"A Millennial's groundbreaking investigation into why his generation is economically worse off than their parents, creating a radical and devastating portrait of what it means to be young in America. Millennials have been called lazy, entitled, narcissistic, and immature, but when you push aside the stereotypes, what actually unites this generation? The short answer: They've been had. Millennials are the hardest working and most educated generation in American history. They have poured unprecedented amounts of time and money into preparing themselves for the twenty-first-century workforce. Yet they are poorer, more medicated, more precariously employed, and have less of a social safety net than their parents or grandparents. Kids These Days asks why, and answers with a radical, brilliant, data-driven analysis of the economic and cultural forces that have shaped Millennial lives. Examining broad trends like runaway student debt, the rise of the intern, mass incarceration, social media, and more, Harris shows us a generation conditioned from birth to treat their lives and their efforts-their very selves and futures-as human capital to be invested. But what happens when children raised as investments grow up? Why are young people paying such a high price to train themselves for a system that exploits them? How can Millennials change or transcend what's been made of them? Gripping, mercilessly argued, deeply informed, and moving fluidly between critical theory, political policy, and pop culture, Kids These Days will wake you up, make you angry, and change how you see your place in the world. This is essential reading-not only for Millennials, but for anyone ready to take a hard look at how we got here and where we're headed if we don't change course fast"--

"Palo Alto's weather is temperate, its people are educated and enterprising, its corporations are spiritually and materially ambitious and demonstrably world-changing. Palo Alto is also a haunted toxic waste dump built on stolen Indian burial grounds, and an integral part of the capitalist world system. In Palo Alto, the first comprehensive, global history of Silicon Valley, Malcolm Harris examines how and why Northern California evolved in the particular, consequential way it did, tracing the ideologies, technologies, and policies that have been engineered there over the course of 150 years of Anglo settler colonialism, from IQ tests to the "tragedy of the commons," racial genetics, and "broken windows" theory. The Internet and computers, too. It's a story about how a small American suburb became a powerful engine for economic growth and war, and how it came to lead the world into a surprisingly disastrous 21st century. Palo Alto is an urgent and visionary history of the way we live now, one that ends with a clear-eyed, radical proposition for how we might begin to change course"--Provided by publisher.

"From the acclaimed author of Kids These Days, this collection of new and selected essays traces how inequality, student debt, and over-work have come to define our culture and our lives. Our economic situation, political discourse, and future prospects have gotten much worse since a guy brought a sign that said SHIT IS FUCKED UP AND BULLSHIT to the Occupy Wall Street protests at Zuccotti Park. We all knew what he meant . . . but where are we now? And how did we get here? Malcolm Harris, one of our most exciting young cultural critics, takes on these questions, examining everything from how we've become complicit in lowering the bar for what counts as prosperity; to how we sacrificed privacy so casually we didn't even notice; to the higher education financial bubble that is about to burst. But these funny, voice-driven essays remind us to laugh at the absurdity of all: he cops to being the guy who tricked protestors into thinking Radiohead was playing Occupy Wall Street; he demonstrates how uncannily the Ikea catalog now reflects our worldview; and he assures us Marx saw the necessity of a crisis moment just like the one we're in. This wide-ranging look at the mess we're in shows a versatile cultural critic at the height of his powers"--