"The Book; yes, their Book. They had no state, holding them together, no country, no soil, no king, no form of life in common. If, in spite of this, they were one, more one than all the other peoples of the world, it was the Book that sweated them into unity. Brown, white, black, yellow Jews, large and small, splendid and in rags, godless and pious, they might crouch and dream all their lives in a quiet room, or fare splendidly in a radiant, golden whirlwind over the earth, but sunk deep in all of them was the lesson of the Book. Manifold is the world, but it is vain and fleeting as wind; but one and only is the God of Israel, the everlasting, the infinite, the Jehovah."-Jud Süss, 1925. When Feuchtwanger's two best known novels "Jew Süss" ("Power") and "Ugly Duchess" were first translated into English in the 1920s, they caused a tremendous sensation in England and then in America. The critics all hailed Feuchtwanger as the master of the historical novel-the peer of Dumas and Scott but written with the psychology of our own day. "Jew Süss," set in the 18th century Germany (at the time consisting of numerous fragmented independent states), deals with an identity crisis: in order to gain social power, the novel's protagonist attempts to forsake his Jewish heritage and becomes assimilated into the mainstream of German culture. More than that, Süss finds himself being in the position of potential kingmaker. Brilliant, attractive and with an insatiable lust for power, he practically ruled the Duke and his court, pandering to the vices of dissolute nobility, mounting through his intrigues to dizzying heights of power. Süss's only vulnerable spot, however, is his precious, exquisite, gentle daughter, Naomi. When her beauty became exposed to the beastliness of the Duke, tragedy came swiftly after.

A historical novel involving Antoinette, Louis XVI, Voltaire, and the Archduke Joseph of Austria.

The Spanish Ballad (originally published as "Die Jüdin von Toledo") is a 1955 novel by German-Jewish writer Lion Feuchtwanger. The story focuses on the "Golden Age" of learning in medieval Spain, and also describes the affair of Alfonso VIII with the Jewish Raquel in Toledo. In Lion Feuchtwanger's prologue to the story, he mentions that the ballad was originally written by Alfonso X of Castile in regards of his Great-Grandfather (Alfonso VIII).

"The King became passionately enamored with a Jewess who was called by the name of Fermosa, meaning The Beautiful, and he forgot his wife. And he shut himself up with the Jewess for almost seven full years, forgetful of himself, and of his realm also, and paying no heed to any other thing." - Alfonso el Sabio, "Cronica General," c. 1270. This is a haunting love story of Alfonso VIII, the Christian King of Castile, and Raquel, the beautiful Jewess of Toledo, two lovers trapped by the bitterness and conflict of their times in a tragic alliance. Raquel was the daughter of Yehuda, a wealthy, proud aristocrat, who had come from Seville with his family to serve as Alfonso's Minister of Finance. His mission was to replenish the country's depleted treasury, but he saw in this assignment an opportunity to prevent war between the Christian North and the Moslem South and in the process to save his own people, the Jews, from being crushed between these two ruthless forces. But when the impetuous Alfonso fell in love with Raquel and demanded her as his mistress, Yehuda had to choose between his daughter's future and the fate of his people. In this epic romance of the lovers and their bitter destinies, Lion Feuchtwanger, one of the world's great historical novelists, has brilliantly recreated the drama and pageantry of the Middle Ages, rent with love and hate, cruelty and compassion, profanity and piety, bloodshed and ritual.

"Pep: J. L. Wetcheek's American Song Book" is a brilliant collection of satirical verse by the renowned German novelist Lion Feuchtwanger, writing under the playful pseudonym J. L. Wetcheek. This work offers a sharp, outsider's perspective on the American landscape during the height of the 1920s. Through a series of rhythmic and biting poems, Feuchtwanger explores the themes of materialism, frantic energy, and the relentless pursuit of "pep"-the quintessential American quality of the era. The collection serves as a mirror to the Jazz Age, capturing the contradictions of a society defined by both its boundless optimism and its underlying spiritual hollows. From the urban hustle to the obsession with success, these poems dissect the cultural fabric of early 20th-century America with wit and irony. Written at a time when European intellectuals were both fascinated and repelled by American modernization, "Pep" remains a significant piece of social critique. It provides readers with an evocative look at how the American Dream was perceived from abroad, blending poetic craft with historical insight into the Roaring Twenties. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.