Arabian Nights 1914 begins in 1914...the world is on the precipice of a World War. The great powers, Germany and the Ottoman Empire face each other. Ouda is a small Arab desert kingdom, poor and isolated. Zade, a direct descendant of Scheherazade, is convinced that Ouda is doomed unless it becomes a modern, secular state and adopts science and technology. Her king's model must be the quintessential modern monarch, Kaiser Wilhelm II of Germany. The Oudian Ambassador in Berlin sends books, documents, information praising the virtues of the forward-looking Kaiser. Late June, 1914. Zade learns about the assassination in Sarajevo of the Austrian heir to the throne. The world war must be stopped. She immediately decides to go to Berlin, seduce the Kaiser and preserve the peace. Full of intrigue, seduction, exotic characters, where the 'seductive middle east meets the modern west Arabian Nights 1914 is a totally engrossing novel. Like his previous works, Eric Koch introduces the reader to a by-gone but crucially important historical world. All his characters are well researched and reflect the reality of the period. In the master's hands, they are plausible, human and fully entertaining.

A murder mystery featuring as sleuth an alternative 20th century Goethe. On winning the 1992 Nobel Prize for Literature, he travels to Stockholm where he investigates the murder of another winner of the prize. By the author of Kassandrus.

This new novel extends Koch's achievements in his previous novels and takes the reader to Koch's native Germany. Set in Weimar and Frankfurt in Germany, in the pivotal years 1927 and 1928, the novel is triggered the International Music Exhibition of 1927 "The Summer of Music. The reader is introduced to three main characters: Hanni Geisel, an amateur musician and hostess of star-studded Saturday 'dejeuners'; her lover Erwin Herzberg, the editor of the culture sections of the Frankfurter Zeitung; and Hanni's husband, Dr. Hermann Geisel, a successful lawyer and art collector. They constitute the Weimar triangle of the title. Koch again uses a multi-format narrative technique so highly praised in the German reviews of Recollections, including stories, excerpts from imagined memoirs, invented diaries, letters and even a synopsis of a never-produced operetta about the failed Hitler putsch of 1923, Putsching with Putzi.