A luminescent treatise on writing, love, and loss, a witty response to George Orwell's influential essay "Why I Write" Things I Don't Want to Know is the first in Deborah Levy's essential three-part "living autobiography" on writing and womanhood. Taking George Orwell's famous essay, "Why I Write", as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succour, from one of our most vital contemporary writers.

Now in paperback, a "tantalizingly poetic" ( NYTBR ) collection in which Levy " conquer s] the genre which demands she fashion perfect jewels" ( The Independent ). The stories in Black Vodka , by acclaimed author Deborah Levy, are perfectly formed worlds unto themselves, written in elegant yet economical prose. She is a master of the short story, exploring loneliness and belonging; violence and tenderness; the ephemeral and the solid; the grotesque and the beautiful; love and infidelity; and fluid identities national, cultural, and personal. In "Shining a Light," a woman's lost luggage is juxtaposed with far more serious losses. An icy woman seduces a broken man in "Vienna," and a man's empathy threatens to destroy him in "Stardust Nation." "Cave Girl" features a girl who wants to be a different kind of woman--she succeeds in a shocking way. A deformed man seeks beauty amid his angst in the title story. These are twenty-first century lives dissected with razor-sharp humor and curiosity. Levy's stories will send you tumbling into a rabbit hole, and you won't be able to scramble out until long after you've turned the last page.

From the author of Billy and Girl, this collection of stories explores the emptiness at the center of the characters' lives and their attempts to fill this lack. In "Cave Girl" Cass goes through a sex change, not to become a man, but rather to become "less of a real girl and more of a pretend woman." Her surgery transforms her into a woman desired by all men--including her brother. "Conversations with Famous Artists I Have Known" relates an afternoon discussion between two women, one who chose motherhood and a routine life at the expense of her creativity, the other a world famous, self-centered artist. In these stories about friendship, motherhood, and the search for enduring love, rules about decency and kindness are broken and repaired as men and women attempt to achieve an elusive sense of fulfillment.

Knowledge, intuition, science, and love are thrown into question in a collection of stories that embodies everyday dilemmas and dramas in settings as diverse as Ibiza to Camden Town, and from rural Spain to a precarious rowboat

When a group of hedonistic West European tourists gather to celebrate Christmas in a remote French chateau, an English woman is murdered. Tatiana, 'the unloved child', declares she knows who did it. The subsequent inquiry into the death proves to be more of an investigation into the nature of love, insatiable rage and sadistic desire, framed within an unfolding narrative of colonial violence which will change the tourists' version of history for ever. The Unloved is a pivotal novel in Levy's career, first published in 1994 and reissued now for a new generation of readers.

"She is a shimmering, melancholy angel, flown from Paradise to save him from the suburbs of hell. He an accountant, dreaming of a white Christmas, a little garden and someone to love. A storm of romance and slapstick, of heavenly and earthly delights, in this dystopian philosophical poem about individual freedom and the search for the good life."--Back cover