and Babylon Five. But his range is much broader than that, encompassing stories, novels, essays, reviews, reminiscences, plays, even fake autobiographies. Essential Ellison includes contains 74 unabridged works, including such classics as "A Boy and His Dog," "Xenogenesis," and "Mefisto in Onyx." Includes black-and-white photos.

Five years in the making, the Edgeworks Abbey Archive represents Harlan Ellison's last word on his written legacy. Researched and edited by the author's long-time associate, Jason Davis, under the supervision of Harlan and Susan Ellison, this collection assembles the preferred texts of each story and essay along with previously uncollected and unpublished material to create the definitive edition.A FEW (AMONG THE MANY) QUESTIONS THIS BOOK ANSWERS: What stopped Attila the Hun from sacking the Holy City of Rome in the year 452 when it lay defenseless before him? Where is the sunken continent of Atlantis and what will happen if it rises? Has anyone ever made an interesting case for the merits of waging war, and how does war benefit the human race? What happened When Santa Claus attacked Ronald Reagan in the men's toilet of the abandoned Camarillo State Mental Institution? Is it true that Jesus had a homosexual liaison with Prometheus? Does the Abominable Snowman exist, and what's his sex life like? What's the worst thing that can happen to those who do too much bad dope? How do you identify and survive the attentions of emotional vampires? Are you listening? Why are the bizarre stories of Harlan Ellison so damned popular, translated into thirteen languages, and made into movies; why do they influence a whole generation of younger writers, provoke lynch mobs, and win this Ellison person such an unconscionable array of literary awards? ASK NOT FOR WHOM THIS BOOK TOILS. IT TOILS FUR THEE, KIDDO.

The sixteen stories collected here are spread over the farthest stretches of time and space, but even the bleakest of them is warmed by a passionate faith in the endurance of life and its ultimate possibilities. Copyright © Libri GmbH. All rights reserved.

Harlan Ellison and his editor, Jason Davis, have painstakingly assembled the whole story of Vic and Blood and Spike from the author’s files, using revised-and-expanded versions of the novella and short stories, interstitial material developed for Richard Corben’s graphic adaptation, and—for the first time—never-before-published material from the aborted 1977 NBC television series Blood’s a Rover to tell the complete story of A Boy and His Dog, and a Girl who is tougher than the other two combined.

Harlan Ellison introduced you to Vic and Blood in 1969's Nebula Award-winning novella, "A Boy and His Dog." You thrilled to their on-screen adventures in the 1975 Hugo Award-winning feature film adaptation billed as "a kinky tale of survival." 1977 and 1980 brought brief reunions in "Eggsucker" and "Run, Spot, Run," and the promise of another story-and a third solo, Spike, to make the Dystopian Duo a Tribulation Trio-but only audiobooks and comics followed, revisiting the same tales.Now, nearly fifty years after they first set off across the blasted wasteland, Vic and Blood are back.Harlan Ellison and his editor, Jason Davis, have painstakingly assembled the whole story of Vic and Blood and Spike from the author's files, using revised-and-expanded versions of the novella and short stories, interstitial material developed for Richard Corben's graphic adaptation, and-for the first time-never-before-published material from the aborted 1977 NBC television series Blood's a Rover to tell the complete story of A Boy and His Dog, and a Girl who is tougher than the other two combined.And let's not forget...the wit and wisdom of Blood.

"Raw, vital, uncompromising-- here are portraits of the lost, the damned, the helpless, trying to get a handle on life. A startling collection of 'hip' stories by an impressive young writer, torn from the shadows of the twilight world"--

Remember Charles Bronson stalking the streets of New York blowing holes in muggers in Death Wish ? Remember Glenn Ford standing off the vicious juvenile delinquents in Blackboard Jungle ? Well, it is more than fifty years and two different worlds from 1955 to now. And something the author of these stories knows that you are scared to admit is that reality and fantasy have flip-flopped. They have switched places. The stories that scare you today are the ones about rapists and thugs, psychos who will carve you for a dollar and hypes who will bust your head to get fixed. Glenn Ford's world was yesterday, and Bronson's is today. And in the stalking midnight of this book, one of America's top writers, Harlan Ellison, invades the shadows of both!

The original 50 cent paperback edition of this book now goes for $100 in rare book auctions. Why? Because it contains 25 of the best, hardest-to-find stories of the writer the Washington Post calls "one of the great living American short story writers," the unpredictable Harlan Ellison. "Harlan Ellison is the dark prince of American letters, cutting through our corrupted midnight fog with a switchblade prose. He simply must be read." --Pete Hamill "Ellison writes with sensitivity as well as guts---a rare combination." --Leslie Charteris, creator of THE SAINT

Written as a collaboration between the multi-Nebula Award winning Ed Bryant and Harlan Ellison, one of the Grand Masters of science fiction and a multiple Hugo-, Nebula-, and Edgar Award-winner, PHOENIX WITHOUT ASHES is the novel edition of Harlan's famous, award-winning teleplay. (Please note this book is the novel edition, not the graphic novel.) The year is 2785, and Devon, a farmer banished for challenging his community's Elders, discovers a secret that changes everything he knew about the world, leading him on a quest to solve a mystery beyond his understanding before his entire world is destroyed in a cataclysm. With a Harlanesque introduction by Harlan Ellison. Harlan is very graciously donating his author's income to Ed for this book. THANK YOU, HARLAN! Because of Ed's financial needs, almost all the profits from this book go directly to Ed. Donations to help with Ed's medical and other financial needs are also most appreciated via www.FriendsOfEd.org. Thank you! About the Author Edward Bryant is the multi-Nebula Award winning author of over a hundred short stories, over a thousand essays and reviews, and one novel with Harlan Ellison, PHOENIX WITHOUT ASHES.

Ellison's suspense anthology: 15 stories and one wild, 32-page introduction, none collected previously except for "The Whimper of Whipped Dogs," first published in book form mere weeks earlier in Deathbird Stories. Some, such as "Toe the Line" and "Ormond Always Pays His Bills," are simple pulp crime yarns; others are masterful examples of psychological terror and, in the case of "Whipped Dogs," mystical fantasy. Excellent.

Robert Bloch / Ben Bova / Algis Budrys / Avram Davidson / Samuel R. Delany / Joe L. Hensley / Keith Laumer / William Rotsler / Robert Sheckley / Robert Silverberg / Henry Slesar / Theodore Sturgeon / A. E. Van Vogt / Roger Zelazny / and Harlan Ellison, unassisted. If you mix Ellison with wild talents like those names listed above you've got a book as unique as the Abominable Snowperson. Here is the first collection of collaborative stories ever created, each deranged vision complete with introduction (in the patented Ellison manner) explaining how the story was written and who gets the blame. The lunatic mind of Harlan Ellison strikes again.

In honor of Harlan Ellison's eightieth birthday, Susan Ellison-his wife of thirty years, the Electric Baby-has scoured raw eight (8) decades of his written output (from his 1949 serialized stories in The Cleveland News to as-yet unpublished tales fresh from his Olympia Manual typewriter) to present one artifact from each calendar decade. Where possible, the eight stories herein have been reproduced from Ellison's original typescripts, as preserved in his meticulous archives. In some cases, they may differ from the preferred texts established over years of revisions and reprints. From the 1940s: "The Sword of Parmagon," a five-part serial inspired by the works of Sir Walter Scott. Originally published in the Cleveland News when the author was fifteen years old, this story has been re-set with the original illustrations for this printing. From the 1950s: "Nedra at f:5.6," Ellison's homage to Fritz Leiber, reprinted from the revised typescript. From the 1960s: "The Resurgence of Miss Ankle-Strap Wedgie," a novella of Hollywood written as a showpiece for Ellison's first hardback collection. Reprinted from the original typescript with the author's handwritten corrections. From the 1970s: "The Diagnosis of Dr. D'arqueAngel," a fantasy written from a concept generated before an audience of California high school students by the author, Ray Bradbury, and Frank Herbert. Reprinted from the original typescript. From the 1980s: "She's a Young Thing and Cannot Leave Her Mother," the story Ellison was writing while attending the Scottish convention where he met the future Susan Ellison (and Neil Gaiman). Reprinted from the original typescript. From the 1990s: "Scartaris, June 28th," the story that--according to Susan Ellison--crystallized a new auctorial voice for her husband, the one that would go on to appear in THE BEST AMERICAN SHORT STORIES with "The Man Who Rowed Christopher Columbus Ashore" (available in HARLAN 101: ENCOUNTERING ELLISON). Reprinted from the original typescript. From the 2000s: "Incognita, Inc.," the story that explores the source of all those maps to buried treasure and magical lands. Reprinted from the original typescript, it makes its first appearance in an Ellison collection here. From the 2010s: "Weariness," inspired by a random piece of art, was first published in an anthology dedicated to the late Ray Bradbury. Reprinted from the original typescript, it makes its first appearance in an Ellison collection here.

This anthology assembles seventeen never-before-collected pulp stories from the 1950s. Includes-for the first time since its original publication in the April 1957 issue of SUPER-SCIENCE FICTION-"Invulnerable," which STEPHEN KING described as "...one of my favorite stories..." when it nearly appeared in Ellison's 1982 collection, STALKING THE NIGHTMARE. It's taken 30 years, but "Invulnerable" is finally available again. Every story has been revised by the author specifically for this collection. Stories include: "Invulnerable" (1957), "Like Father, Like Son" (1957), "Walk the Ceiling" (1957), "The Kissing Dead" (1956, written with Henry Slesar), "Across the Silent Days" (1958), "Star Route" (1955), "Backlash " (1956), "Machine Silent, Machine Yearning" (1957), "Way of an Assassin" (1958), "Fool's Mate" (1958), "The Untouchable Adolescents" (1956), "The Little Boy Who Loves Cats" (1954), "Parasite" (1955), "Up the Down Escalator" (1955), "Glug" (1958), "Hit-Skip" (1957), and "Why Did Wallace Crack?" (1956).

You will not find "'Repent, Harlequin ' Said the Ticktockman" in this book. Nor will you find "I Have No Mouth, and I Must Scream," "A Boy and His Dog," or "The Deathbird," or any of Harlan Ellison's myriad masterpieces. What will you find herein? The front cover might give you a nasty clue: stories of crime and amorality, of sex and violence. What the cover might not have conveyed was that the award-winning tales enumerated above were forged in an imagination stoked for the preceding decade by the need to trade tales to the pulps and slick men's magazine to make the rent ($7 a week). You hold in your hands the work of a writer painfully crawling forward, tale by tale, honing his craft in an industry where every word counted...of course, you knew all that; you got it from the title. AGAIN, HONORABLE WHOREDOM AT A PENNY A WORD kicks off with "Typewriters & Pipe Lighters," a collection of anecdotes from Ellison recalling the writing of these stories, which span his first full year as a professional writer (1956) to 1968, when he still dashed off the occasional thriller while making his name with the iconic fantasies listed above. A further essay-"Naked Deranged Psycho Thrill-Demon Or, Bitch-Slut Gun-Crazy Homicidal Rat" (1996)-discusses pulp editor W.W. Scott's propensity for re-titling Ellison's works for publication in such publications as Guilty and Trapped. Most of the stories are straight-forward thrillers never-before collected in an Ellison anthology: "Her Name Was Death" (1957), "Thirty Miles to Death Junction" (1957), "The Teaser with a Knife" (1967), "Don't Mind the Maid" (1957), "The Girl in the Red Room" (1964), "Hunchback" (1957), "Goodbye, Eadie" (1956), "The Clean Break" (1956), "Boss of the Big House"(1957), "Drive a Girl to Kill" (1957), "Hell's Holocaust" (1957), "Willie Just Won't Kick Off" (1968), "Mad Dog " (written with Henry Slesar, 1957), "The Women in the House" (1957), "Taxi Dancer"(1967). "The Music of Our Affair"(1963) features the author experimenting with style, to cacophonous effect. "Find One Cuckaboo" (1960) is a never-before reprinted novelette originally included in the paperback anthology THE SAINT MYSTERY LIBRARY, No. 11. "Clobber Me, Moogoo " (1956) and "McManus's Mental Mistress" (1968) exhibit a fantasy-tinged approach to stories of sex. "Only Death Can Stop It" (1960) compelled Harlan to add a disclaimer to the table of the contents. "The Final Push" (1957) is one of the author's three Westerns. While "Saddle Tramp" (collected in HONORABLE WHOREDOM AT A PENNY A WORD) was more tramp than saddle, this story has more in common with "The End of the Time of Leinard" in its evocation of a genre Ellison adores. "Night on the Mug Beat" is a never-before published cop story, appearing herein for the first time. The main body of the collection closes with "The Steep Road to the Gutter" (1965), an overlooked masterpiece of early Ellisonia that the editor is overjoyed to expose to a wider audience. But wait, there's more In preparing AGAIN, HONORABLE WHOREDOM AT A PENNY A WORD for publication, the editor stumbled across a file headed A WOMAN NAMED MIDNIGHT. After confirming that "A Girl Named Poison" (found in the author's 2013 collection PULLING A TRAIN) hadn't changed her name upon reaching maturity, the editor brought the forty-page typescript for an unfinished novel-credited to "Ellis Daye" on the first page, and written while Ellison lived in the treehouse on Bushrod Lane-to its author. Harlan read the story but had no recollection of writing it, nor why it had never been completed and published, but nevertheless gave his blessing for it to make its debut herein.

Five years in the making, the Edgeworks Abbey Archive represents Harlan Ellison's last word on his written legacy. Researched and edited by Ellison's long-time associate, Jason Davis, under the supervision of Harlan and Susan Ellison, this collection assembles the preferred texts of each story and essay along with previously uncollected and unpublished material to create the definitive edition.HONORABLE WHOREDOM AT A PENNY A WORD collects the hard-boiled fiction Ellison wrote for the mystery/suspense digests of the 1950s, along with a few later contributions to the genre from the men's magazines of the 1960s. In these pages, you will find Ellison's only recurring character, insurance investigator-turned-fixer Jerry Killian, as well as the diminutive private dick Big John Novak, a character intended to continue, but only appearing in one suspenseful outing. His aborted second appearance, "In Small Packages," makes its debut herein, alongside a pair of first drafts that showcase the rapid development of Ellison's craft across his first years as a professional writer-a time when pros were paid a penny a word.

Ace Double Book, cover code D-413. One side of this 1960 paperback includes an original short novel, “The Man With Nine Lives.” A pulpy revenge fantasy, its shifting narrative focus and stylistic variations still reveal an early sophistication. The reverse title is a collection of stories including an introduction by the author and these tales: Run for the Stars (1957); Back to the Drawing Boards (1958); Life Hutch (1956); The Sky Is Burning (1958); Final Trophy (1957); Blind Lightning (1956). While long on macho angst and short on narrative or character depth, the themes that form the basis of so much of his later work -- alienation, violence and justice -- are already apparent.