Few words in both everyday parlance and theoretical discourse have been as rhapsodically defended or as fervently resisted as "experience." Yet, to date, there have been no comprehensive studies of how the concept of experience has evolved over time and why so many thinkers in so many different traditions have been compelled to understand it. Songs of Experience is a remarkable history of Western ideas about the nature of human experience written by one of our best-known intellectual historians. With its sweeping historical reach and lucid comparative analysis―qualities that have made Martin Jay's previous books so distinctive and so successful―Songs of Experience explores Western discourse from the sixteenth century to the present, asking why the concept of experience has been such a magnet for controversy. Resisting any single overarching narrative, Jay discovers themes and patterns that transcend individuals and particular schools of thought and illuminate the entire spectrum of intellectual history. As he explores the manifold contexts for understanding experience―epistemological, religious, aesthetic, political, and historical―Jay engages an exceptionally broad range of European and American traditions and thinkers from the American pragmatists and British Marxist humanists to the Frankfurt School and the French poststructuralists, and he delves into the thought of individual philosophers as well, including Montaigne, Bacon, Locke, Hume and Kant, Oakeshott, Collingwood, and Ankersmit. Provocative, engaging, erudite, this key work will be an essential source for anyone who joins the ongoing debate about the material, linguistic, cultural, and theoretical meaning of "experience" in modern cultures.

Totality has been an abiding concern from the first generation of Western Marxists, most notably Lukács, Korsch, Gramsci, and Bloch, through the second, exemplified by the Frankfurt School, Lefebvre, Goldmann, Sartre, Merleau-Ponty, and Della Volpe, up to the most recent, typified by Althusser, Colletti, and Habermas. Yet no consensus has been reached concerning the term's multiple meanings—expressive, decentered, longitudinal, latitudinal, normative—or its implications for other theoretical and practical matters. By closely following the adventures of this troublesome but central concept, Marxism & Totality offers an unconventional account of the history of Western Marxism.

Force Fields collects the recent essays of Martin Jay, an intellectual historian and cultural critic internationally known for his extensive work on the history of Western Marxism and the intellectual migration from Germany to America.

When Michael Dukakis accused George H. W. Bush of being the "Joe Isuzu of American Politics" during the 1988 presidential campaign, he asserted in a particularly American tenor the near-ancient idea that lying and politics (and perhaps advertising, too) are inseparable, or at least intertwined. Our response to this phenomenon, writes the renowned intellectual historian Martin Jay, tends to vacillate often impotently between moral outrage and amoral realism. In The Virtues of Mendacity, Jay resolves to avoid this conventional framing of the debate over lying and politics by examining what has been said in support of, and opposition to, political lying from Plato and St. Augustine to Hannah Arendt and Leo Strauss. Jay proceeds to show that each philosopher s argument corresponds to a particular conception of the political realm, which decisively shapes his or her attitude toward political mendacity. He then applies this insight to a variety of contexts and questions about lying and politics. Surprisingly, he concludes by asking if lying in politics is really all that bad. The political hypocrisy that Americans in particular periodically decry may be, in Jay s view, the best alternative to the violence justified by those who claim to know the truth. -- Amazon.com.

"In this bold and wide-ranging book, intellectual historian Martin Jay traces across several centuries the conflict between two versions of nominalism-"conventional" nominalism and what he calls "magical" nominalism. According to Jay, since at least William of Ockham, the conventional form of nominalism contributed to the disenchantment of the world by rejecting the notion of general terms as anything other than names we use to group particular objects together, rejecting the idea that they have any reference to a further, "higher" reality. Magical nominalism, instead, performs a reenchanting function by investing names with an auratic power of their own. Starting with the initial revolution of nominalism against Scholastic realism, Jay proceeds to unpack various "counterrevolutions" against nominalism itself. Ranging from theology to critical theory, philosophy of history, aesthetics, and political theory, engaging with thinkers including Adorno, Barthes, Bataille, Benjamin, and Derrida; artists such as Marcel Duchamp; and a range of contemporary theorists, this book provides us with a new way to understand humanity's intellectual path to modernity and its aftermath. Focusing on fundamental debates over the relationship between language and reality, Jay shows, allows for surprising, illuminating connections across thinkers, disciplines, and vast realms of human experience"--

"There is no more contentious and perennial issue in modern thought than the vexed relationship between an idea's genesis and its claim to transcendent validity. It is at the heart of the discipline known as intellectual history, which deals with ideas and the intellectuals who generate, disseminate, and criticize them. These essays by an internationally recognized figure in the field address the issue in new and arresting ways"--