Blending memories and family myths, Mary McCarthy takes us back to the twenties, when she was orphaned in a world of relations as colourful, potent and mysterious as the Catholic religion. There were her grandmothers: one was a blood-curdling Catholic who combined piousness and pugnacity; the other was Jewish and wore a veil to hide the disastrous effects of a face-lift. There was wicked Uncle Myers who beat her for the good of her soul and Aunt Margaret who laced her orange juice with castor oil and taped her lips at night to prevent unhealthy 'mouth-breathing'. 'Many a time in the course of doing these memoirs,' Mary McCarthy says, 'I have wished that I were writing fiction.' But these were the people, along with the ladies of the Sacred Heart convent school, who helped to inspire her devastating sense of the sublime and ridiculous and her witty, novelist's imagination.

Theatre Chronicles, 1937-1956.

The Stones of Florence is a non-fiction book written by Mary McCarthy, first published in 1959. The book is a travelogue and a cultural exploration of the city of Florence, Italy. The author delves into the history and art of the city, highlighting its rich cultural heritage and the impact of the Renaissance on its architecture, literature, and art. McCarthy takes the reader on a tour of the city, exploring its iconic landmarks such as the Duomo, the Uffizi Gallery, and the Ponte Vecchio. She also examines the city's political and social history, including the role of the Medici family in shaping the city's cultural identity. Through her vivid descriptions and insightful analysis, the author provides a comprehensive portrait of Florence, its people, and its art. The book is a must-read for anyone interested in Italian culture and history, and for those who want to gain a deeper understanding of the city that has inspired countless artists and writers throughout the centuries.Picture And Text Book On Italy. Includes All Aspects Of Florentine Life, From Art And Architecture To Religion And Politics.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

With a lack of sentimentality unusual for the genre, Venice Observed explores the history, art, architecture, religion, and cultural peculiarities of the City of Canals. Mordantly witty and legendarily wry, Mary McCarthy catalogs the impressions of such visitors to the city as Montaigne, Stendhal, Spencer, and Henry James, but paints her own wholly original depictions of the city. Her adoration of the immortal city enlivens her interest in everything from the Venetian preference for cats over dogs to Tintoretto's paintings in the Scuola di San Rocco. Concerning Venice's ubiquitous tourists, McCarthy notes, "The complaint against foreigners, voiced by a foreigner, chimes querulously through the ages, in unison with the medieval monk who found St Mark's Square filled with 'Turks, Libyans, Parthians, and other monsters of the sea.' Today it is the Germans we complain of, and no doubt they complain of the Americans, in the same words." Conversational yet deeply informed, Venice Observed is a classic travel narrative for the ages.