From the ancient Book of the Dead to Dante's Divine Comedy , the living have attempted to describe the world of the dead. Tours of Hell focuses on one form of that attempt: the tours of hell found in Jewish and Christian apocalypses of late antiquity and the early Middle Ages. Himmelfarb examines seventeen texts, preserved in five languages and spanning a thousand years of human history. These include Hebrew texts and Christian texts in Greek, Latin, Ethiopic, and Coptic, such as the Apocalypse of Peter and the Apocalypse of Paul family. Muslim texts, medieval visions, and other related literatures are also discussed. Himmelfarb details the common elements of the tour tradition, including such features as a hero or heroine figure, a heavenly revealer, and descriptions of the punishments awaiting those who arrive in hell. She convincingly refutes the accepted nineteenth-century critical view of the earliest of these tours, the Apocalypse of Peter, as a Christian form of an "Orphic-Pythagorean" descent to Hades. She place the work instead on the family tree of the tour apocalypse, a genre she traces back to the third century B.C.E. Book of the Watchers (1 Enoch 1-36). Linking the Apocalypse of Peter with later Jewish tours of hell, Himmelfarb reveals significant sin-and-punishment combinations that seem to point to a common source, which she theorizes to be a lost Jewish Tour work of the late Second Temple period. Rich and fascinating texts seldom before brought to light are treated in detail in this pioneering study. A comprehensive work on the apocalyptic tradition, Tours of Hell will be of great interest to scholars and students of religion, history, ancient and medieval literature, and Dante studies.

According to the account in the Book of Exodus, God addresses the children of Israel as they stand before Mt. Sinai with the words, "You shall be to me a kingdom of priests and a holy nation" (19:6). The sentence, Martha Himmelfarb observes, is paradoxical, for priests are by definition a minority, yet the meaning in context is clear: the entire people is holy. The words also point to some significant tensions in the biblical understanding of the people of Israel. If the entire people is holy, why does it need priests? If membership in both people and priesthood is a matter not of merit but of birth, how can either the people or its priests hope to be holy? How can one reconcile the distance between the honor due the priest and the actual behavior of some who filled the role? What can the people do to make itself truly a kingdom of priests? Himmelfarb argues that these questions become central in Second Temple Judaism. She considers a range of texts from this period, including the Book of Watchers , the Book of Jubilees , legal documents from the Dead Sea Scrolls, the writings of Philo of Alexandria, and the Book of Revelation of the New Testament, and goes on to explore rabbinic Judaism's emphasis on descent as the primary criterion for inclusion among the chosen people of Israel—a position, she contends, that took on new force in reaction to early Christian disparagement of the idea that mere descent from Abraham was sufficient for salvation.

Sefer Zerubbabel, the Book of Zerubbabel, is a Hebrew apocalyptic work composed during the wars between the Byzantine and Persian empires in the early decades of the seventh century of this era, shortly before the Muslim conquest of the Middle East. Himmelfarb places Sefer Zerubbael's narrative in the context of Christian tradition and contemporary Byzantine culture on the one hand and earlier Jewish eschatological traditions on the other. The impact of the Christian messianic narrative can be seen in Sefer Zerubbabel's depiction of the messiah son of David in terms of Isaiah's suffering servant and in the death and resurrection of the messiah son of Joseph, while contemporary Byzantine ideas about the Virgin as the patron and protector of Constantinople help to make sense of Sefer Zerubbabel's otherwise startling depiction of the mother of the messiah as a warrior defending Jerusalem. Sefer Zerubbabel also shows many points of contact with traditions about the messiah in rabbinic literature, but, the author argues, it is not dependent on the rabbinic formulation of those traditions. Rather, both the rabbis and Sefer Zerubbabel drew on popular traditions, which they reshaped for their own purposes. The rabbis tend to play down messianic hopes while Sefer Zerubbabel embraces them more enthusiastically. Thus reading Sefer Zerubbabel and rabbinic literature side by side allows us to recover some elements of the popular Jewish messianism of the early centuries of the Christian era. The book concludes by considering Sefer Zerubbabel's impact on a corpus of Jewish eschatological texts from the centuries after the rise of Islam.--

This is a study of the ancient Jewish and Christian apocalypses involving ascent into heaven, which have received little scholarly attention in comparison to apocalypses concerned primarily with the end of the world. Recent developments like the publication of the Aramaic Enoch fragments from Qumran and interest in questions of genre in the study of the apocalypses make this a particularly appropriate time to undertake this study. Martha Himmelfarb places the apocalypses in relation to both their biblical antecedents and their context in the Greco-Roman world. Her analysis emphasizes the emergence of the understanding of heaven as temple in the Book of the Watchers, the earliest of these apocalypses, and the way in which this understanding affects the depiction of the culmination of ascent, the hero's achievement of a place among the angels, in the ascent apocalypses generally. It also considers the place of secrets of nature and primeval history in these works. Finally, it offers an interpretation of the pseudepigraphy of the apocalypses and their function.