"G.H., a well-to-do Rio sculptress, enters her maid's room, sees a cockroach crawling out of the wardrobe, and, panicking, slams the door on it. The sight of the dying insect provokes a mystical crisis, at the height of which comes one of the most famous and genuinely shocking scenes in Latin American literature. Clarice Lispector wrote that of all of her works this novel was the one that "best corresponded to her demands as a writer"--Back cover

Classics. Clarice Lispector's sensational, prize-winning debut novel Near to the Wild Heart was published when she was twenty-three and earned her the name 'Hurricane Clarice'. It tells the story of Joana, from her wild, creative childhood, as the 'little egg' who writes poems for her father, through her marriage to the faithless Ot̀vio and on to her decision to make her own way in the world. As Joana, endlessly mutable, moves through different emotional states, different inner lives and different truths, this impressionistic, dreamlike and fiercely intelligent novel asks if any of us ever really know who we are. Translated by Alison Entrekin Edited by Benjamin Moser

This novel is considered the greatest work of fiction by the Brazilian writer the "New York Times Book Review" called "the premier Latin American woman prose writer of this century." An intense and lyrical work, it chronicles its female protagonist's journey of self-discovery and self-affirmation.

Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-SmithThirteen short tales from one of the most blistering and innovative writers of the twentieth century.The small incidents of life become moments of inner revelation in the luminous writi[Bokinfo]

""It's the best one," Clarice Lispector remarked on the occasion of the publication of The Apple in the Dark: "I can't define it, how it is, I can only say that it's much better constructed than the previous ones." A book in three chapters, with three central characters, The Apple in the Dark is in fact highly sculpted, while being chiefly a metaphysical book, and in this stunning new translation, the novel's mysteries and allegories glow with a fresh scintillating light. Martim, fleeing from a murder he believes he committed, plunges into the dark nocturnal jungle: stumbling along, in a state of both fear and wonder, eventually he comes to a remote, quiet ranch and finds work with the two women who own it. The women are tranquil enough before his arrival, but are affected by his radical mystery. Soaked through with Martim's inner night (his soul is in the darkness where everything is created), the novel vibrates with his perpetual searching state of vigil. Often he feels close to an epiphany: "for the first time he was present in the moment in which whatever is happening is happening." Yet such flashes flicker out, so he's ever on the watch for "life to take on the dimensions of a destiny." In an interview, Lispector once said: "I am Martim." As she puts it in The Apple in the Dark: "All I've got is hunger. And that unstable way of grasping an apple in the dark-without letting it fall.""--

"In The Apprenticeship, or The Book of Pleasures, Clarice Lispector tries to discover how to bridge the gap between people, or how to even begin to try. A woman struggles to emerge from solitude and sadness into love, including sexual love: her guide on this journey is Ulisses, who (yes) leads her patiently into the fullness of life."--

"Fresh from the enormous success of her debut novel Near to the Wild Heart, Hurricane Clarice let loose something stormier in 1946 with her second novel, The Chandelier. In a body of work renowned for its potent idiosyncratic genius, The Chandelier in many ways has pride of place. "It stands out," her biographer Benjamin Moser noted, "in a strange and difficult body of work, as perhaps her strangest and most difficult book." Of glacial intensity, consisting almost entirely of interior monologues--interrupted by odd and jarring fragments of dialogue and action--the novel moves in slow waves that crest in moments of revelation. As she seeks freedom via creation, the drama of Virginia's isolated life is almost entirely internal: from childhood, she sculpts clay figurines with "the best clay one could desire: white, supple, sticky, cold. She got a clear and tender material from which she could shape a world. How, how to explain the miracle..." While on one level simply the story of a woman's life, The Chandelier's real drama lies in Lispector's attempt "to find the nucleus made of a single instant ...the tenuous triumph and the defeat, perhaps nothing more than breathing." The Chandelier pushes Lispector's lifelong quest for that nucleus into deeper territories than any of her amazing works" --