This book consists of poems from Heinrich Heine's Lyrisches Intermezzo, which was set to music by Robert Schumann as his Op. 48 Song Cycle. The poems discuss love and heartbreak in a haunting and beautiful way. This edition includes the original German text as well as an English translation. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book consists of poems from Heinrich Heine's Lyrisches Intermezzo, which was set to music by Robert Schumann as his Op. 48 Song Cycle. The poems discuss love and heartbreak in a haunting and beautiful way. This edition includes the original German text as well as an English translation. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In 1835, the German principalities and cities banned the works of German-Jewish poet Heinrich Heine. The censors banned not only the works Heine had already published, but also prohibited, in advance, any work the writer might produce in the future. When Heine sneaked across the border from his Paris exile in 1843, the result was the poem-cycle Deutschland: Ein Wintermärchen (Germany: A Winter's Tale). The Hamburg publisher Julius Campe published this book, and kept all of Heine's work available "under the counter," so that the banned poet was read even more widely than ever. Heine's satires against German arrogance and militarism would continue in the 1840s, when the poet and Karl Marx worked together on the revolutionary newspaper Vorwärts. Heine's books would be banned again by the Nazis, who made a point of burning his books, and erasing his name from published song lyrics. Even the most famous of all German Lieder, "The Lorelei," was now said to have lyrics by "Author Unknown." Jacob Rabinowitz's adaptation of the 27-poem cycle renders Heine's verses into rapid-fire lines, almost as though Lenny Bruce were channeling his 19th century forebear. And instead of peppering the text with explanatory footnotes on the context of German culture and history in the poems, Rabinowitz incorporates helpful elucidations into the flow of the poems. For those who want to read the original German for themselves, this edition includes the complete 1844 German text on facing pages.

A collection of poetry by Heinrich Heine, translated into English by Emil Alexander Charles Keppler. The poems, originally published in Heine's Buch der Lieder, cover a wide range of themes including love, nature, and politics. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.