"Diabolically clever."--New York Times "Horowitz dazzles with the brilliant third entry in his Susan Ryeland series . . . . [He is] is at the top of his game here, linking past and present in a virtuoso finale worthy of Agatha Christie."--Publishers Weekly (starred review) Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England. Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered--by poison. To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring. The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book. Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect. Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.

They’re making a major feature film of the first Hawthorne/Horowitz mystery novel. Except—they’re behind schedule, they’ve run out of money and . . . oh! The star has just been murdered. Ex-Detective Inspector Daniel Hawthorne is dead. Or, rather, the actor playing him in the film adaptation of The Word is Murder is. Rising star David Caine has been stabbed, and it seems that everyone on the set had a motive. Caine had just fired his PA. He had fallen out with his director, slept with the screenwriter, humiliated his co-star and dropped his agent days before he was about to sign a multi-million-dollar deal to appear in the next Spider-Man movie. But what if Caine’s murderer had made a mistake? What if it was the real Hawthorne who was the intended victim? For it turns out that the brilliant detective may have got it wrong ten years earlier. An innocent man has died in jail. And perhaps someone has decided that Hawthorne must pay the price. From the film set on the south coast of England, the story moves to Reeth, in Yorkshire, the village where Hawthorne grew up. A burned-down school, a car accident that isn’t what it seems, blackmail and murder in an Elizabethan country house . . . somehow they combine to unlock the secret of what has happened in Hastings. For once, the local police are helpful. DS Sarah Milnes gives Hawthorne carte blanche to investigate and there may even be a hint of romance in the air. Which leaves his hapless sidekick, Horowitz, on his own, stumbling his way to the truth. A riddle wrapped in a mystery inside an enigma, A Deadly Episode is an intriguing page-turner that once again demonstrates why Anthony Horowitz is the reigning king of the modern whodunit.