A son's funny, frank, and "endlessly fascinating" memoir of his father, Wizard of Oz star Bert Lahr ( Harper's Magazine ). Bert Lahr, best known for his role as the Cowardly Lion in The Wizard of Oz , made audiences laugh from burlesque stages to vaudeville to Broadway--and impressed them as Estragon in the American theater debut of Waiting for Godot . But reality wasn't always funny for the legendary actor and comedian, or his family. Drawing on personal recollections and the memories of his father's colleagues, a veteran writer for the New Yorker and renowned theater critic brilliantly explores both the long and glorious professional career of a Hollywood icon and the experience of growing up with him. Here, in rich detail, is Bert Lahr evolving from a low-comic star to a Ziegfeld Follies sophisticate, hamming it up with the Scarecrow and Tin Man on the set of The Wizard of Oz , and garnering rich praise as he performed in Samuel Beckett's masterpiece. But while Lahr could be equally raucous and polished in public, in private he was painfully insecure and self-absorbed, keeping his family at arm's length as he quietly battled his inner demons. "A work of literature, a work of history, a subtle psychological study," Notes on a Cowardly Lion is more than one man's quest to understand his father. It is an extraordinary examination of a life on the stage and screen ( Harper's Magazine ). From a writer with an intimate knowledge of the theater and show business world, this is both a "frank and objective" ( The New York Times Book Review ) family memoir that will appeal to readers of Carrie Fisher's Wishful Drinking or Alan Cumming's Not My Father's Son , and a "book-length love letter. To open it is to enter a life, to participate in a sensibility and, perhaps most important, to laugh. Uproariously" ( Life) .

As drama critic for The New Yorker, John Lahr has always striven to tell the story behind the story; to use biography and history as well as his skill as a critic to illuminate the theater and all of its players. "Light Fantastic is a wide-ranging, comprehensive collection of his best critical pieces exploring the heart and soul of the theater. From his penetrating examination of Oscar Wilde's path to self-destruction, to his tragic portrait of Joe Orton's corrosive relationship with Kenneth Halliwell; from his chronicle of the rise and fall and reprisal of the American musical to his insightful commentary on such playwrights as Tennessee Williams, Tony Kushner, Lillian Hellman, Arthur Miller and Tom Stoppard, John Lahr brilliantly illuminates the dazzling world of contemporary theater.