2 results for "Novel"

Riddley Walker

Hoban, Russell
"A hero with Huck Finn's heart and charm, lighting by El Greco and jokes by Punch and Judy. . . . Riddley Walker is haunting and fiercely imagined and—this matters most—intensely ponderable." —Benjamin DeMott, The New York Times Book Review "This is what literature is meant to be." —Anthony Burgess "Russell Hoban has brought off an extraordinary feat of imagination and style. . . . The conviction and consistency are total. Funny, terrible, haunting and unsettling, this book is a masterpiece." —Anthony Thwaite, Observer "Extraordinary . . . Suffused with melancholy and wonder, beautifully written, Riddley Walker is a novel that people will be reading for a long, long time." —Michael Dirda, Washington Post Book World "Stunning, delicious, designed to prevent the modern reader from becoming stupid." —John Leonard, The New York Times "Highly enjoyable . . . An intriguing plot . . . Ferociously inventive." —Walter Clemons, Newsweek "Astounding . . . Hoban's soaring flight of imagination is that golden rarity, a dazzlingly realized work of genius." —Jane Clapperton, Cosmopolitan "An imaginative intensity that is rare in contemporary fiction.' —Paul Gray, Time Riddley Walker is a brilliant, unique, completely realized work of fiction. One reads it again and again, discovering new wonders every time through. Set in a remote future in a post-nuclear holocaust England (Inland), Hoban has imagined a humanity regressed to an iron-age, semi-literate state—and invented a language to represent it. Riddley is at once the Huck Finn and the Stephen Dedalus of his culture—rebel, change agent, and artist. Read again or for the first time this masterpiece of 20th-century literature with new material by the author.
Indiana University Press 1998-09 235 pages

The bat tattoo

Hoban, Russell
Recently widowed and increasingly lonely, Roswell Clark's life had arrived at the point when he felt he needed a tattoo. His ideal image was that of a bat featured on an eighteenth-century bowl in the Victoria and Albert Museum, but strangely, on a visit to the museum, he encountered a woman called Sarah Varley, who was clearly compelled by the same bat. What did it mean? Sarah dealt in antiques and Roswell soon ran into her stalls in Chelsea and Covent Garden. His calling, which grew out of an obsession with crash-test dummies, was a bit harder to explain. It led from the invention of a popular children's toy to lucrative commissions from a Parisian sybarite for wooden working models with very adult moving parts. Both Roswell and Sarah had lost their spouses and were still grieving in their different ways. And then Christ started putting a hand in - literally - when a fragment of an ancient crucifix fetched up in one of Sarah's antique lots. Between some compulsion conveyed by this hand and Sarah's natural urge to make improvements in people, Roswell's work took a surprising new turn... Russell Hoban's delicious new novel combines much about art - traditional and conceptual - with new angles on Christ, crash-test dummies, antiques, pornography and a charming tale of romance.
Bloomsbury 2003-10-06 238 pages