For many, the moon landing was the defining event of the twentieth century. So it seems only fitting that Norman Mailer—the literary provocateur who altered the landscape of American nonfiction—wrote the most wide-ranging, far-seeing chronicle of the Apollo 11 mission. A classic chronicle of America’s reach for greatness in the midst of the Cold War, Of a Fire on the Moon compiles the reportage Mailer published between 1969 and 1970 in Life magazine: gripping firsthand dispatches from inside NASA’s clandestine operations in Houston and Cape Kennedy; technical insights into the magnitude of their awe-inspiring feat; and prescient meditations that place the event in human context as only Mailer could. Praise for Of a Fire on the Moon “The gift of a genius . . . a twentieth-century American epic—a Moby Dick of space.” — New York “Mailer’s account of Apollo 11 stands as a stunning image of human energy and purposefulness. . . . It is an act of revelation—the only verbal deed to be worthy of the dream and the reality it celebrates.” — Saturday Review “A wild and dazzling book.” — The New York Times Book Review “Still the most challenging and stimulating account of [the] mission to appear in print.” — The Washington Post Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.” — The New York Times “A writer of the greatest and most reckless talent.” — The New Yorker “Mailer is indispensable, an American treasure.” — The Washington Post “A devastatingly alive and original creative mind.” — Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.” — The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.” — Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.” — The Cincinnati Post

A novel about a hunting trip in Alaska which turns into an initiation rite. Vietnam is mentioned only once and the book can be seen either as an allegory or a symbolic psychic explanation of America's fighting in Vietnam. The author has won the Pulitzer Prize, The National Book Award for Arts and Letters (1969) and the 14th Annual Award for Outstanding Service to the Arts, McDowell Colony (1973).

Mailer plunges into the broil over womanhood, explores many facets of love and variations, examines studies and the literature of SCUM (The Society for Cutting Up Men), and provides frank, abrasive, and witty observations. A wonderful first edition, first state book.

Beginning with his debut masterpiece, The Naked and the Dead, Norman Mailer has repeatedly told the truth about war. Why Are We at War? returns Mailer to the gravity of the battlefield and the grand hubris of the politicians who send soldiers there to die. First published in the early days of the Iraq War, Why Are We at War? is an explosive argument about the American quest for empire that still carries weight today. Scrutinizing the Bush administration’s words and actions, Mailer unleashes his trademark moral rigor: “Because democracy is noble, it is always endangered. . . . To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad.” Praise for Why Are We at War? “We’re overloaded with information these days, some of it possibly true. Mailer offers a provocative—and persuasive—cultural and intellectual frame.”—Newsweek “[Mailer] still has the stamina to churn out hard-hitting criticism.”—Los Angeles Times “Penetrating . . . There’s plenty of irreverent wit and fresh thinking on display.”—San Francisco Chronicle “Eloquent . . . thoughtful . . . Why Are We at War? pulls no punches.”—Fort Worth Star-Telegram Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

“I see God,” wrote Norman Mailer, “as a Creator, as the greatest artist. I see human beings as His most developed artworks.” In these moving, amusing, and probing dialogues conducted in the years before his death, Mailer establishes his own system of belief, rejecting both organized religion and atheism. He avows that sensual pleasures were bestowed on us by God; he finds fault with the Ten Commandments; and he holds that technology was the Devil’s most brilliant creation. In short, Mailer is original and unpredictable in this inspiring journey, in which “God needs us as much as we need God.” Praise for On God “[Norman Mailer’s] theology is not theoretical to him. After eight decades, it is what he believes. He expects no adherents, and does not profess to be a prophet, but he has worked to forge his beliefs into a coherent catechism.” — New York “The glory of an original mind in full provocation.” — USA Today “At once illuminating and exciting . . . a chance to see Mailer’s intellect as well as his lively conversational style of speech.” — American Jewish Life “Remarkable . . . [Mailer’s] a believer—in his own fashion. . . . He has made [God] into a complex character.” — The Globe and Mail Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.” — The New York Times “A writer of the greatest and most reckless talent.” — The New Yorker “Mailer is indispensable, an American treasure.” — The Washington Post “A devastatingly alive and original creative mind.” — Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.” — The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.” — Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.” — The Cincinnati Post